Our Revolution A Mother And Daughter At Midcentury

A daughter’s “tender and unflinching portrait of her complex, privileged, wildly talented mother” (Louise Erdrich) evolves beautifully into a narrative of the far-reaching changes in women’s lives in the twentieth century. With the sweep of an epic novel, Our Revolution follows charismatic and brilliant Jenny Moore, whose life changed as she became engaged in movements for peace and social justice. Decades after Jenny’s early death, acclaimed poet and memoirist Honor Moore forges a new relationship with the seeker and truth teller she finds in her mother’s writing. Our Revolution is a daughter’s vivid, absorbing account of the mother who shaped her life as an artist and a woman, “beautifully recorded, documented, and envisioned as feminist art and American history” (Margo Jefferson).

“An eloquent argument for speaking even the most difficult truths.” —New York Times Book Review Paul Moore’s vocation as an Episcopal priest took him— with his wife, Jenny, and their family of nine children—from robber-baron wealth to work among the urban poor, leadership in the civil rights and peace movements, and two decades as the bishop of New York. The Bishop’s Daughter is his daughter’s story of that complex, visionary man: a chronicle of her turbulent relationship with a father who struggled privately with his sexuality while she openly explored hers and a searching account of the consequences of sexual secrets.

“A striking portrait of a woman artist’s struggle for life.” —Arthur Miller Margarett Sargent was an icon of avant-garde art in the 1920s. In an evocative weave of biography and memoir, her granddaughter unearths for the first time the life of a spirited and gifted woman committed at all costs to self-expression.

“Sexy, telegraphic, edgy, and rapt. . . . Exquisitely visual, cuttingly witty, Moore’s poems are at once cool and searing.”—Booklist

Two pioneering feminists present a groundbreaking collection recovering a generation's revolutionary insights for today When Betty Friedan published The Feminine Mystique in 1963, the book exploded into women’s consciousness. Before the decade was out, what had begun as a campaign for women’s civil rights transformed into a diverse and revolutionary movement for freedom and social justice that challenged many aspects of everyday life long accepted as fixed: work, birth control and abortion, childcare and housework, gender, class, and race, art and literature, sexuality and identity, rape and domestic violence, sexual harassment, pornography, and more. This was the women’s liberation movement, and writing—powerful, personal, and prophetic—was its beating heart. Fifty years on, in the age of #MeToo and Black Lives Matter, this visionary and radical writing is as relevant and urgently needed as ever, ready to inspire a new generation of feminists. Activists and writers Alix Kates Shulman and Honor Moore have gathered an unprecedented collection of works—many long out-of-print and hard to find—that catalyzed and propelled the women’s liberation movement. Ranging from Friedan’s Feminine Mystique to Backlash, Susan Faludi’s Reagan-era requiem, and framed by Shulman and Moore with an introduction and headnotes that provide historical and personal context, the anthology reveals the crucial role of Black feminists and other women of color in a decades long mass movement that not only brought about fundamental changes in American life—changes too often taken for granted today—but envisioned a thoroughgoing revolution in society and consciousness still to be achieved.

Versions of the Snow White story have been shared across the world for centuries. Acclaimed folklorist and translator Maria Tatar places the well-known editions of Walt Disney and the Brothers Grimm alongside other tellings, inviting readers to experience anew a beloved fantasy of melodrama and imagination.

