Old New York Four Book Collection

Old New York (1924) is a collection of four novellas by Edith Wharton, revolving around upper-class New York City society in the 1840s, 1850s, 1860s, and 1870s. The novellas reveal the tribal codes and customs that ruled society, portrayed with the keen style that is uniquely Edith Wharton's. Originally published in 1924 and long out of print, these tales are vintage Wharton, dealing boldly with such themes as infidelity, illegitimacy, jealousy, the class system, and the condition of women in society Included in this remarkable quartet are False Dawn, The Old Maid, The Spark, and New Year's Day. The decades indicated in the subtitles to the stories make them prequels, after a fashion, to The Age of Innocence. All five might as well be cut from the same bolt of cloth, sharing settings, characters, social insight, a similar knowing eye for a telling detail. Edith Wharton (1862-1937) was a Pulitzer Prize-winning American novelist, short story writer, and designer. She became known for her psychological examination of characters faced with changes in the moral and social values of middle-class and upper-class society. Her novels and short stories provide numerous expert characterizations of complex men and women.

Four Books In One! A new, beautifully laid-out edition of Edith Wharton's classic 1924 tetralogy of novellas, revolving around upper-class New York society in the 1840s, 1850s, 1860s, and 1870s, and published under one title: Old New York. This collection includes all four Old New York novellas: False Dawn, The Old Maid, The Spark, and New Year's Day. The Old New York novellas serve as prequels to Wharton's masterpiece The Age of Innocence.

Old New York (1924) is a collection of four novellas by Edith Wharton, revolving around upper-class New York City society in the 1840s, 1850s, 1860s, and 1870s. The novellas reveal the tribal codes and customs that ruled society, portrayed with the keen style that is uniquely Edith Wharton's. Originally published in 1924 and long out of print, these tales are vintage Wharton, dealing boldly with such themes as infidelity, illegitimacy, jealousy, the class system, and the condition of women in society Included in this remarkable quartet are False Dawn, The Old Maid, The Spark, and New Year's Day. The decades indicated in the subtitles to the stories make them prequels, after a fashion, to The Age of Innocence. All five might as well be cut from the same bolt of cloth, sharing settings, characters, social insight, a similar knowing eye for a telling detail. Edith Wharton (1862-1937) was a Pulitzer Prize-winning American novelist, short story writer, and designer. She became known for her psychological examination of characters faced with changes in the moral and social values of middle-class and upper-class society. Her novels and short stories provide numerous expert characterizations of complex men and women.

These 20 short stories and novellas offer an exquisite portrait of Old New York, spanning from the Civil War through the Gilded Age (New York Times). “Edith Wharton . . . remains one of the most potent names in the literature of New York.” —New York Times Edith Wharton wrote about New York as only a native can. Her Manhattan is a city of well-appointed drawing rooms, hansoms and broughams, all-night cotillions, and resplendent Fifth Avenue flats. Bishops’ nieces mingle with bachelor industrialists; respectable wives turn into excellent mistresses. All are governed by a code of behavior as rigid as it is precarious. What fascinates Wharton are the points of weakness in the structure of Old New York: the artists and writers at its fringes, the free-love advocates testing its limits, widows and divorcées struggling to hold their own. The New York Stories of Edith Wharton gathers twenty stories of the city, written over the course of Wharton’s career. From her first published story, “Mrs. Manstey’s View,” to one of her last and most celebrated, “Roman Fever,” this new collection charts the growth of an American master and enriches our understanding of the central themes of her work, among them the meaning of marriage, the struggle for artistic integrity, the bonds between parent and child, and the plight of the aged. Illuminated by Roxana Robinson’s introduction, these stories showcase Wharton’s astonishing insight into the turbulent inner lives of the men and women caught up in a rapidly changing society.

Edith Wharton's four novellas.

This carefully crafted ebook: "Old New York: 4 novellas about historical NYC by Edith Wharton (False Dawn + The Old Maid + The Spark + New Year's Day)" is formatted for your eReader with a functional and detailed table of contents. Old New York (1924) is a collection of four novellas by Edith Wharton, revolving around upper-class New York City society in the 1840s, 1850s, 1860s, and 1870s. The novellas reveal the tribal codes and customs that ruled society, portrayed with the keen style that is uniquely Edith Wharton's. Originally published in 1924 and long out of print, these tales are vintage Wharton, dealing boldly with such themes as infidelity, illegitimacy, jealousy, the class system, and the condition of women in society Included in this remarkable quartet are False Dawn, The Old Maid, The Spark, and New Year's Day. The decades indicated in the subtitles to the stories make them prequels, after a fashion, to The Age of Innocence. All five might as well be cut from the same bolt of cloth, sharing settings, characters, social insight, a similar knowing eye for a telling detail. Edith Wharton (1862-1937) was a Pulitzer Prize-winning American novelist, short story writer, and designer. She became known for her psychological examination of characters faced with changes in the moral and social values of middle-class and upper-class society. Her novels and short stories provide numerous expert characterizations of complex men and women.

