Original Jamaican Dancehall Dictionary

As Jamaican reggae/dancehall music has become very dominant in our culture, artists play a huge role in the development of our language, known as patois, as they are constantly coining words and phrases that baffle even older Jamaicans and certainly foreigners. So as people worldwide swing to our music and Jamaica is a well -known tourism destination in the Caribbean , since most Jamaicans do not automatically speak English but only when required, this dictionary is critical to travellers as well music lovers. This is 6th edition of the Original Dancehall Dictionary, a publication which since 1993, has been doing an invaluable job in helping the world understand our language and the cartoons not only assist in the translation but also they add to the hilarity of the publication.

Dancehall is a genre of Jamaican popular music that originated in the late 1970s. Initially, dancehall was a more sparse version of reggae than the roots style, which had dominated much of the 1970s. In the mid-1980s, digital instrumentation became more prevalent, changing the sound considerably, with digital dancehall becoming increasingly characterized by faster rhythms. Key elements of dancehall music include its extensive use of Jamaican Patois rather than Jamaican standard English and a focus on the track instrumentals Dancehall saw initial mainstream success in Jamaica in the 1980s, and by the 1990s, it became increasingly popular in Jamaican diaspora communities. In the 2000s, dancehall experienced worldwide mainstream success, and by the 2010s, it began to heavily influence the work of established Western artists and producers, which has helped to further bring the genre into the Western music mainstream. If you are interested in Jamaican dancehall or reggae music, this book is the right place for you. Not only it details the information in the music of Jamaican, but also helps you to understand the Jamaican language!

The LMH Official Dictionary of Jamaican Reggae & Dancehall Stars Vol. 1, takes a brief look at some of Jamaica's musical stars, both past and present. It includes the pioneers, the legends and the members of the new generation who have, through their music, made a major impact both locally and internationally. Some of the artistes included in the first volume are Beres Hammond, Cocoa Tea, Damian Marley, Bunny Wailer, Shaggy and many more.

As Jamaica expands its reach into the world and the interest into its culture and history grows, more and more people have asked for a series of titles that are a quick capsule of Jamaica's everyday lifestyle. Here then are a series of dictionaries that capture the colour and style of everyday Jamaican life. Following in the footsteps of the popular and fun Jamaican Dancehall Dictionary, this is a humorous, illustrated guide to popular Jamaican phrases.

A combination dictionary and annotated discography, videography and bibliography, this sourcebook brings together listings of materials on the Rastafarian movement and reggae music. . . . This sourcebook serves as a good introduction to Rastafari and reggae. Reference Books Bulletin Coinciding with the sixtieth anniversary of Rastafari, this reference book traces the relationship between two intertwined aspects of Jamaican culture: Rastafari and reggae music. As important voices in the ongoing dialogue concerning Jamaica's search for a national identity, Rastafari and reggae have had a significant impact on international music and culture. This work is the first to document and describe these areas for researchers, providing a comprehensive dictionary of terms, people, places, and concepts relevant to Rastafari, reggae music, and their related histories. In a unique collaboration from the American and Jamaican perspectives, Mulvaney and Nelson have supplied annotated references and cross references for written materials, audio recordings, videocassettes, and films that cover the first sixty years of Rastafari and over twenty years of reggae music. The book is comprised of four main sections. The dictionary serves as the focal point for the cross referencing of the entire book and offers entries that are either directly related to Rastafari and reggae or provide a historical context. The discography, which includes 200 entries, represents a cross section of reggae music from 1968 to 1990 and is organized by musician or band name. A small, representative sample of documentary, concert, and narrative fiction videocassettes that address aspects of Rastafari or reggae music are catalogued in the videography, along with selected films. Finally, the bibliography, prepared by Carlos I.H. Nelson, provides a thorough overview of journal and magazine articles, creative works, dissertations, books, interviews, parts of books, reviews, and theses written by and about Rastafarians and reggae musicians. It covers the past importance, present significance, and future legacies of the movement and the music. The work also includes two appendices that list relevant periodicals and representative musicians and bands. Music students and researchers will find Rastafari and Reggae to be a valuable reference source, as will students in Caribbean and cultural studies, communication, history, and anthropology courses. For academic, public, and music library collections, the book will be an important addition.

Who hasn't heard of the fastest man on the planet, Usain Bolt or the great musician Bob Marley? No one I dare say but what do you know about their homeland, Jamaica? Tour Jamaica gives visitors, interested persons and potential visitors to the beautiful island of Jamaica a comprehensive picture of what to expect and do in order to have a wonderful vacation and to make sure you understand everything around you, your own private dictionary which interprets Jamaican words and phrases, is provided at the back of the book. Apart from introducing readers to its world famous attractions such as picturesque and challenging Dunns River falls, the mysterious Blue and John Crow Mountain range and the Cockpit Country which is full of biodiversity, we also tell you about the numerous white sands beaches, numerous beautiful waterfalls, the wildlife, food, drinks, crime, arts and craft, music festivals, sports, the parishes etc. In addition, the book also includes a dictionary explaining popular Jamaican words and phrases. In fact, after reading Tour Jamaica, all you need to do is to book your ticket, come to Jamaica and have a wonderful time.

The Biographical Dictionary of Popular Music is an incredible and opinionated collection of celebrated cultural critic Dylan Jones's thoughts on more than 350 of the most important artists around the world—alive and dead, big and small, at length and in brief. This A to Z reference is the true musical heir to David Thomson's seminal The New Biographical Dictionary of Popular Film. Jones writes entertainingly about bands that have inspired, bedeviled, and fascinated him over the years.

This book seeks to trace the rise of popular music, identify its key figures and track the origins and development of its multiple genres and styles, all the while seeking to establish historical context. It is, fundamentally, a ready reference guide to the broad field of popular music over the past two centuries. It has become a truism that popular music, so pervasive in the modern world, constitutes a soundtrack to our lives – a constant though changing presence as we cross thresholds and grow from children to teenagers to adults. But it has become more than a soundtrack; it has become a narrative. Not just an accompaniment to our daily lives but incorporating our lives, our sense of identity, our lived experiences, into it. We have become part of the music just as the music has become part of us. The Historical Dictionary of Popular Music contains a chronology, an introduction, an appendix, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on major figures across genres, definitions of genres, technical innovations and surveys of countries and regions. This book is an excellent resource for students, researchers, and anyone wanting to know more about popular music.