“Puleo has found a new way to tell the story with this well-researched and splendidly written chronicle of the Jamestown, its captain, and an Irish priest who ministered to the starving in Cork city...Puleo’s tale, despite the hardship to come, surely is a tribute to the better angels of America’s nature, and in that sense, it couldn’t be more timely.” —The Wall Street Journal The remarkable story of the mission that inspired a nation to donate massive relief to Ireland during the potato famine and began America's tradition of providing humanitarian aid around the world More than 5,000 ships left Ireland during the great potato famine in the late 1840s, transporting the starving and the destitute away from their stricken homeland. The first vessel to sail in the other direction, to help the millions unable to escape, was the USS Jamestown, a converted warship, which left Boston in March 1847 loaded with precious food for Ireland. In an unprecedented move by Congress, the warship had been placed in civilian hands, stripped of its guns, and committed to the peaceful delivery of food, clothing, and supplies in a mission that would launch America’s first full-blown humanitarian relief effort. Captain Robert Bennet Forbes and the crew of the USS Jamestown embarked on a voyage that began a massive eighteen-month demonstration of soaring goodwill against the backdrop of unfathomable despair—one nation’s struggle to survive, and another’s effort to provide a lifeline. The Jamestown mission captured hearts and minds on both sides of the Atlantic, of the wealthy and the hardscrabble poor, of poets and politicians. Forbes’ undertaking inspired a nationwide outpouring of relief that was unprecedented in size and scope, the first instance of an entire nation extending a hand to a foreign neighbor for purely humanitarian reasons. It showed the world that national generosity and brotherhood were not signs of weakness, but displays of quiet strength and moral certitude. In Voyage of Mercy, Stephen Puleo tells the incredible story of the famine, the Jamestown voyage, and the commitment of thousands of ordinary Americans to offer relief to Ireland, a groundswell that provided the collaborative blueprint for future relief efforts, and established the United States as the leader in international aid. The USS Jamestown’s heroic voyage showed how the ramifications of a single decision can be measured not in days, but in decades.

Mary Allen is the author of The Rooms of Heaven, published by Alfred A. Knopf and Vintage Books. She received a National Endowment for the Arts grant in 2002. Her work has appeared in Poets & Writers, Tiferet, Real Simple, Library Journal, CNN On-line, The Chaos, Shenandoah, Spoon River Poetry Review, and in the anthology If I Don't Make It, I Love You: Survivors in the Aftermath of School Shootings. She has an MFA from the Iowa Writers' Workshop and has taught at the University of Iowa. She lives in Iowa City and is a full-time writing coach. ENDORSEMENTS "Mary Allen's effortlessly original voice addresses the reader with startling simplicity and moral clarity, whether she is introducing us to the tender friendship between a young woman and a celebrated octogenarian, or allowing us to see through her eyes the beautiful solemnity of monks at their devotions, or tracing her own strange citizenship in the liminal realm of a disrupted childhood and the years that follow. Simply put, read this book. Allen's beguiling and brilliant writing will leave you exhilarated." -Jo Ann Beard, author of Festival Days "A snarl of honeybees in a parcel at the post office evokes a mother's long-ago rage; a medical insurance crisis arises when a sister gives birth; past loves, an old man who was kind; Boston, Iowa City, Hawaii, speculations of the afterlife.The Deep Limitless Air tells a life of successive revelation, evolving wisdom. Mary Allen's prose has the freshness of the most optimistic morning. I adore this book." -Honor Moore, author of Our Revolution, A Mother and Daughter at Midcentury "Among the reasons I love The Deep Limitless Air is that its spirituality is so light-handed and matter-of-fact and barely distinguishable from the apprehension and appreciation of ordinary life, life both lived and recalled. Mary Allen writes about growing up with a rejecting mother, of lovers, partners, friends, and a procession of animals who summon her tender and respectful attention, of learning to bear the long silence of meditation and the joyful shout of the world. A beautiful, funny, warm, and heartbreaking book." -Peter Trachtenberg, author of Another Insane Devotion, On the Love of Cats and Persons Mary Allen is the author of The Rooms of Heaven, a literary memoir published by Alfred A. Knopf and Vintage Books.

From the poems of Anne Bradstreet, Phillis Wheatley, and Emily Dickinson emerges what the author calls FemPoetiks, a discourse of female empowerment. Situating the work of these poets in their historical eras, Linda Nicole Blair considers a sampling of their poems side-by-side with a number of song lyrics by singer-songwriters Brandi Carlile, Rhiannon Giddens, and Lucinda Williams, having found commonalities of theme, motif, and language between them. Blair argues that while FemPoetiks has continued to develop in various ways in American poetry by women, the fact that this discourse finds expression in songs by Americana female artists indicates a matrilineal line of influence from the 1630s to today. In order to show the omnipresence of this powerful feminist discourse, she closes this book with eleven interviews she conducted with female singer-songwriters from around the United States. The phenomenon of FemPoetiks is not limited to the arts but extends into all areas of American life, from the domestic to the political. FemPoetiks is a woman’s truth.

An investigation into the societal impact of intelligent, high-achieving women who are honing traditional homemaking skills traces emerging trends in sophisticated crafting, cooking and farming that are reshaping the roles of women.