Or The Bull Kills You

An accomplished debut mystery set in the high-stakes and decidedly murky world of bullfighting in Valencia, Spain "Either you kill the bull, or the bull kills you." Chief Inspector Max Cámara thinks in proverbs,and he hates one thing above all: bullfighting. One hot afternoon in Valencia, however, he has to stand in for his boss, judging a festival corrida starring Spain's most famous young matador. That night, he is back in the bullring, and what he finds on the blood-stained sand shocks the city of Valencia to its core. Cámara is roped into investigating a grisly murder while dealing with violent shadows from his own past, as well as confronting the suspiciousness of the bullfighting community and the stonewalling of local politicians in full electoral campaign. To top it all, Fallas, the loudest fiesta in the country, has just got underway. For Cámara, it seems his problems have only just begun...

Either you kill the bull, or the bull kills you - traditional proverb. Chief Inspector Max Cámara hates bullfighting but one hot afternoon in Valencia he has to replace his boss, judging a festival corrida that stars Spain's most famous young matador. That night, he is summoned back to the bullring where the young matador's dead body now lies, naked and mutilated. As the city prepares for Fallas, the five day festival of fireworks and celebrations, and the politicians work feverishly towards an election, Cámara hunts down his prey through the city's streets and bars. But as he follows the trail of death, money, corruption and sex in search of the killer, he must also battle his own demons and desires...

Detective Max Cámara is under pressure. A renowned paella chef has been found dead; the town hall are set on demolishing El Cabanyal, the colourful fisherman's quarter on Valencia's sea-front; an abortionist has been kidnapped and with the Pope due to visit the city, the police are summoned to offer protection from crowds of the faithful and the danger of anti-religionists alike. When one of Cámara's long term adversaries is put in charge of the missing abortionist case, tensions are quickly running high, and with ominous cracks spreading across the walls of his flat, Cámara soon has nowhere to turn.

Maia Wojciechowska's 1965 Newbery Medal winner about a young boy struggling with his father's legacy. Manolo was only three when his father, the great bullfighter Juan Olivar, died. But Juan is never far from Manolo's consciousness--how could he be, with the entire town of Arcangel waiting for the day Manolo will fulfill his father's legacy? But Manolo has a secret he dares to share with no one--he is a coward, without afición, the love of the sport that enables a bullfighter to rise above his fear and face a raging bull. As the day when he must enter the ring approaches, Manolo finds himself questioning which requires more courage: to follow in his father's legendary footsteps or to pursue his own destiny?

Death in the Afternoon is a non-fiction book written by Ernest Hemingway about the ceremony and traditions of Spanish bullfighting, published in 1932. The book provides a look at the history and what Hemingway considers the magnificence of bullfighting. It also contains a deeper contemplation on the nature of fear and courage. While essentially a guide book, there are three main sections: Hemingway's work, pictures, and a glossary of terms.

I lit my fire, I greased my skillet with virgin pressed olive oil, and I cooked. Thats one of the statements Chester L. Simmons, Jr. made about his career as a Novillero/Matador in the art of bullfighting. Its really weird that it should be called bullfighting. No reasonable person would ever think of fighting a bull who has been bred to fight. Would any reasonable person think of fighting a pit bull who was bred to fight? But I have to ask, are bullfighters reasonable people?

