Outside Of Eden

What happened to the idealism of the 1960s? This question has haunted a generation. 'Outside the Gates of Eden' follows two men from their first meeting in high school to their final destination in the 21st century. Alex is torn between his father's business empire and his own artistic yearnings. Cole, constantly uprooted in his childhood, finds his calling at a Bob Dylan concert in 1965. From the Summer of Love in San Francisco to the Woodstock festival in upstate New York, from campus protests to the Soho art scene, from a communal farm in Virginia to the mariachis of Guanajuato, Mexico, the novel charts the rise and fall of the counterculture - and what came after.

In this stunning work of narrative nonfiction, the author tours the front lines of ecological invasion--in Hawaii, Tasmania, Guam, San Francisco, in lush rain forests, through underground lava tubes, on the deck of an Alaska-bound oil tanker.

In a brilliant synthesis of genetic, archaeological, linguistic and climatic data, Oppenheimer challenges current thinking with his claim that there was only one successful migration out of Africa. In 1988 Newsweek headlined the startling discovery that everyone alive on the earth today can trace their maternal DNA back to one woman who lived in Africa 150,000 years ago. It was thought that modern humans populated the world through a series of migratory waves from their African homeland. Now an even more radical view has emerged, that the members of just one group are the ancestors of all non-Africans now alive, and that this group crossed the mouth of the Red Sea a mere 85,000 years ago. It means that not only is every person on the planet descended from one African 'Eve' but every non-African is related to a more recent Eve, from that original migratory group. This is a revolutionary new theory about our origins that is both scholarly and entertaining, a remarkable account of the kinship of all humans. Further details of the findings in this book are presented at www.bradshawfoundation.com/stephenoppenheimer/

Offering a philosophical meditation on the problem of evil, this book uses the Genesis story of the Fall as the starting point for an articulation of the human condition, and shows us that evil expresses the rage of a subject who knows both that he is an image of an infinite God and that he must die.

Out of Eden presents the rigorous investigations and musings of a poet-essayist on the ways in which modern artists have confronted and transfigured the realist tradition of representation. Di Piero pursues his theme with an autobiographical force and immediacy. He fixes his attention on painters and photographers as disparate as Cezanne, Boccioni, Pollock, Warhol, Edward Weston, and Robert Frank. There is indeed a satisfying sweep to this collection: Matisse, Giacometti, Morandi, Bacon, the Tuscan Macchiaioli of the late nineteenth century, the Futurists of the early modern period, and the American pop painters. Di Piero's analysis of modern images also probes the relation between new kinds of image making and transcendence. The author argues that Matisse and Giacometti, for example, continued to exercise the religious imagination even in a desacralized age. And because Di Piero believes that the visual arts and poetry live intimate, coordinate lives, his essays speak of the relation of poetry to forms in art. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1991.

How did the replication bomb we call ”life” begin and where in the world, or rather, in the universe, is it heading? Writing with characteristic wit and an ability to clarify complex phenomena (the New York Times described his style as ”the sort of science writing that makes the reader feel like a genius”), Richard Dawkins confronts this ancient mystery.

The cultural historian and author of Atomic Spaces offers a comprehensive account of the Baby Boomer years—from the atomic age to the virtual age. Born under the shadow of the atomic bomb, with little security but the cold comfort of duck-and-cover drills, the postwar generations lived through—and led—some of the most momentous changes in all of American history. In this new cultural history, Peter Bacon Hales explores those decades through a succession of resonant moments, spaces, and artifacts of everyday life. Finding unexpected connections, he traces the intertwined undercurrents of promise and peril. From newsreels of the first atomic bomb tests to the invention of a new ideal American life in Levittown; from the teen pop music of the Brill Building and the Beach Boys to Bob Dylan’s canny transformations; from the painful failures of communes to the breathtaking utopian potential of the digital age, Hales reveals a nation in transition as a new generation began to make its mark on the world it was inheriting. Outside the Gates of Eden is the most comprehensive account yet of the baby boomers, their parents, and their children, as seen through the places they built, the music and movies and shows they loved, and the battles they fought to define their nation, their culture, and their place in what remains a fragile and dangerous world.

