On Set

John Carpenter’s producing partner Debra Hill hired photographer Kim Gottlieb-Walker to be the unit photographer on Halloween, and Kim soon became part of Carpenter’s filmmaking family, going on to shoot stills on the sets of some of his most iconic films: Halloween The Fog Escape from New York Halloween II Christine Collected together here for the first time is the best of that on-set photography, with iconic, rare, and previously unseen images. All accompanied by exclusive commentary from those involved, including John Carpenter himself, and other key crew and cast. From production stills, to candids of the stars between takes, and the crew in action, alongside portrait shots of the actors who would eagerly pose for Kim, this book gives an unprecedented glimpse into the action on set with John Carpenter.

To celebrate their purchase of the old movie theater in Milligan Creek, the new owners launch a short film contest, complete with a chance to have the winning films screened at the theater's grand reopening. When word leaks out that a real Hollywood movie will be filming nearby, Matt and Chad Taylor and their best friends, Andrew and Dean, concoct an outrageous plan to make their short film the most spectacular of all by secretly taking advantage of everything the big-budget movie production has to offer, but only if they can pull it off without getting caught!

Learn to turn a simple screenplay into a visual masterpiece! Top production designers share their real-life experiences to explain the aesthetic, narrative, and technical aspects of the craft. Step by step, aspiring filmmakers will discover sound instruction on the tools of the trade, and established filmmakers will enjoy a new outlook on production design. They will learn, for example, the craft behind movie magic–such as how to create a design metaphor, choose a color scheme, use space, and work within all genres of film, from well-funded studio projects to "guerilla filmmaking." This indispensable resource also contains a history of movie making and guidelines for digital production design. For the experienced filmmaker seeking new design ideas to the struggling newcomer stretching low-budget dollars, this book makes the processes and concepts of production design accessible. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.

This volume considers the film-stills of Ernst Haas, one of the most accomplished photographers of the twentieth century, transgressing the borders between static photography and the moving image. Haas worked with a variety of directors - from Vittorio de Sica to John Huston, Gene Kelly and Michael Cimino - covering movie genres from suspense (The Third Man; The Train) to the Western (The Oregon Trail; Little Big Man), and from comedy (Miracle in Milan; Love and Death) to musicals (West Side Story; Hello Dolly). While the photographic reference system known as the film-still has existed since the birth of cinema, inherent to the genre are precisely those parameters that are essential qualities of Haas' photography, and which interact in a striking manner with his images made independently of film. On the one hand, we find photographs documenting shoots and depictions of individual scenes. On the other hand, it is Haas' clear ambition to inscribe a temporal dimension into these images; to impose filmic principles into the stills which, viewed in a sequence, generate movement and narrative. Indeed, so great was his mastery of colour, light, and motion that Haas was frequently called upon to photograph large group actions - from the battle scenes of Charge of the Light Brigade and the dances of West Side Story to the ski-slopes of Downhill Racer. While adding a fascinating new take on the sets and the stars he photographed, Ernst Haas' On Set will also introduce readers to a little-known but crucial dimension in the work of this celebrated photographer.

Acclaimed New York Times bestselling author Richard Kadrey creates a wonderful, stand-alone dark fantasy After her father's funeral, Zoe moved to the big city with her mother to start over. But change always brings trials, and life in the city is not so easy. Money is tight, and Zoe's only escape, as has always been the case, is in her dreams—a world apart from her troubled real life where she can spend time with her closest companion: her lost brother, Valentine. But something or someone has entered their dreamworld uninvited. And a chance encounter at a used record store, where the vinyl holds not music but lost souls, has opened up a portal to the world of the restless dead. It's here that the shop's strange proprietor offers Zoe the chance to commune with her dead father. The price? A lock of hair. Then a tooth. Then . . .

Set Theoretical Aspects of Real Analysis is built around a number of questions in real analysis and classical measure theory, which are of a set theoretic flavor. Accessible to graduate students, and researchers the beginning of the book presents introductory topics on real analysis and Lebesgue measure theory. These topics highlight the boundary between fundamental concepts of measurability and nonmeasurability for point sets and functions. The remainder of the book deals with more specialized material on set theoretical real analysis. The book focuses on certain logical and set theoretical aspects of real analysis. It is expected that the first eleven chapters can be used in a course on Lebesque measure theory that highlights the fundamental concepts of measurability and non-measurability for point sets and functions. Provided in the book are problems of varying difficulty that range from simple observations to advanced results. Relatively difficult exercises are marked by asterisks and hints are included with additional explanation. Five appendices are included to supply additional background information that can be read alongside, before, or after the chapters. Dealing with classical concepts, the book highlights material not often found in analysis courses. It lays out, in a logical, systematic manner, the foundations of set theory providing a readable treatment accessible to graduate students and researchers.

Traces the history of chess, describes the pieces and how they move, and discusses the strategy of the game.

"This accessible approach to set theory for upper-level undergraduates poses rigorous but simple arguments. Each definition is accompanied by commentary that motivates and explains new concepts. A historical introduction is followed by discussions of classes and sets, functions, natural and cardinal numbers, the arithmetic of ordinal numbers, and related topics. 1971 edition with new material by the author"--

From the Preface to the first edition (1906): "A few of the most modern books on the Theory of Functions devote some pages to the establishment of certain results belonging to our subject, and required for the special purposes in hand... But we may fairly claim that the present work is the first attempt at a systematic exposition of the subject as a whole."

Accessible approach to set theory for upper-level undergraduates poses rigorous but simple arguments. Topics include classes and sets, functions, natural and cardinal numbers, arithmetic of ordinal numbers, and more. 1971 edition with new material by author.