Our National Landscapes

During the 1930s, the state park movement and the National Park Service expanded public access to scenic American places, especially during the era of the New Deal. However, under severe Jim Crow restrictions in the South, African Americans were routinely and officially denied entrance to these supposedly shared sites. Landscapes of Exclusion presents the first-ever study of segregation in southern state parks, underscoring the profound disparity that persisted for decades in the Jim Crow South.

The Office of Strategic Services, the forerunner of the Central Intelligence Agency, was founded in 1942 by William 'Wild Bill' Donovan under the direction of President Roosevelt, who realized the need to improve intelligence during wartime. A rigorous recruitment process enlisted agents from both the armed services and civilians to produce operational groups specializing in different foreign areas including Italy, Norway, Yugoslavia and China. At its peak in 1944, the number of men and women working in the service totaled nearly 13,500. This intriguing story of the origins and development of the American espionage forces covers all of the different departments involved, with a particular emphasis on the courageous teams operating in the field. The volume is illustrated with many photographs, including images from the film director John Ford who led the OSS Photographic Unit and parachuted into Burma in 1943.

Carr delves into the planning and motivations of the people who wanted to preserve America's scenic geography. He demonstrates that by drawing on historical antecedents, landscape architects and planners carefully crafted each addition to maintain maximum picturesque wonder. Tracing the history of landscape park design from British gardens up through the city park designs of Frederick Law Olmsted, Carr places national park landscape architecture within a larger historical context.

The National Parks: Our American Landscape is a timeless new look at the immensity, history, and powerful beauty of America’s protected natural landscapes that remain a continued inspiration to generations of Americans. America's national parks and historical sites embody the American spirit. They are windows to our past, homes to some of our rarest plants and animal species, and places where every American can go to find inspiration, peace, and open space. From the iron rails of Steamtown, Pennsylvania to the wilds of Yellowstone, America’s natural parks preserve our culture in as much as they shield our natural world from our own encroachment. The National Parks: Our American Landscape presents a wonderfully updated photographic survey of one of America’s greatest national treasures. Seen through the eyes of the National Parks Conservation Association’s photographer Ian Shive, America’s National Park System come to life through a collection of more than 200 new photographs. Shive's stunning work demonstrates the diversity and awe inspiring beauty of the American wild lands covering the major United States parks from the warm waters of Biscayne, Florida to icy summit of Mt. McKinley in Denali National Park, Alaska.

The successful realization of diversity, resilience, usefulness, profitability, or beauty in landscape design requires a firm understanding of the stakeholders’ values. This collection, which incorporates a wide variety of geographic locations and cultural perspectives, reinforces the necessity for clear and articulate comprehension of the many factors that guide the design process. As the contributors to this collection reveal, dominant and emerging social, political, philosophical, and economic concerns perpetually assert themselves in designed landscapes, from manifestations of class consciousness in Napa Valley vineyards to recurring themes and conflicts in American commemorative culture as seen in designs for national memorials. One essay demonstrates the lasting impact of the doctrine of Manifest Destiny on the culture and spaces of the Midwest, while another considers the shifting historical narratives that led to the de-domestication and subsequent re-wilding of the Oostvaardersplassen in the Netherlands. These eleven essays help foster the ability to conduct a balanced analysis of various value systems and produce a lucid visualization of the necessary tradeoffs. Offering an array of case studies and theoretical arguments, Values in Landscape Architecture and Environmental Design encourages professionals and educators to bring self-awareness, precision, and accountability to their consideration of landscape designs.

George Alexander Grant is an unknown elder in the field of American landscape photography. Just as they did the work of his contemporaries Ansel Adams, Edward Weston, Eliot Porter, and others, millions of people viewed Grant’s photographs; unlike those contemporaries, few even knew Grant’s name. Landscapes for the People shares his story through his remarkable images and a compelling biography profiling patience, perseverance, dedication, and an unsurpassed love of the natural and historic places that Americans chose to preserve. A Pennsylvania native, Grant was introduced to the parks during the summer of 1922 and resolved to make parks work and photography his life. Seven years later, he received his dream job and spent the next quarter century visiting the four corners of the country to produce images in more than one hundred national parks, monuments, historic sites, battlefields, and other locations. He was there to visually document the dramatic expansion of the National Park Service during the New Deal, including the work of the Civilian Conservation Corps. Grant’s images are the work of a master craftsman. His practiced eye for composition and exposure and his patience to capture subjects in their finest light are comparable to those of his more widely known contemporaries. Nearly fifty years after his death, and in concert with the 2016 centennial of the National Park Service, it is fitting that George Grant’s photography be introduced to a new generation of Americans.

This book takes readers on a leisurely journey through a bygone era with fascinating accounts of canals, corduroy roads, and turnpikes, waterwheels and icehouses, colorful road signs and their painters, circus folk, and more. Brimming with anecdotes about people and the times, this delightful narrative remains a milestone of Americana. 81 black-and-white illustrations.

In Beauty of the Wild, Darrel Morrison shares six decades of experience as a teacher and a designer of nature-inspired landscapes. In native plant gardens at the University of Wisconsin Arboretum, New York Botanical Garden, and Brooklyn Botanic Garden, as well as at the Storm King Art Center, Morrison's ever-evolving compositions were designed to reintroduce ecological diversity, natural processes, and naturally occurring patterns--the "beauty of the wild"--into the landscape.

Both Central Park in New York and Yosemite Valley in California became public parks during the tumultuous years before and during the Civil War. Rolf Diamant and Ethan Carr demonstrate how anti-slavery activism, war, and the remaking of the federal government gave rise to the American public park and concept of national parks. The authors closely examine Frederick Law Olmsted's 1865 Yosemite Report--the key document that expresses the aspirational vision of making great public parks keystone institutions of a renewed liberal democracy.

From Acadia and Great Smoky Mountains to Zion and Mount Rainier, millions of visitors tour America's national parks. While park roads determine what most visitors see and how they see it, however, few pause to consider when, why, or how the roads they travel on were built. This illustrated book highlights the qualities of park roads, details the factors influencing their design and development, and examines their role in shaping the national park experience--from the Blue Ridge Parkway and Skyline Drive to Glacier National Park's Going-to-the-Sun Road, Yellowstone's Grand Loop, Yosemite's Tioga Road, and scores of other scenic drives.