In 1835, near the headwaters of the Arkansas River, Cara Rojo, a Ute war chief finds an eight year old white girl who had witnessed her family being swept away in a flash flood the day before. The girl has blocked out the horror of the flood and can not speak, yet seems to fear nothing. The Ute Indians take her to their village and name her Tavimois, the Spirit of the Sunrise. The girl is Hannah Headly, and her brother, Daniel, has survived the flood, but believes his sister was killed with his younger brother and parents. Daniel is nursed back to health by Big Butt, the Crow wife of negro Mountain man Bull Thompson. Needing money to return to the East, Daniel hires on as Bull Thompson’s helper and heads deeper into the wilderness to trade with the plains tribes to the West and North. Bull takes Daniel to meet the, Frenchman, Phillip Rondel, who has a beautiful half Indian daughter he wants to marry off to a white man. Daniel is soon smitten by Monique Rondel’s beauty. After a winter of trading with the Indians, Bull Thompson brings Daniel back to the Frenchman’s camp and Daniel asks Monique to Marry him. Monique will only marry a Sundancer, and Daniel agrees to Sundance. Bull Thompson gives Daniel opium to dull the pain of the bone needles the Indians thrust through his chest muscles to start the sundance. Hanging by leather cords tied to the bone needles in his chest, Daniel has a sun dream, a vision of his sister running happily through a forest of laughing aspens.

A young Native American raised in the forest is suddenly thrust into the modern world, in this novel by the author of The Dog Who Came to Stay. Thomas Black Bull’s parents forsook the life of a modern reservation and took to ancient paths in the woods, teaching their young son the stories and customs of his ancestors. But Tom’s life changes forever when he loses his father in a tragic accident and his mother dies shortly afterward. When Tom is discovered alone in the forest with only a bear cub as a companion, life becomes difficult. Soon, well-meaning teachers endeavor to reform him, a rodeo attempts to turn him into an act, and nearly everyone he meets tries to take control of his life. Powerful and timeless, When the Legends Die is a captivating story of one boy learning to live in harmony with both civilization and wilderness.

A love story with a difference - an unforgettable tale of life, loss and making each day count in the INTERNATIONAL NO. 1 BESTSELLING book of TIKTOK fame, clocking over 100 million views and counting! Don't miss The First to Die at the End, the prequel to They Both Die at the End. On September 5th, a little after midnight, Death-Cast calls Mateo Torrez and Rufus Emeterio to give them some bad news: they're going to die today. Mateo and Rufus are total strangers, but, for different reasons, they're both looking to make a new friend on their End Day. The good news: there's an app for that. It's called the Last Friend, and through it, Rufus and Mateo are about to meet up for one last great adventure - to live a lifetime in a single day. Another beautiful, heartbreaking and life-affirming book from the brilliant Adam Silvera, author of More Happy Than Not, History Is All You Left Me, What If It's Us, Here's To Us and the Infinity Cycle series. PRAISE FOR ADAM SILVERA: 'There isn't a teenager alive who won't find their heart described perfectly on these pages.' Patrick Ness, author of The Knife of Never Letting Go 'Adam Silvera is a master at capturing the infinite small heartbreaks of love and loss and grief.' Nicola Yoon, author of Everything, Everything 'A phenomenal talent.' Juno Dawson, author of Clean and Wonderland 'Bold and haunting.' Lauren Oliver, author of Delirium

The plays of María Martínez Sierra were popular in Spain, South America and in translation on Broadway and London's West End in the first half of the 20th century but they were thought to be written by her husband, the celebrated director and playwright Gregorio Martínez Sierra. After his death, the authorship of his work was revealed to be that of María, making her one of the most important playwrights of her time. This edited collection features three plays by María Martínez Sierra, translated by Helen and Harley Granville-Barker, along with an introduction by Patricia O'Connor, University of Cincinnati, US, which examines María's extraordinary life and work, and the battle for her authorship to be recognized in both the Spanish-speaking and anglophone world. This volume focuses on plays centred on strong women; and each is translated by the eminent man of theatre Harley Granville-Barker and his wife, Helen, whose own story holds stark parallels to Maria's in terms of authorship. The collection is edited by playwright Richard Nelson and Professor Colin Chambers, who contribute an essay on the translation work of the Granville-Barkers. The plays are: The Kingdom of God (1928); The Romantic Young Lady (1920) and Take Two From One (1931). María Martínez Sierra: A Great Playwright Hidden in Plain Sight recognizes María de la O Lejárraga García, to use her birth name, as one of the most important female playwrights, not just in Spain, but globally, in the first half of the 20th century.