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"In Cecily Parks' beautiful poems, the natural world teeters between being and seeming—the seeming a simulacrum projected onto the world by a mind's yearning, taxonomy and dread. Deeply metaphysical, and deeply attentive to our spiritual as well as physical uses and abuses of nature, O'Nights implicates language's —indeed, lyric poetry's—sad role in this endeavor."—Susan Wheeler In O'Nights, Cecily Parks constructs stunning manifestations of a modern Thoreauvian wilderness, investigating how the natural world gives shape to the self, body, and emotions. These lyrical, transcendental poems study the duality of nature's feminine and masculine identities, and in its simplicity, offers a space where humankind truly belongs. From "Bell": This progress, as in the wind-scalloped snowmeadow pretending to be moon. This love that sets us scrambling over the map's last ridge, our red hoods bright in shrunken sky. This metallic weather in which we are the ore. This alder. These crimson-tipped willows reverberating next to a river of turquoise ice. This following the deep tracks of one coyote stepping where another has stepped. This wilderness that we trespass, burning like berries in the juniper and becoming the air in the belfry. Cecily Parks is the author of the chapbook Cold Work (Poetry Society of America, 2005) and the collection Field Folly Snow (University of Georgia Press, 2008), which was a finalist for the Norma Farber First Book Award and the Glasgow/Shenandoah Prize for Emerging Writers. Her poems have appeared in Boston Review, Kenyon Review, Orion, Tin House, Virginia Quarterly Review, the Yale Review, and elsewhere. She lives in Cambridge, Massachusetts.

Neste livro, descubra a idéia que servirá de norte ao aprimoramento eletivo de nações que desejarem progredir em sua moralização. Será uma nova metodologia política, focada na real isonomia, no mérito, na ética, na eficiência: Uma Ideia para Transformar o Brasil.Se não houver mudanças agora, amanhã é certo. A idéia está aqui, antes da prática, porém, vamos aperfeiçoá-la. Sem a sua participação, ela será apenas uma opinião.In this book, you find the idea that be able to an elective improvement of nations wishing to progress on their moralization. It will be a new political methodology, focused on real equality, merit, ethics, and efficiency: An idea for changing Brazil.If there are no changes now, tomorrow it is sure. Here is the idea, let's perfect it and put it into practice. Without your participation, it will be just an opinion.

This edited volume examines the diverse Latinx/a/o student populations in higher education. Offering innovative approaches to understand the asset-based contributions of Latinx/a/o students and the communities they come from, this book showcases scholars from various disciplines, including, psychology, sociology, higher education, history, gender studies, and beyond. Chapter authors argue that various forms of knowledge and culturally relevant methodologies can help advance and promote the success and navigation of Latinx/a/o students. The contributors of this book challenge the deficit framing often found in higher education, and expand conceptualizations, theories, and methodologies used in the study of Latinx/a/o student populations to incorporate AfroLatinx/a/o perspectives, center Central American students in research, and bring Undocumented Critical Theory into the conversation. This important work provides a guide for higher education and student affairs scholars and practitioners, helping create knowledge to better understand Latinx/a/o student populations in higher education.

Flannery O'Connor is considered one of America's greatest fiction writers. The immensely talented Robert Giroux, editor-in-chief of Harcourt, Brace & Company and later of Farrar, Straus; Giroux, was her devoted friend and admirer. He edited her three books published during her lifetime, plus Everything that Rises Must Converge, which she completed just before she died in 1964 at the age of thirty-nine, the posthumous The Complete Stories of Flannery O'Connor, and the subsequent award-winning collection of her letters titled The Habit of Being. When poet Robert Lowell first introduced O'Connor to Giroux in March 1949, she could not have imagined the impact that meeting would have on her life or on the landscape of postwar American literature. Flannery O'Connor and Robert Giroux: A Publishing Partnership sheds new light on an area of Flannery O’Connor’s life—her relationship with her editors—that has not been well documented or narrated by critics and biographers. Impressively researched and rich in biographical details, this book chronicles Giroux’s and O’Connor’s personal and professional relationship, not omitting their circle of friends and fellow writers, including Robert Lowell, Caroline Gordon, Sally and Robert Fitzgerald, Allen Tate, Thomas Merton, and Robert Penn Warren. As Patrick Samway explains, Giroux guided O'Connor to become an internationally acclaimed writer of fiction and nonfiction, especially during the years when she suffered from lupus at her home in Milledgeville, Georgia, a disease that eventually proved fatal. Excerpts from their correspondence, some of which are published here for the first time, reveal how much of Giroux's work as editor was accomplished through his letters to Milledgeville. They are gracious, discerning, and appreciative, just when they needed to be. In Father Samway's portrait of O'Connor as an extraordinarily dedicated writer and businesswoman, she emerges as savvy, pragmatic, focused, and determined. This engrossing account of O'Connor's publishing history will interest, in addition to O'Connor's fans, all readers and students of American literature.

Here you'll find a magic book Where all's not what it seems. For when you turn each object round PRESTO CHANGE-O The unexpected will be seen. See the raccoon hiding in a magic cauldron? The owl pretending to be a clock? The lion masquerading as a flower? A rabbit hiding in a hot-air balloon? Kids will love working magic with just a few simple turns—and a few rhyming verses—that transform everyday objects into familiar creatures. Simple manipulations for little hands make this a literal page turner.

Reprint of the original, first published in 1881.

Offers a portrait of the twentieth-century woman artist through discussions of her marriage to art photography pioneer Alfred Stieglitz, the impact of his infidelity on her psyche, and her relocation to New Mexico, where she created her signature works.

Por décadas, a comunidade ufológica mundial tem afirmado que diversas missões espaciais e suas tripulações tiveram encontros ufológicos no espaço. E como um mantra, repete-se que a NASA teria manipulado fotografias e filmagens, para esconder estes eventos, promovendo uma lei de silêncio entre os astronautas. Mas qual a verdade nisso tudo? Todas as informações que se tem hoje são verdadeiras? Todas as imagens alegadamente vazadas da Agência Espacial, tem alguma veracidade? Até que ponto este acobertamento funciona de fato? A pesquisa profunda e detalhada sobre este tema revela surpresas interessantes...

The Undoing of Luke O’Reilly highlights the nature of high personal expectations in an obscure society during Ireland’s economic Celtic Tiger boom. LUKE O’RIELLY meets and has an affair with a Philippine nurse, causing difficult to deal with complications for him. Over a time, wrestling with his inner motivations and related actions, he is swept away by forces outside of his conscious control.