On a night of torrential rain, a warrior appears near the Colombia River, where the Chinook people thrived before the hydroelectric dams came and changed their entire way of life. He has come to reclaim the river, to return it to its original majesty. Soon after, government employees are found murdered with elaborate harpoons. As the body count grows, Francine Smohalla, a government marine biologist of Chinook and white descent, embarks on her own investigation of the bizarre murders. As she desperately tries to find the killer and prevent any other murders, she finds herself spinning in the convergence of ethnic hatreds between Indians and whites, an unlikely relationship with a kindred spirit whose troubled life has led him to contemplate terrorism and apocalypse, an ancient prophecy about the return of her beloved salmon, and the giant dams on the Columbia that loom large and as seemingly immovable as the mountains themselves. A River Out of Eden is a gripping literary thriller straight from today’s headlines set against the uniquely American contradictions of the Pacific Northwest.

The fascinating story of a trial that opened a window onto the century-long battle to control nature in the national parks. When twenty-five-year-old Harry Walker was killed by a bear in Yellowstone Park in 1972, the civil trial prompted by his death became a proxy for bigger questions about American wilderness management that had been boiling for a century. At immediate issue was whether the Park Service should have done more to keep bears away from humans, but what was revealed as the trial unfolded was just how fruitless our efforts to regulate nature in the parks had always been. The proceedings drew to the witness stand some of the most important figures in twentieth century wilderness management, including the eminent zoologist A. Starker Leopold, who had produced a landmark conservationist document in the 1950s, and all-American twin researchers John and Frank Craighead, who ran groundbreaking bear studies at Yellowstone. Their testimony would help decide whether the government owed the Walker family restitution for Harry's death, but it would also illuminate decades of patchwork efforts to preserve an idea of nature that had never existed in the first place. In this remarkable excavation of American environmental history, nature writer and former park ranger Jordan Fisher Smith uses Harry Walker's story to tell the larger narrative of the futile, sometimes fatal, attempts to remake wilderness in the name of preserving it. Tracing a course from the founding of the national parks through the tangled twentieth-century growth of the conservationist movement, Smith gives the lie to the portrayal of national parks as Edenic wonderlands unspoiled until the arrival of Europeans, and shows how virtually every attempt to manage nature in the parks has only created cascading effects that require even more management. Moving across time and between Yellowstone, Yosemite, and Glacier national parks, Engineering Eden shows how efforts at wilderness management have always been undone by one fundamental problem--that the idea of what is "wild" dissolves as soon as we begin to examine it, leaving us with little framework to say what wilderness should look like and which human interventions are acceptable in trying to preserve it. In the tradition of John McPhee's The Control of Nature and Alan Burdick's Out of Eden, Jordan Fisher Smith has produced a powerful work of popular science and environmental history, grappling with critical issues that we have even now yet to resolve.

A provocative new interpretation of the Adam and Eve story from an expert in Biblical literature. The Garden of Eden story, one of the most famous narratives in Western history, is typically read as an ancient account of original sin and humanity’s fall from divine grace. In this highly innovative study, Ziony Zevit argues that this is not how ancient Israelites understood the early biblical text. Drawing on such diverse disciplines as biblical studies, geography, archaeology, mythology, anthropology, biology, poetics, law, linguistics, and literary theory, he clarifies the worldview of the ancient Israelite readers during the First Temple period and elucidates what the story likely meant in its original context. Most provocatively, he contends that our ideas about original sin are based upon misconceptions originating in the Second Temple period under the influence of Hellenism. He shows how, for ancient Israelites, the story was really about how humans achieved ethical discernment. He argues further that Adam was not made from dust and that Eve was not made from Adam’s rib. His study unsettles much of what has been taken for granted about the story for more than two millennia—and has far-reaching implications for both literary and theological interpreters. “Classical Hebrew in the hands of Ziony Zevit is like a cello in the hands of a master cellist. He knows all the hidden subtleties of the instrument, and he makes you hear them in this rendition of the profoundly simple story of Adam, Eve, the Serpent, and their Creator in the Garden of Eden. Zevit brings a great deal of other biblical learning to bear in a surprisingly light-hearted book.”―Jack Miles, author of God: A Biography