One Green Field

These poetic and highly personal pieces describe Edward Thomas's wanderings through the English countryside, taking in meadows, farms, inns, maypoles, churches and wildlife. Whether exploring the Kent weald or the heart of England, describing a crisp winter morning or a heady August day, evoking the scent of honeysuckle or the primeval atmosphere of an ancient wood, Thomas brings the countryside alive through precise observation and vivid, lyrical prose. Generations of inhabitants have helped shape the English countryside - but it has profoundly shaped us too.It has provoked a huge variety of responses from artists, writers, musicians and people who live and work on the land - as well as those who are travelling through it. English Journeys celebrates this long tradition with a series of twenty books on all aspects of the countryside, from stargazey pie and country churches, to man's relationship with nature and songs celebrating the patterns of the countryside (as well as ghosts and love-struck soldiers).

Another hilarious picture book from actor Max Greenfield, author of I Don't Want To Read This Book and This Book Is Not a Present, dedicated to introverts of all ages, about the horrors of reading aloud. Nobody in the world actually enjoys reading aloud, do they? Impossible! After all, any number of terrible things could happen: you might come across a word you don't know how to pronounce. Or get distracted by a volcano eruption and lose your place. Even worse, you might accidentally hear the sound of your own voice! Actor Max Greenfield (New Girl, The Neighborhood) and New York Times bestselling illustrator Mike Lowery, the duo behind I Don't Want To Read This Book and This Book Is Not a Present, are back with another side-splitting picture book that's sure to have kids shouting for repeat read-alouds.

If the zombie apocalypse happens tomorrow-how would you spend your last day? All Dr. Brianna Lewis wants is a cup of coffee. Coffee, to make slaving away in her cell culture lab at Green Fields Biotech a little more bearable on a Friday afternoon when everyone is home already. What she doesn't count on is a group of terrorists blowing up all the entrances to the building and taking her and a select few others hostage. Bree soon finds herself conflicted. Not only does she know their charismatic leader. She also starts to suspect that there is a lot more to this than the hunt for an illegal bioweapon-a virus that could potentially kill millions in just a few days-particularly as there is currently a flu epidemic raging across the country, and reports about violent behavior among the afflicted are getting more and more alarming.

“One Green Field” contains a collection of essays on nature and its appreciation by a variety of notable authors including John Burroughs, Robert Louis Stevenson, Ralph Waldo Emerson, and more. Contents include: “Nature, by Ralph Waldo Emerson”, “Walking, by Henry David Thoreau”, “Reading the Book of Nature, by John Burroughs”, “A Geologist’s Winter Walk, by John Muir”, “On the Indifference of Nature, by Alfred George Gardiner”, “How to Observe Nature, by Elizabeth Brightwen”, “Bloody-Nose of Sunshine Hill: Hemaris Thysbe, by Gene Stratton-Porter”, “On Going a Journey, by William Hazlitt”, “Lake Scenery, by William Wordsworth”, “Walking Tours, by Robert Louis Stevenson”, etc. A fantastic collection of thought-provoking essays not to be missed by nature lovers and fans of nature writing. A Thousand Fields is publishing this brand new collection of classic essays now for the enjoyment of a new generation of readers.

First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.

Encyclopaedic Dictionary of Textile Terms is a reference dictionary with a short explanation of textile terms in spinning, weaving, processing and garmenting fields. The book is meant for all textile related personae, especially for textile students, textile processors and garmenting technicians. It will be an asset for merchandisers and buying offices for quick reference. It is a handy reference book for students as well as the faculty.

For over two centuries, America has celebrated the same African-American culture it attempts to control and repress, and nowhere is this phenomenon more apparent than in the strange practice of blackface performance. Born of extreme racial and class conflicts, the blackface minstrel show appropriated black dialect, music, and dance; at once applauded and lampooned black culture; and, ironically, contributed to a "blackening of America." Drawing on recent research in cultural studies and social history, Eric Lott examines the role of the blackface minstrel show in the political struggles of the years leading up to the Civil War. Reading minstrel music, lyrics, jokes, burlesque skits, and illustrations in tandem with working-class racial ideologies and the sex/gender system, Love and Theft argues that blackface minstrelsy both embodied and disrupted the racial tendencies of its largely white, male, working-class audiences. Underwritten by envy as well as repulsion, sympathetic identification as well as fear--a dialectic of "love and theft"--the minstrel show continually transgressed the color line even as it enabled the formation of a self-consciously white working class. Lott exposes minstrelsy as a signifier for multiple breaches: the rift between high and low cultures, the commodification of the dispossessed by the empowered, the attraction mixed with guilt of whites caught in the act of cultural thievery. This new edition celebrates the twentieth anniversary of this landmark volume. It features a new foreword by renowned critic Greil Marcus that discusses the book's influence on American cultural studies as well as its relationship to Bob Dylan's 2001 album of the same name, "Love & Theft." In addition, Lott has written a new afterword that extends the study's range to the twenty-first century.