Oil Fictions

Oil, like other fossil fuels, permeates every aspect of human existence. Yet it has been largely ignored by cultural critics, especially in the context of the Global South. Seeking to make visible not only the pervasiveness of oil in society and culture but also its power, Oil Fictions stages a critical intervention that aligns with the broader goals of the energy humanities. Exploring literature and film about petroleum as a genre of world literature, Oil Fictions focuses on the ubiquity of oil as well as the cultural response to petroleum in postcolonial states. The chapters engage with African, South American, South Asian, Iranian, and transnational petrofictions and cover topics such as the relationship of colonialism to the fossil fuel economy, issues of gender in the Thermocene epoch, and discussions of migration, precarious labor, and the petro-diaspora. This unique exploration includes testimonies of the oil encounter—through memoirs, journals, and interviews—from a diverse geopolitical grid, ranging from the Permian Basin to the Persian Gulf. By engaging with non-Western literary responses to petroleum in a concentrated, sustained way, this pathbreaking book illuminates the transnational dimensions of the discourse on oil. It will appeal to scholars and students working in literature and science studies, energy humanities, ecocriticism, petrocriticism, environmental humanities, and Anthropocene studies. In addition to the editors, the contributors to this volume include Henry Obi Ajumeze, Rebecca Babcock, Ashley Dawson, Sharae Deckard, Scott DeVries, Kristen Figgins, Amitav Ghosh, Corbin Hiday, Helen Kapstein, Micheal Angelo Rumore, Simon Ryle, Sheena Stief, Imre Szeman, Maya Vinai, and Wendy W. Walters.

"From 1501 to 1505, Leonardo da Vinci and Michelangelo Buonarroti both lived and worked in Florence. Leonardo was a charming, handsome fifty year-old at the peak of his career. Michelangelo was a temperamental sculptor in his mid-twenties, desperate to make a name for himself. The two despise each other."--Front jacket flap.

In the wake of a series of global catastrophes that have destroyed industrial civilization, the inhabitants of Union Grove, a small New York town, do anything they can to get by, as they struggle to deal with a new way of life over the course of an eventful summer, in a novel set several decades in the future. By the author of The Long Emergency. Reprint.

A New York Times Editors' Choice Book From the critically-acclaimed author of Shelter, an unflinching portrayal of a woman trying to come to terms with the ghosts of her past and the tortured realities of a deeply divided America. Elinor Hanson, a forty-something former model, is struggling to reinvent herself as a freelance writer when she receives an unexpected assignment. Her mentor from grad school offers her a chance to write for a prestigious magazine about the Bakken oil boom in North Dakota. Elinor grew up near the Bakken, raised by an overbearing father and a distant Korean mother who met and married when he was stationed overseas. After decades away from home, Elinor returns to a landscape she hardly recognizes, overrun by tens of thousands of newcomers. Surrounded by roughnecks seeking their fortunes in oil and long-time residents worried about their changing community, Elinor experiences a profound sense of alienation and grief. She rages at the unrelenting male gaze, the locals who still see her as a foreigner, and the memories of her family’s estrangement after her mother decided to escape her unhappy marriage, leaving Elinor and her sister behind. The longer she pursues this potentially career-altering assignment, the more her past intertwines with the story she’s trying to tell, revealing disturbing new realities that will forever change her and the way she looks at the world. With spare and graceful prose, Jung Yun's O Beautiful presents an immersive portrait of a community rife with tensions and competing interests, and one woman’s attempts to reconcile her anger with her love of a beautiful, but troubled land.

In the 150 years since the birth of the petroleum industry oil has saturated our culture, fueling our cars and wars, our economy and policies. But just as thoroughly, culture saturates oil. So what exactly is “oil culture”? This book pursues an answer through petrocapitalism’s history in literature, film, fine art, wartime propaganda, and museum displays. Investigating cultural discourses that have taken shape around oil, these essays compose the first sustained attempt to understand how petroleum has suffused the Western imagination. The contributors to this volume examine the oil culture nexus, beginning with the whale oil culture it replaced and analyzing literature and films such as Giant, Sundown, Bernardo Bertolucci’s La Via del Petrolio, and Ben Okri’s “What the Tapster Saw”; corporate art, museum installations, and contemporary photography; and in apocalyptic visions of environmental disaster and science fiction. By considering oil as both a natural resource and a trope, the authors show how oil’s dominance is part of culture rather than an economic or physical necessity. Oil Culture sees beyond oil capitalism to alternative modes of energy production and consumption. Contributors: Georgiana Banita, U of Bamberg; Frederick Buell, Queens College; Gerry Canavan, Marquette U; Melanie Doherty, Wesleyan College; Sarah Frohardt-Lane, Ripon College, Matthew T. Huber, Syracuse U; Dolly Jørgensen, Umeå U; Stephanie LeMenager, U of Oregon; Hanna Musiol, Northeastern U; Chad H. Parker, U of Louisiana at Lafayette; Ruth Salvaggio, U of North Carolina, Chapel Hill; Heidi Scott, Florida International U; Imre Szeman, U of Alberta; Michael Watts, U of California, Berkeley; Jennifer Wenzel, Columbia University; Sheena Wilson, U of Alberta; Rochelle Raineri Zuck, U of Minnesota Duluth; Catherine Zuromskis, U of New Mexico.