By the author of the bestselling picture book Petunia, The House of Four Seasons is a bright and lively family picture book about colors, imagination, and compromise When Father, Mother, Billy, and Suzy go house hunting in the country, they fall in love with a grand old house nestled among tall weeds and trees. It is in need of repair, and soon a carpenter, mason, and tinsmith come to set things straight, but it needs painting too. The family agrees it would be more fun to paint the house themselves, but no one can agree on the color, and to make matters worse, the hardware store only carries three colors: red, blue, and yellow. But Father has an idea. “You’ll see, he says, “colors can do many tricks when they get together,” and with a sudden flourish, a color wheel appears! Budding artists and engineers will love this surprising story, and adults would do well to note how Father arrives at a winning trifecta of negotiation, education, and thrift.

Four novellas by the Pulitzer Prize–winning author of The Age of Innocence, brilliantly capturing New York of the 1840s, '50s, '60s, and '70s. The four short novels in this collection are set in the New York of the 1840s, '50s, '60s, and '70s, each one revealing the codes and customs that ruled society, portrayed with the keen style that is uniquely Edith Wharton's. Originally published in 1924 and long out of print, these tales are vintage Wharton, dealing boldly with such themes as infidelity, illegitimacy, jealousy, the class system, and the condition of women in society. Included in this remarkable quartet are False Dawn, which concerns the stormy relationship between a domineering father and his son; The Old Maid, the best known of the four, in which a young woman's secret illegitimate child is adopted by her best friend—with devastating results; The Spark, about a young man's moral rehabilitation, which is "sparked" by a chance encounter with Walt Whitman; and New Year's Day, an O. Henryesque tale of a married woman suspected of adultery. Old New York is Wharton at her finest.

"Will always hold an honorable place for bibliophiles." — The University of Chicago Press One of the earliest treatises on the value of preserving neglected manuscripts, building a library, and book collecting, Richard De Bury's The Philobiblon was written in 1345 and circulated widely in manuscript form for over a century. The first printed edition appeared in Cologne in 1473, and several others soon followed as the invention of the printing press spread throughout the late Medieval world. The chapter titles of this legendary work reflect its nature, combining the author's love for and commitment to the importance of books and the knowledge they contain with thoughts on collecting them, lending them, teaching with them, and simply enjoying them: "That the Treasure of Wisdom is chiefly contained in books," "What we are to think of the price in the buying of books," "Who ought to be special lovers of books," and "Of the manner of lending all our books to students." The Prologue ends with the following thought: "And this treatise (divided into twenty chapters) will clear the love we have had for books from the charge of excess, will expound the purpose of our intense devotion, and will narrate more clearly than light all the circumstances of our undertaking. And because it principally treats of the love of books, we have chose after the fashion of the ancient Romans fondly to name it by a Greek word, Philobiblon." This volume offers modern bibliophiles a splendid edition of one of the first books ever to study, define, and, above all, praise their passion: the all-encompassing love of books.

A New York Review Books Original Edith Wharton wrote about New York as only a native can. Her Manhattan is a city of well-appointed drawing rooms, hansoms and broughams, all-night cotillions, and resplendent Fifth Avenue flats. Bishops’ nieces mingle with bachelor industrialists; respectable wives turn into excellent mistresses. All are governed by a code of behavior as rigid as it is precarious. What fascinates Wharton are the points of weakness in the structure of Old New York: the artists and writers at its fringes, the free-love advocates testing its limits, widows and divorcées struggling to hold their own. The New York Stories of Edith Wharton gathers twenty stories of the city, written over the course of Wharton’s career. From her first published story, “Mrs. Manstey’s View,” to one of her last and most celebrated, “Roman Fever,” this new collection charts the growth of an American master and enriches our understanding of the central themes of her work, among them the meaning of marriage, the struggle for artistic integrity, the bonds between parent and child, and the plight of the aged. Illuminated by Roxana Robinson’s Introduction, these stories showcase Wharton’s astonishing insight into the turbulent inner lives of the men and women caught up in a rapidly changing society.