One Southern Stevens Family

Stevens family

A classic Faulkner novel which explores the lives of a family of characters in the South. An aging black who has long refused to adopt the black's traditionally servile attitude is wrongfully accused of murdering a white man.

A Southern Collection presents select masterworks from the permanent collection of the Morris Museum of Art on the occasion of the institution's inaugural exhibition. Drawn from a comprehensive survey collection of painting in the South from the late eighteenth century to the present day, the museum's opening exhibit explores an artistic terrain as rich and diverse as the South itself, arranged in categories that reflect critical chronological developments in the art world. A survey of painting activity in the South begins with the travels of itinerant portrait artists working prior to the Civil War. At the same time, landscape painting encompasses a sensitive response to the swamps, bayous and fertile fields of the South. Late in the nineteenth century strong and vivid genre painting competes with the nostalgic effects realized by Southern impressionists, whose shimmering, liquid images are invested with an elusive spirit of place. In this century, those strains of realism and naturalism that characterize the classic body of Southern writing appear in the representational art of painters who defied the modern abstract dictum. And finally, the exciting, compelling works of a current generation of both self-taught artists and sophisticated contemporary painters complete this fascinating, though sometimes neglected, chapter in American art history.

Nothing matters more to her when a child's life is at stake. Special agent Thea Lamb returns to her hometown to search for a child whose disappearance echoes a twenty-eight-year-old cold case—her twin sister's abduction. Working with her former partner, Jake Stillwell, Thea must overcome the pain, doubt and guilt that have tormented her for years and denied her a meaningful relationship. For both Thea and Jake, the job always came first…until now. From Harlequin Intrigue: Seek thrills. Solve crimes. Justice served. Discover more action-packed stories in the A Procedural Crime Story series. All books are stand-alone with uplifting endings but were published in the following order: Book 1: Little Girl Gone Book 2: John Doe Cold Case

Contains material which focuses on the lives of the Stevens family at Ashdale Farm in North Andover, Mass. The bulk of the material is from the 19th century. Series I, Correspondence, contains one letter to John McLean from James Stevens regarding letters and petitions from the Town of Andover remonstrating against the establishment of a second office in the town. Series II, Diaries, is organized into two subseries: Diaries and Sketches. The first subseries consists of exercise books, household books, autograph books, and other handwritten manuscript books from the Stevens and Granger families. The second subseries consists of one perspective garden sketch. Series III, Printed Material, includes a certificate appointing James Stevens, II, to the position of Post Master at North Andover, Mass, and the Harvard University diploma for Henry James Stevens. Series IV, Legal Documents, includes documents relating to the transfer of property. Series V, Financial Documents, includes household account books. Series VI, Literary Productions, is organized into six subseries: Children's Books, Family Books, Garden Books, Photography Books, Town Books, and Magazines. The family books contain genealogical information about the Granger family. The magazine subseries includes copies of Godey's Lady's Book and Magazine and St. Nicholas Illustrated Magazine for Girls and Boys. Series VII, Photographic Material, includes a carte-de-visite album. Series VIII, Plans, includes one book of maps and an 1892 plan of land.

When Judge Ernest N. "Dutch" Modal was elected "the first black mayor" of this South Coast city November 13,1977, political observers all around the country sat up to take notice. New Orleans is the nation's fourth blackest city (relative to percent of total population), and the largest and most powerful city in the third blackest state in the country. When he took over the reins of the nation's second largest port — the Southern terminus of the mid continent grain export/oil import traffic carried by the Mississippi River — Dutch Morial became perhaps the country's most powerful elected black official. The true significance of Morial's November victory can really be understood only in the context of the history of Afro-American involvement in the city's political and cultural life. African slaves were first imported into the state of Louisiana, then a French colony, after Indian slavery was abolished in 1719. By 1724, colonial administrators had finished compiling the Code Noir, a document outlining the mutual rights and obligations of Louisiana's masters and slaves. By Bill Rushton's first book, on the French speaking Cajuns of South Louisiana, will be issued this fall by Farrar, Straus and Giroux. comparison to conditions in Anglo- American colonial areas, the results of the Code Noir were relatively progressive. All slaves were required to be baptized in the Catholic Church, establishing common cultural ties between blacks and whites in Louisiana that were closer than those anywhere else in the South — ties that were preserved through the Civil War until separate, black Catholic parishes began to be formed with the consent of the Archbishop of New Orleans in 1897. Colonial-era slaves were permitted to retain a good many of their own cultural traditions as well, and in New Orleans they were allowed Sunday afternoons off to gather in what was then called Congo Square to dance the bamboula to their own music, forming a unique milieu which helps explain why jazz originated here rather than in, say, Savannah or Charleston.