Oral Traditions Myths And Legends

Dreamtime; landscape; myths and their owners.

DigiCat Publishing presents to you this special edition of "Myths and Legends of the Sioux" by Marie L. McLaughlin. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Oral traditions and myths have long been an integral part of Native American cosmology. Not only have they been - and continue to be - an essential part of handing down Native American customs, norms, beliefs, and cultural histories, but they also form a communal mythic discourse. This discourse is not a "fixed text," but rather a dynamic process of interactive relations that are developed over generations of experience, and passed from relation to relation and generation to generation. In this sense, the traditional structures of mythic discourse serve an integrative function: to form a coherent basis for communal identity in terms of a shared set of fundamental ideas and beliefs expressed in multiple forms. The oral traditions and myths recorded in this book are part of the communal mythic discourse of the Lakota Sioux people. Originally collected and recorded at the close of the nineteenth century by two Native language speakers - Marie L. McLaughlin and Zitkala Sa - these oral traditions provide some of the least distorted or colonially disrupted examples of the Lakota Sioux communal mythic discourse. Containing over 40 oral traditions, Lakota Sioux Legends and Myths brings together into a single volume these remarkable myths and legends. Edited and with a forward by Peter N. Jones, Ph.D., Lakota Sioux Legends and Myths is a welcome and refreshing addition to the literature. Once again the beauty, depth, and knowledge contained within the Lakota Sioux oral traditions can speak for themselves.

More wonderful tales and how to tell them from master storyteller Megan McKenna. A coyote, a woodcutter, a Buddist Zen master, a boy named Samuel, a Sufi mystic, two men walking to Emmaus all are central characters in stories told by Megan McKenna. As we listen to "Once upon a time," their lives become our lives. We learn from their mistakes and profit from their wisdom. Megan McKenna's stories are drawn from many religious traditions, Hebrew Scriptures, sufi mysticism, Native American traditions, Eastern religions, and the Christian Gospels. Keepers of the Story also offers readers fascinating and helpful information about storytelling itself. In the final chapter, McKenna explores how the storyteller becomes theologian, talking and teaching about God, the Keeper of the Story of us all.

The Baganda people of Uganda enjoy an extraordinarily rich oral tradition, which serves as a window into their culture, history, and experiences as a people. This comprehensive, multigenre work is both a study of the Baganda people's oral literature--framed within the broader contexts of the African oral tradition genre, modern African literature, and global literary studies--and a collection of representative stories. Cultural explanations throughout the text explore the living culture of this unique East African nation. Particular attention is paid to the history of Uganda, thus placing the oral tradition within its proper context. An appendix offers sample Luganda songs.

Though he died at the age of thirty-four, the Muscogee (Creek) poet, journalist, and humorist Alexander Posey (1873-1908) was one of the most prolific and influential American Indian writers of his time. This volume of nine stories, five orations, and nine works of oral tradition is the first to collect these entertaining and important works of Muscogee literature. Many of Posey's stories reflect trickster themes; his orations demonstrate both his rhetorical prowess and his political stance as a "Progressive" Muscogee; and his works of oral tradition reveal his deep cultural roots. Most of these pieces, which first appeared between 1892 and 1907 in Indian Territory newspapers and magazines, have since become rarities, many of the original pieces surviving only as single clippings in a few archives.

Sixty-one tales narrated by Yaquis reflect this people's sense of the sacred and material value of their territory.

Winner of the 2003 Trillium Book Award "Stories are wondrous things," award-winning author and scholar Thomas King declares in his 2003 CBC Massey Lectures. "And they are dangerous." Beginning with a traditional Native oral story, King weaves his way through literature and history, religion and politics, popular culture and social protest, gracefully elucidating North America's relationship with its Native peoples. Native culture has deep ties to storytelling, and yet no other North American culture has been the subject of more erroneous stories. The Indian of fact, as King says, bears little resemblance to the literary Indian, the dying Indian, the construct so powerfully and often destructively projected by White North America. With keen perception and wit, King illustrates that stories are the key to, and only hope for, human understanding. He compels us to listen well.

A collaboration between Native American and non-Native American scholars in the study of Native oral traditions. Seven sets of intercultural authors present Native American oral texts with commentary, exploring dimensions of perspective, discovery, and meaning that emerge through collaborative translation and interpretation. The texts studied all come from the American West, but include a rich variety of material, since their tribal sources range from the Yupik in the Arctic to the Yaqui in the Sonoran Desert.