Obliteration

“Scary amazing fun.”—Brad Meltzer Evils both above and below ground arise once again, threatening the world and all its inhabitants with extinction in this electrifying science fiction thriller—the final novel set in the Awakened universe—from the #1 internationally bestselling author and star of television’s Impractical Jokers and a bestselling science fiction writer. Thanks to the heroics of former New York City Mayor Tom Cafferty and his team, the world is once again safe. The villainous Foundation for Human Advancement has been dismantled, the cities of the world are safe from nuclear annihilation, and Cafferty is now on a hunt to decimate every nest of creatures on the planet. When Cafferty enters a nest underneath the Nevada desert, he is horrified to find it completely empty. It can only mean one thing: the battle for survival is not over. Across the planet, creatures are emerging from their subterranean homes. Now, the all-out war against humanity has begun—a war in which only one apex species will survive. Humankind has finally met its match. Cafferty knows that only one man can help him stop the onslaught. A man who is despised by the world. A man who has already caused the death of millions. A man who is a sworn enemy hell-bent on taking Tom Cafferty down forever: Albert Van Ness. But even this desperate move may not be enough to stop the creatures and save humanity . . .

Emmanuel Levinas defines obliteration as a central concept with which to think about art. The interview with Françoise Armengaud is one of Levinas' rare statements focusing on the fine arts. Levinas has become influential in various disciplines through his ethics, which he thinks decisively from the face of the other. Yet his reflections on aesthetics are rarely engaged with, and when questions are asked about the face in art--and thus about the interrelationship of ethics and aesthetics--the main focus has been on his comments on literature. In this interview Levinas talks about the work of the French sculptor Sacha Sosno, and the complex relationship between ethics and aesthetics becomes no longer aligned with the face and language, but with iconic thinking and artistic operations and practices. Levinas understands obliteration as an 'unavailable,' an uncanny, disruptive concept. In doing so, he turns away from the "ease and lighthearted casualness of the beautiful" and to the processes of material wear and tear and the traces of their repair. He affirms these for their creative potential in developing a uniqueness of presence.The interview is supplemented by photographs by André Villers of Sosno's works, a foreword by Johannes Bennke and an epilogue by Dieter Mersch.

The #1 New York Times bestseller and sequel to Steelheart from Brandon Sanderson, the author of Oathbringer, coauthor of Robert Jordan’s The Wheel of Time series, and creator of the internationally bestselling Mistborn trilogy, presents the second book in the Reckoners series: Firefight. And don’t miss Calamity, the exciting conclusion to the Reckoners series! Newcago is free. They told David it was impossible, that even the Reckoners had never killed a High Epic. Yet Steelheart--invincible, immortal, unconquerable--is dead. And he died by David's hand. Eliminating Steelheart was supposed to make life simpler. Instead, it only made David realize he has questions. Big ones. And no one in Newcago can give him answers. Babylon Restored, the city formerly known as the borough of Manhattan, has possibilities, though. Ruled by the mysterious High Epic Regalia, Babylon Restored is flooded and miserable, but David is sure it's the path that will lead him to what he needs to find. Entering a city oppressed by a High Epic despot is risky, but David's willing to take the gamble. Because killing Steelheart left a hole in David's heart. A hole where his thirst for vengeance once lived. Somehow, he filled that hole with another Epic--Firefight. And now he will go on a quest darker and even more dangerous than the fight against Steelheart to find her, and to get his answers. Praise for the Reckoners Series: #1 New York Times Bestselling Series “Another win for Sanderson . . . he’s simply a brilliant writer. Period.” —Patrick Rothfuss, author of the New York Times and USA Today bestseller The Name of the Wind “Action-packed.” —EW.com “Compelling. . . . Sanderson uses plot twists that he teases enough for readers to pick up on to distract from the more dramatic reveals he has in store.” —The A.V. Club

