Orientalist Jones

Sir William Jones (1746-94) was the foremost Orientalist of his generation and one of the greatest intellectual navigators of all time. He re-drew the map of European thought. 'Orientalist' Jones was an extraordinary man and an intensely colourful figure. At the age of twenty-six, Jones was elected to Dr Johnson's Literary Club, on terms of intimacy with the metropolitan luminaries of the day. The names of his friends in Britain and India present a roll-call of late eighteenth-century glitterati: Samuel Johnson and James Boswell, Sir Joshua Reynolds, Benjamin Franklin, Joseph Priestley, Edmund Burke, Warren Hastings, Johannes Zoffany, Edward Gibbon, Oliver Goldsmith, Richard Brinsley Sheridan, Charles James Fox, William Pitt, and David Garrick. In Bengal his Sanskrit researches marked the beginning of Indo-European comparative grammar, and modern comparative-historical linguistics, of Indology, and the disciplines of comparative literature, philology, mythology, and law. He did more than any other writer to destroy Eurocentric prejudice, reshaping Western perceptions of India and the Orient. His commitment to the translation of culture, a multiculturalism fascinated as much by similitude as difference, profoundly influenced European and British Romanticism, offering the West disconcerting new relationships and disorienting orientations. Jones's translation of the Hindu myth of Sakuntala (1789) led to an Oriental renaissance in the West and cultural revolution in India. Remembered with great affection throughout the subcontinent as a man who facilitated India's cultural assimilation into the modern world, Jones helped to build India's future on the immensity, sophistication, and pluralism of its past. Michael J. Franklin's extensive archival research reveals new insights into this radical intellectual: a figure characterized by Goethe as 'a far-seeing man, he seeks to connect the unknown to the known', and described by Dr Johnson as 'the most enlightened of the sons of men'. Unpublished poems and new letters shed fresh light upon Jones in rare moments of relaxation, while Franklin's research of the legal documents in the courts of the King's Bench, the Carmarthen circuit, and the Supreme Court of Bengal illustrates his passion for social justice, his legal acumen, and his principled independence.

A major new critical biography of Sir William Jones (1746-94), the foremost Orientalist of his generation and one of the greatest intellectual navigators of all time, whose Sanskrit researches did more than any other writer to destroy Eurocentric prejudice, reshaping Western perceptions of India and the Orient.

Sir William Jones (1746 –1794) was an Anglo-Welsh philologist and scholar of ancient India, particularly known for his proposition of the existence of a relationship among Indo-European languages. His third annual discourse before the Asiatic Society on the history and culture of the Hindus (1786) is often cited as the beginning of comparative linguistics and Indo-European studies. Jones’ interdisciplinary scholarship innovatively combined language and linguistic study with the traditional subjects of research to throw light on transcending questions like the origins of man and culture. This bibliography aims to provide an overview of the full width of his writings and secondary scholarship.

A groundbreaking critique of the West's historical, cultural, and political perceptions of the East that is—three decades after its first publication—one of the most important books written about our divided world. "Intellectual history on a high order ... and very exciting." —The New York Times In this wide-ranging, intellectually vigorous study, Said traces the origins of "orientalism" to the centuries-long period during which Europe dominated the Middle and Near East and, from its position of power, defined "the orient" simply as "other than" the occident. This entrenched view continues to dominate western ideas and, because it does not allow the East to represent itself, prevents true understanding.

A survey of the voluminous writings of Sir William Jones ( 1746-1794), pioneer English Orientalist who was vitally concerned with improving conditions in the East and explaining Eastern culture to the Europeans. Jones's writings are given in chronological and topical sequence, with comments on style, sources, organization, contents, author's purpose, critics' reaction, and influence on other writers. The appendix includes bibliographies of primary and secondary sources and an index of selected editions and/or printings in English and library locations of extant copies.

A thrilling page-turner of epic proportions, Tom Reiss’s panoramic bestseller tells the true story of a Jew who transformed himself into a Muslim prince in Nazi Germany. Lev Nussimbaum escaped the Russian Revolution in a camel caravan and, as “Essad Bey,” became a celebrated author with the enduring novel Ali and Nino as well as an adventurer, a real-life Indiana Jones with a fatal secret. Reiss pursued Lev’s story across ten countries and found himself caught up in encounters as dramatic and surreal–and sometimes as heartbreaking–as his subject’s life.

Edges of Empire is a timely reassessment of the history and legacy of Orientalist art and visual culture through its focus on the intersection between modernization, modernism and Orientalism. Covers indigenous art and agency, contemporary practices of collection and display, and a survey of key Orientalist tropes Contains original essays on new perspectives for scholars and students of art history, architecture, museum studies and cultural and postcolonial studies Highlights contested identities and new definitions of self through topics such as 19th century monuments to Empire, cultural cross-dressing, performance and display at the international exhibitions, and contemporary museological practice.

The promise of magic has always commanded the human imagination, but the story of industrial modernity is usually seen as a process of disenchantment. Drawing on the writings and performances of the so-called 'Golden Age Magicians' from the turn of the twentieth century, Chris Goto-Jones unveils the ways in which European and North American encounters with (and representations of) Asia - the fabled Mystic East - worked to re-enchant experiences of the modern world. Beginning with a reconceptualization of the meaning of 'modern magic' itself - moving beyond conventional categories of 'real' and 'fake' magic - Goto-Jones' acclaimed book guides us on a magical mystery tour around India, China, and Japan, showing us levitations and decapitations, magic duels and bullet catches, goldfish bowls and paper butterflies. In the end, this mesmerizing book reveals Orientalism as a kind of magic in itself, casting a spell over Western culture that leaves it transformed, even today.