Our Shadowed Present

At a time of the widespread rejection of history by politicians and intellectuals, Jonathan Clark's new book is a landmark defence of continuity: a key account of how public morality, civic involvement and our sense of tradition depend on what historians write.

Civilization is often equated with the story of human advancement and progress. Yet it is also the story of human oppression, exploitation, war, and empire. In our own time, modern global civilization has brought us to the brink of planetary destruction. By offering an understanding of our past, this book aims to provide a stimulus to considering a different future. Our Shadowed World considers how we have been brought to this point. It describes how the fragmented and conflicted state of humanity has “progressed” from the earliest city-states to the devastation of world war and holocaust—how civilization has brought its own form of savagery. What beliefs have underlain and motivated human action? How have humans tried to understand their world? Driven by the relentless quest for power, by greed, and by extreme beliefs, the human enterprise today has placed the very idea of civilization under threat, the subject of radical questioning. Despite a new ecological awareness dedicated to saving the planet from civilization’s carelessness, and a preoccupation with the nature of apocalyptic thinking, a question mark looms over the very survival of humanity in its present state—a question mark that now overshadows the world.

A collection of memories from fans and actors of the 1960's/70's Gothic ABC Soap Opera 'Dark Shadows'. Additionally the book contains several rare photographs from that time period.

"Paranormal romance at its best!" --Cynthia Eden Danger signs rise off Jase Kayrs like steam--the scars, the secrets, the strength. He's got a mission, and he's not interested in much outside of it. Except Brenna Finn. Brenna was an ass-kicking, name-taking witch--before the poison that's killing her sapped her powers too. She knows there's more to Jase than a handsome face and an ugly history. But there's no time to find out what. Taking him as her mate might save her life. But once she unleashes the force of his desire, there will be no turning back. . . Ready or not, here they come. . . "Hot and fast from beginning to end." --Kate Douglas on Fated

One of the feature stories of the Cthulhu Mythos, "The Shadow Out of Time" is the tale of a professor of political economics that is thrown into a mind-shattering journey through time and space, while his body is held hostage by an alien mind. Horrified and panic-stricken by the implications of his experiences, he hopes against all reason and evidence that he has merely lost his mind.

Written in an engaging and entertaining style, this widely-used how-to guide introduces readers to the theory, craft, and methods of history and provides a series of tools to help them research and understand the past. Part I is a stimulating, philosophical introduction to the key elements of history--evidence, narrative, and judgment--that explores how the study and concepts of history have evolved over the centuries. Part II guides readers through the workshop of history. Unlocking the historian's toolbox, the chapters here describe the tricks of the trade, with concrete examples of how to do history. The tools include documents, primary and secondary sources, maps, arguments, bibliographies, chronologies, and many others. This section also covers professional ethics and controversial issues, such as plagiarism, historical hoaxes, and conspiracy theories. Part III addresses the relevance of the study of history in today's fast-paced world. The chapters here will resonate with a new generation of readers: on everyday history, oral history, material culture, public history, event analysis, and historical research on the Internet. This Part also includes two new chapters for this edition. GIS and CSI examines the use of geographic information systems and the science of forensics in discovering and seeing the patterns of the past. Too Much Information treats the issue of information overload, glut, fatigue, and anxiety, while giving the reader meaningful signals that can benefit the study and craft of history. A new epilogue for this edition argues for the persistence of history as a useful and critically important way to understand the world despite the information deluge.

The Noël Coward Reader offers a wonderfully wide-ranging selection—the first of its kind—of the best of the Master’s oeuvre, entertainingly annotated and abundantly illustrated, and including material that has never before been published. Here are scenes from Coward’s famous plays, from Private Lives to Blithe Spirit, and his screenplays, from Brief Encounter to In Which We Serve. Here are four of his best short stories, scenes from his only novel, and a generous selection of his verse, alongside the lyrics of many of his most sublime songs, including “Mad Dogs and Englishmen,” “The Stately Homes of England,” and “Mad About the Boy.” The Noël Coward Reader is a must-have book both for those who adore his work and for those who are just discovering the many-faceted delights of his comic genius.

Humphrey Jennings (1907-50) was perhaps the most gifted film-maker of the British documentary movement. Involved in the Mass Observation project of the 1930s, Jennings' talent lay in picturing ordinary life in ways that were inventive yet authentic. "Fires Were Started –" (1943) is his major achievement. A film about a day's work for a unit of mainly auxiliary volunteer firemen at the height of the blitz, it blends observation with reconstruction to achieve a particularly poignant kind of propaganda. Lindsay Anderson expressed the opinion of many commentators and viewers when he wrote in Sight and Sound (in a 1954 article reprinted as an appendix to this volume) that Jennings was 'the only real poet the British cinema has yet produced'. But how could a documentarist also be a 'poet'? This is one of the questions addressed by Brian Winston in his study of "Fires Were Started –", a question which is particularly relevant today in the wake of the massive public controversies surrounding 'faked' documentaries. For Winston documentary film-making is always 'creatively treated actuality' and must be taken as such if it's to be properly valued and understood.

Thomas Paine (1737-1809) was England's greatest revolutionary: no other reformer was as actively involved in events of the scale of the American and French Revolutions, and none wrote such best-selling texts with the impact of Common Sense and Rights of Man. No one else combined the roles of activist and theorist, or did so in the 'age of revolutions', fundamental as it was to the emergence of the 'modern world'. But his fame meant that he was taken up and reinterpreted for current use by successive later commentators and politicians, so that the 'historic Paine' was too often obscured by the 'usable Paine'. J. C. D. Clark explains Paine against a revised background of early- and mid-eighteenth-century England. He argues that Paine knew and learned less about events in America and France than was once thought. He de-attributes a number of publications, and passages, hitherto assumed to have been Paine's own, and detaches him from a number of causes (including anti-slavery, women's emancipation, and class action) with which he was once associated. Paine's formerly obvious association with the early origin and long-term triumph of natural rights, republicanism, and democracy needs to be rethought. As a result, Professor Clark offers a picture of radical and reforming movements as more indebted to the initiatives of large numbers of men and women in fast-evolving situations than to the writings of a few individuals who framed lasting, and eventually triumphant, political discourses.

Winner, John Brinckerhoff Jackson Prize, Association of American Geographers, 1997 Shadowed Ground explores how and why Americans have memorialized—or not—the sites of tragic and violent events spanning three centuries of history and every region of the country. For this revised edition, Kenneth Foote has written a new concluding chapter that looks at the evolving responses to recent acts of violence and terror, including the destruction of the Branch Davidian compound at Waco, Texas, the Oklahoma City bombing, the Columbine High School massacre, and the terrorist attacks of 9/11.