Yayoi Kusama: Give Me Love documents the artist's most recent exhibition at David Zwirner, New York, which marked the US debut of The Obliteration Room, an all-white, domestic interior that viewers are invited to cover with dot stickers of various sizes and colors. Widely recognized as one of the most popular artists in the world, Yayoi Kusama has shaped her own narrative of postwar and contemporary art. Minimalism and Pop art, abstraction and conceptualism coincide in her practice, which spans painting, sculpture, performance, room-sized and outdoor installation, the written word, films, fashion, design, and architectural interventions. Born in 1929 in Matsumoto, Japan, Yayoi Kusama briefly studied painting in Kyoto before moving to New York City in the late 1950s. In the mid-1960s, she established herself in New York as an important avant-garde artist by staging groundbreaking happenings, events, and exhibitions. Now in her late 80s, Kusama is entering one of the richest creative periods of her life. Immersed in her studio six days a week, Kusama has spoken of her renewed dedication to creating art over the past years: “[N]ew ideas come welling up every day….Now I am more keenly aware of the time that remains and more in awe of the vast scope of art.” Taking The Obliteration Room as its centerpiece, this catalogue reveals, in vivid large-scale plates, the transformation of the space from a clean white interior to a stunningly saturated room, with ceilings, walls, and furniture covered in myriad multicolored stickers put there by viewers over the course of the exhibition. The catalogue also includes beautiful reproductions of Kusama's new large-format paintings from My Eternal Soul series. Ranging from bright and densely pixelated forms, to umber figures with darker blues and muted oranges, these paintings demonstrate the artist's striking command of color, and her exceptional control over balance and contrast. Bold brushstrokes hover between figuration and abstraction; vibrant, animated, and intense, these paintings introduce their own powerful pictorial logic, at once contemporary and universal. The catalogue continues with a selection of new, large Pumpkin sculptures, a form that Kusama has been exploring since her studies in Japan in the 1950s, and which gained prominence in the 1980s, continuing to remain an essential part of her practice. Made of shiny stainless steel and featuring painted dots or dot-shaped perforations that recall The Obliteration Room, these immersive works seem created on human scale, with the tallest measuring 70 inches (178 cm). Vibrant plates capture how color, shape, size, and surface merge in these sculptures and mesmerize the viewer. Texts include a "Hymn to Yayoi Kusama" by art critic and poet Akira Tatehata and a poem by the artist herself.

It is estimated that only a small fraction, less than 1 per cent, of ancient literature has survived to the present day. The role of Christian authorities in the active suppression and destruction of books in Late Antiquity has received surprisingly little sustained consideration by academics. In an approach that presents evidence for the role played by Christian institutions, writers and saints, this book analyses a broad range of literary and legal sources, some of which have hitherto been little studied. Paying special attention to the problem of which genres and book types were likely to be targeted, the author argues that in addition to heretical, magical, astrological and anti-Christian books, other less obviously subversive categories of literature were also vulnerable to destruction, censorship or suppression through prohibition of the copying of manuscripts. These include texts from materialistic philosophical traditions, texts which were to become the basis for modern philosophy and science. This book examines how Christian authorities, theologians and ideologues suppressed ancient texts and associated ideas at a time of fundamental transformation in the late classical world.

Order the sequel to the #1 New York Times bestselling novel Firefight today! From the bestselling author of the Mistborn series and Words of Radiance comes Calamity, the final book in the #1 New York Times bestselling Reckoners series: Steelheart, Firefight, and Calamity. When Calamity lit up the sky, the Epics were born. David’s fate has been tied to their villainy ever since that historic night. Steelheart killed his father. Firefight stole his heart. And now Regalia has turned his closest ally into a dangerous enemy. David knew Prof’s secret, and kept it even when Prof struggled to control the effects of his Epic powers. But facing Obliteration in Babilar was too much. Once the Reckoners’ leader, Prof has now embraced his Epic destiny. He’s disappeared into those murky shadows of menace Epics are infamous for the world over, and everyone knows there’s no turning back. . . . But everyone is wrong. Redemption is possible for Epics—Megan proved it. They’re not lost. Not completely. And David is just about crazy enough to face down the most powerful High Epic of all to get his friend back. Or die trying. Praise for the Reckoners Series: #1 New York Times Bestselling Series “The suspense is relentless and the climax explosive.” —James Dashner, #1 New York Times bestselling author of the Maze Runner series “Another win for Sanderson . . . he’s simply a brilliant writer. Period.” —Patrick Rothfuss, author of the New York Times and USA Today bestseller The Name of the Wind “Action-packed.” —EW.com “Compelling. . . . Sanderson uses plot twists that he teases enough for readers to pick up on to distract from the more dramatic reveals he has in store.” —The A.V. Club

"From internationally bestselling authors James Murray and Darren Wearmouth comes The Stowaway, a suspenseful masterpiece that leaves a cruise ship stranded at sea with a serial killer hiding aboard... Two years ago, Maria Fontana was the deciding vote on a jury that set alleged serial killer Wyatt Butler free. Now, she and her family are enjoying vacation on a two week long transatlantic cruise. But when passengers are discovered brutally murdered in a similar way to Butler's ritualistic MO, the ship goes on lockdown. Maria, one of only twelve people in the world with intimate knowledge of the case, faces a perilous ticking clock. Is it a copycat? Or is she trapped on board with the bloodthirsty maniac she chose to set free?"--

"Imagine the perfect place where there is little if any crime, a safe haven jam-packed with welcoming neighbors, a profusion of popular sports to partake in, plenty of stimulating recreational activities everyone can enjoy, white picket fences, pristine lakes, lush greenery, and gorgeous mansions – the ideal kind-of-home to raise your kids in even. Now picture this same sanctuary where come hell or high water, when the sun subsides, something causes everyone and everything to turn 360 degrees out of control – a place where teenagers and adults are possessed with becoming widespread or even famous for becoming one of the residence lifeguards. What is instigating these things to happen? Why are people missing and acting so outlandish? Why can no one remember? There is one tenacious, single-minded lifeguard however, who is painstakingly persistent to find out, but has no idea of the physical and mental anguish she will endure while trying to unravel the mystery behind this nightmare."