Oceanscapes

Aller has been photographing the Atlantic Ocean for over a decade from a single point on the fabled Hamilton's coastline. Her images capture the infinitely shifting colours and textures of the sky and water and the beauty and grandeur of the ocean. The sublime beauty of this view, which Aller connects with the Romantic painter Caspar David Friedrich, is also a metaphor for the landscape of human emotions. Elaborately designed and printed, Aller's acclaimed series lends itself perfectly to the physical narrative of a photobook.

Debra Bloomfield's hypnotic photographs provide a visual map of the powerful interplay between sea and sky. Over theyears, on a single lonesome stretch of beach, Bloomfield has captured an undeniably intimate portrait of the ocean at rest. Almost impressionistic in their tone, this collection of 60 photographs chronicling seascapes smudging into a series of hazy horizons creates a striking contrast with what we've come to expect of ocean photography. Still is a captivating and entrancing vision by a unique voice in contemporary photography.

Histories of Technology, the Environment and Modern Britain brings together historians with a wide range of interests to take a uniquely wide-lens view of how technology and the environment have been intimately and irreversibly entangled in Britain over the last 300 years. It combines, for the first time, two perspectives with much to say about Britain since the industrial revolution: the history of technology and environmental history. Technologies are modified environments, just as nature is to varying extents engineered. Furthermore, technologies and our living and non-living environment are both predominant material forms of organisation – and self-organisation – that surround and make us. Both have changed over time, in intersecting ways. Technologies discussed in the collection include bulldozers, submarine cables, automobiles, flood barriers, medical devices, museum displays and biotechnologies. Environments investigated include bogs, cities, farms, places of natural beauty and pollution, land and sea. The book explores this diversity but also offers an integrated framework for understanding these intersections.

Aller captures the infinitely shifting colors and textures of water, sand and sky This new project by German-born photographer Renate Aller is an extension of the ongoing series and book Oceanscapes (2010). Aller has continued to make images of the ocean from a single vantage point--for which she is internationally known--but for the last several years, she has also photographed sand dunes in New Mexico and Colorado. She has now paired the resulting images in a fascinating new series that continues her investigation into the relationship between romanticism, memory and landscape in the context of our current sociopolitical awareness. There is both a visual and visceral relationship between the two bodies of work. The desert images also capture visitors to the dunes, who engage in beach activities far away from any large body of water. And while these parallel realities are from completely different locations, the simultaneous, multiple activities on the sloping sand hills appears as if layers of different people and activities were choreographed next to rolling waves of the sea. Aller's first combination of these images was in book form, for a mammoth handmade book that was 36 inches wide. The overwhelming success of that publication has inspired this new trade edition, which features the largest binding that can be mechanically bound, and includes an expanded selection of the work. Born in Germany, Renate Aller lives and works in New York. Ocean and Desert is her third monograph published with Radius Books, following Dicotyledon and the long-term project Oceanscapes-One View-Ten Years. Pieces from that series and other site-specific artworks are in the collections of corporate institutions, private collectors and museums, including the Lannan Foundation, Santa Fe; the Corcoran Gallery of Art, Washington, D.C.; Yale University Art Gallery, Conneticut; the George Eastman House, Rochester; New Britain Museum of American Art; Hamburger Kunsthalle; and the Chazen Museum of Art, Madison.

This exacting study examines the theatre, film and activism engaged with the representation or participation of asylum seekers and refugees in the twenty-first century. Cox shows how this work has been informed by and indeed contributed to the consolidation of ‘irregular’ noncitizenship as a cornerstone idea in contemporary Australian political and social life, to the extent that it has become impossible to imagine what Australia means without it.

An award-winning photographer gives detailed, how-to information on both the technical and artistic aspects of landscape photography. Lange, master of dramatic lighting and composition, presents a clear, straightforward system for recognizing, composing, and shooting memorable landscapes. 115 color photos.