The classic novel that inspired the Academy award-winning film, There Will Be Blood. Penguin Books is proud to now be the sole publisher of Oil!, the classic 1927 novel by Upton Sinclair. After writing The Jungle, his scathing indictment of the meatpacking industry, Sinclair turned his sights on the early days of the California oil industry in a highly entertaining story featuring a cavalcade of characters including senators, oil magnets, Hollywood film starlets, and a crusading evangelist. This lively and panoramic book, which was recently cited by David Denby in the New Yorker as being Sinclair’s “most readable” novel, is now the inspiration for the Paramount Vantage major motion picture, There Will Be Blood. It is the long-awaited film from Paul Thomas Anderson, one of the most admired filmmakers working today whose previous movies, Boogie Nights and Magnolia were both multiple Academy Award nominees. The movie stars Oscar-winner Daniel Day-Lewis (Gangs of New York, My Left Foot) and Paul Dano (Little Miss Sunshine). Paramount Vantage will be releasing the film in New York and Los Angeles on December 26, 2007 and go nationwide in January. This is the same company responsible for Babel and A Mighty Heart and the current releases, Into the Wild, Margot at the Wedding, and The Kite Runner. As wars rage on in the oil region and as anxiety over natural resources rise, the subject of this book, which celebrates its 80th anniversary in 2007, is more timely than ever.

An environmental disaster leads to global chaos in this science fiction thriller by the authors of Assemblers of Infinity. It is the largest oil spill in history: a supertanker crashes into the Golden Gate Bridge in San Francisco Bay. Desperate to avert environmental damage (as well as a PR disaster), the multinational oil company releases an untested designer oil-eating microbe to break up the spill. What the company didn’t realize is that their microbe propagates through the air…and it mutates to consumer anything made of polycarbons: oil, gasoline, synthetic fabrics, plastics of all kinds. And when every piece of plastic begins to dissolve, it’s too late . . . Praise for Ill Wind “A high-action, best-seller-caliber disaster novel grounded in unsettlingly accurate science. . . . Using the standard disaster novel format of multiple characters and plot lines, Beason and Anderson maintain a suspenseful, breakneck pace that carries us to a thrilling finish.” —Booklist “A big, near-future disaster novel straddling the border between science fiction and technothriller, likely to appeal to fans of both.” —Kirkus Reviews “A real winner . . . [the authors’] grasp of the science, the technology, and the political scene is unique.” —Dr. D. Allan Bromley, former assistant to the president for science and technology

Drawing on novels, film, and photographs, Living Oil offers a literary and cultural history of modern environmentalism and petroleum in America.

“Passionate. . . . [The] lively satirical account of capitalist greed . . . and socialist struggle,” that inspired the film There Will Be Blood (The Guardian). From the Pulitzer Prize–winning author of The Jungle, a novel set against the backdrop of the political corruption fueling the California oil industry during the Harding administration. Oil! is a tale of the capitalist insatiability that comes between an oil baron and his son, whose growing sympathies with the labor movement and socialist ideals fuels the riff between them. Peopled with politicians, financial investors, oil magnates, a Hollywood star, and a crusading evangelist, Oil! is also a spirited social commentary on the class struggle at the heart of the divide in post–World War I America. Written by an author heralded for his compelling narratives exploring themes of social justice, Oil! is as relevant today as it was when it was first published in 1927. “A marvelous panorama of Southern California life. It is storytelling with an edge on it.” —The New Republic “A tremendous piece of work.” —The Nation

FINALIST FOR THE PULITZER PRIZE * Named a Best Mystery and Thriller Book of all Time by Time A haunting epic following a Native American government official who investigates the murder of Grace Blanket: an Osage woman who was once the richest person in her territory until the greed of white men led to her death and a future of uncertainty for her family. When rivers of oil are discovered beneath the land belonging to the Osage tribe during the Oklahoma oil boom, Grace Blanket becomes the wealthiest person in the territory. Tragically, she is murdered at the hands of greedy men, leaving her daughter Nola orphaned. After the Graycloud family takes Nola in, they too begin dying mysteriously. Though they send letters to Washington DC begging for help, the family continues to slowly disappear until Native American government official Stace Red Hawk ventures west to investigate the terrors plaguing the Osage tribe. Stace is not only able to uncover the rampant fraud, intimidation, and murder that led to the deaths of Grace Blanket and the Greycloud family, but also finds something truly extraordinary—a realization of his deepest self and an abundance of love and appreciation for his native people and their brave past.