Other Englands

Other Englands examines the rise of the early English utopia in the context of emergent capitalism. Above all, it asserts that this literary genre was always already an expression of social crisis and economic transition, a context refracted in the origin stories and imagined geographies common to its early modern form. Beginning with the paradigmatic popular utopias of Thomas More and Francis Bacon but attentive to non-canonical examples from the margins of the tradition, the study charts a shifting and, by the time of the English Revolution, self-critical effort to think communities in dynamic socio-spatial forms. Arguing that early utopias have been widely misunderstood and maligned as static, finished polities, Sarah Hogan makes the case that utopian literature offered readers and writers a transformational and transitional social imaginary. She shows how a genre associated with imagining systemic alternatives both contested and contributed to the ideological construction of capitalist imperialism. In the early English utopia, she finds both a precursor to the Enlightenment discourse of political economy and another historical perspective on the beginnings and enduring conflicts of global capital.

The Tudor period remains a source of timeless fascination, with endless novels, TV programmes and films depicting the period in myriad ways. And yet our image of the Tudor era remains overwhelmingly white. This ground-breaking and provocative new book seeks to redress the balance: revealing not only how black presence in Tudor England was far greater than has previously been recognised, but that Tudor conceptions of race were far more complex than we have been led to believe. Onyeka Nubia's original research shows that Tudors from many walks of life regularly interacted with people of African descent, both at home and abroad, revealing a genuine pragmatism towards race and acceptance of difference. Nubia also rejects the influence of the 'Curse of Ham' myth on Tudor thinking, persuasively arguing that many of the ideas associated with modern racism are in fact relatively recent developments. England's Other Countrymen is a bravura and eloquent forgotten history of diversity and cultural exchange, and casts a new light on our own attitudes towards race.

England's great cathedrals are widely considered to be the country's finest and most beautiful possessions. Few people realise, however, that in addition to these famous buildings there are many others that share, or once shared, some of that greatness. These 'other cathedrals' have very varied origins. There were cathedrals established in Anglo-Saxon times that subsequently lost that status. Further cathedrals founded after the Norman Conquest also later ceased. Henry VIII had plans to elevate many great monastic churches to cathedral status, but most were unfulfilled. From the nineteenth century onwards, many new cathedrals have been created, both by the Church of England and by other Churches. Altogether eight groups are discussed, containing in total well over a hundred buildings. Most are fine, and many are or were in their size and magnificence fully comparable with the great cathedrals themselves. Some today stand complete and glorious. Others are now mutilated or in ruin. Some have been completely destroyed, but even these may stir us by their lost glories. Paul Jeffery explores the often fascinating episodes of history that lie behind these groups of magnificent and frequently forgotten buildings. The spotlight is then turned on each one, revealing many architectural and historical treasures.

Originally published in 1887, Edward Carpenter’s England’s Ideal and other Papers on Social Subjects is a collection of his essays in the field of Social Science with a focus on English society at the time of writing. His writing was so influential that there was a near constant demand in the late nineteenth and early twentieth centuries for this work to be reprinted with this particular edition being published in 1919. Papers included in this volume discuss issues such as labour, trade and property and all provide insight into the English class structure as well as illuminating Carpenter’s socialist values. This title will be of interest to students of sociology.

FOOTBALL (SOCCER, ASSOCIATION FOOTBALL). Written with an economist's brain and a football writer's skill, this book applies high-powered analytical tools to everyday football topics. Why England Lose isn't in the first place about money. It's about looking at data in new ways. It's about revealing counterintuitive truths about football. It explains all manner of things about the game which newspapers just can't see. It all adds up to a new way of looking at football, beyond cliches about "The Magic of the FA Cup", "England's Shock Defeat" and "Newcastle's New South American Star". No training in economics is needed to read Why England Lose. But the reader will come out of it with a better understanding not just of football, but of how economists think and what they know.

"The Kings and Queens of England with Other Poems" authored by Mary Ann H. T. Bigelow presents a collection of poems that pays tribute to the monarchs of England while also delving into broader themes of history, power, and human experience. Bigelow's poetic expressions capture the essence of different historical periods and the personalities of various rulers. This collection weaves together vivid imagery and historical insights, offering readers a poetic journey through the lives and legacies of England's royalty.

The Tudor period remains a source of timeless fascination, with endless novels, TV programmes and films depicting the period in myriad ways. And yet our image of the Tudor era remains overwhelmingly white. This ground-breaking and provocative new book seeks to redress the balance: revealing not only how black presence in Tudor England was far greater than has previously been recognised, but that Tudor conceptions of race were far more complex than we have been led to believe. Onyeka Nubia's original research shows that Tudors from many walks of life regularly interacted with people of African descent, both at home and abroad, revealing a genuine pragmatism towards race and acceptance of difference. Nubia also rejects the influence of the 'Curse of Ham' myth on Tudor thinking, persuasively arguing that many of the ideas associated with modern racism are in fact relatively recent developments. England's Other Countrymen is a bravura and eloquent forgotten history of diversity and cultural exchange, and casts a new light on our own attitudes towards race.

The fourteen short stories collected in this volume were written between 1913 and 1921, most of them against the background of the 1914-18 War. All but one were published in slightly different versions by magazines and periodicals on both sides of the Atlantic. Ten were selected and revised by Lawrence for his collection England, My England published in 1922 in the United States and 1924 in Britain. Some of the stories included in this volume are "Tickets Please", "The Blind Man", "Monkey Nuts", "Wintry Peacock", "Hadrian", "Samson and Delilah", "The Primrose Path", "The Horse-Dealer's Daughter", and "The Last Straw". The texts aim to recover Lawrence's own intentions, which editors and publishers all too frequently ignored or altered. Where possible, manuscripts and corrected typescripts are used as base-texts. The introduction traces the composition and revision of the stories, setting them in the context of Lawrence's life and work. The textual apparatus gives variant readings, and explanatory notes identify sources, references and quotations. The 1915 version of "England, My England" is given in an appendix.

The ‘other’ languages of England — those which originate in South and East Asia, and Southern and Eastern Europe — are now important parts of everyday life in urban England. First published in 1985, this book gives detailed information about which languages are in widespread use among children and adults, patterns of language use in different social contexts, the teaching of these community languages inside and outside of mainstream schools, and the educational implications of this linguistic diversity for all children in England. They authors argue that this continued and widespread bilingualism is a valuable potential resource for both the speakers and society as a whole.

George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. Fearing that England was about to be wiped from the face of the earth by the Nazi bombers flying overhead, Orwell put pen to paper and set out to make a record of English culture. England Your England, the sixth in the Orwell’s Essays series, is this record, and is an important tableau of the nation’s history, and demonstrates a resolute refusal to bow to the threatening forces of Fascism. 'It just keeps being horribly relevant.' (David Olusoga, The Guardian) 'A writer who can – and must – be rediscovered with every age.' (Irish Times)