Nudes From Nowhere

Nudes from Nowhere is the history of the idea that women and land are analogous. From the earliest etiological myths, through British pornographic texts, to historical documents of colonization, this book documents the insidious results of feminizing nature and masculinizing culture. Nudes from Nowhere shows how both pornography and imperialism feed on those who lack the protection afforded by the privilege of race, class, or gender.

A Step-by-Step Guide to Recruiting Beautiful Models, Lighting, Photographing Nudes, Post-Processing Images, and Maybe Even Getting Paid to Do It. (third edition) Prior experience with nude models is not required to benefit from this how-to guide. This guide can be enjoyed by anyone, but is written for two main audiences: the accomplished photographer wanting insight from a peer, and the serious amateur wanting a guided introduction to the field. The female body has been an inspiration for artists since before the invention of photography. Naturally, nudes were one of the first subjects of photography as well. Although the guide covers the basics of nude photography, it is assumed that you have a digital camera that is more advanced than a point-and-shoot and that you already understand the basics of operating your camera. This book deals with female models. You won't find male models or advice on photographing non-models in this book. Finding Models: Nude photography entails more than just photographic technique, there is a huge interpersonal element; much more so than in any other kind of people photography. The guide addresses everything from finding models, to working with them long term. Most guides on photographic technique assume you've already found a willing model. This one assumes that you're having trouble - or at least having trouble finding a model that you feel takes your work to the next level. It contains techniques for finding and recruiting models. Techniques: A range of processes are explained step-by-step. You'll find more than just a selection of photos and a dissection of each; you'll see full lighting diagrams as well as frank discussions of techniques and pitfalls in the days and weeks leading up to making a nude image. From finding your first nude model to selling your first nude photo, the guide presents complete, concise instruction on lighting, posing, and-post processing with Photoshop.

Traveling Bodies: Interdisciplinary Perspectives on Traveling as an Embodied Practice explores the central role the body has in and for traveling and thus complements and expands upon existing research in travel studies with new perspectives on and insights in the entanglement of bodies and traveling. The case studies assembled in this volume discuss a variety of traveling practices, experiences, and media with chapters featuring Asian, American, and European historical and contemporary perspectives. Truly interdisciplinary in its approach, the volume identifies and examines diverse literary, historical and cultural texts, contexts, and modes in which traveling and the body intersect, including ‘classic’ travelogues, (new) media (e.g., film, digital travel apps), surf culture, and travel-inspired tattoos. The contributions offer various avenues for further research, not only for scholars working with body theory and travel (writing), but also for anyone interested in the intersections of literature, culture, media, and embodied practices of traveling.

This book discusses sex and death in the eighteenth-century, an era that among other forms produced the Gothic novel, commencing the prolific examination of the century’s shifting attitudes toward death and uncovering literary moments in which sexuality and death often conjoined. By bringing together various viewpoints and historical relations, the volume contributes to an emerging field of study and provides new perspectives on the ways in which the century approached an increasingly modern sense of sexuality and mortality. It not only provides part of the needed discussion of the relationship between sex, death, history, and eighteenth-century culture, but is a forum in which the ideas of several well-respected critics converge, producing a breadth of knowledge and a diversity of perspectives and methodologies previously unseen. As the contributors demonstrate, eighteenth-century anxieties over mortality, the body, the soul, and the corpse inspired many writers of the time to both implicitly and explicitly embed mortality and sexuality within their works. By depicting the necrophilic tendencies of libertines and rapacious villains, the fetishizing of death and mourning by virtuous heroines, or the fantasy of preserving the body, these authors demonstrate not only the tragic results of sexual play, but the persistent fantasy of necro-erotica. This book shows that within the eighteenth-century culture of profound modern change, underworkings of death and mourning are often eroticized; that sex is often equated with death (as punishment, or loss of the self); and that the sex-death dialectic lies at the discursive center of normative conceptions of gender, desire, and social power.

As one common story goes, Adam and Eve, the first man and woman, had no idea that there was any shame in their lack of clothes; they were perfectly confident in their birthday suits among the animals of the Garden of Eden. All was well until that day when they ate from the Tree of Knowledge of Good and Evil and went scrambling for fig leaves to cover their bodies. Since then, lucrative businesses have arisen to provide many stylish ways to cover our nakedness, for the naked human body now evokes powerful and often contradictory ideas—it thrills and revolts us, signifies innocence and sexual experience, and often marks the difference between nature and society. In A Brief History of Nakedness psychologist Philip Carr-Gomm traces our inescapable preoccupation with nudity. Rather than studying the history of the nude in art or detailing the ways in which the naked body has been denigrated in the media, A Brief History of Nakedness reveals the ways in which religious teachers, politicians, protesters, and cultural icons have used nudity to enlighten or empower themselves as well as entertain us. Among his many examples, Carr-Gomm discusses how advertisers and the media employ images of bare skin—or even simply the word “naked”—to garner our attention, how mystics have used nudity to get closer to God, and how political protesters have discovered that baring all is one of the most effective ways to gain publicity for their cause. Carr-Gomm investigates how this use of something as natural as nakedness actually gets under our skin and evokes complicated and complex emotional responses. From the naked sages of India to modern-day witches and Christian nudists, from Lady Godiva to Lady Gaga, A Brief History of Nakedness surveys the touching, sometimes tragic and often bizarre story of our relationships with our naked bodies.

This set reprints many of the 18th century's most notorious works, including eight from "The Fifteen Plagues of a Maiden-Head" (1707), that resulted in highly publicized court battles and in some cases helped shape laws on censorship that survived into modernity.

Go behind the scenes at this classic '90s film from cinematic masters Joel and Ethan Coen. Ya, you betcha, you're gonna discover some fascinating tidbits to celebrate the film's 25th anniversary.

The Nude explores some of the principal ways that paintings of the nude function in the conflicted terrain of culture and society in Europe and America from the fifteenth through twentieth centuries, as set against questions about human sexuality that emerge around differences of class, gender, age, and race. Author Richard Leppert relates the visual history of how the naked body intersects with the foundational characteristics of what it is to be human, measured against a range of basic emotions (happiness, delight, and desire; fear, anxiety, and abjection) and read in the context of changing social and cultural realities. The bodies comprising the Western nude are variously pleasured or tormented, ecstatic or bored, pleased or horrified. In short, as this volume amply demonstrates, the nude in Western art is a terrain on whose surface is written a summation of Western history: its glory but also its degradation.

It has been always easy to unhook the bra but not the heart and in some cases vice versa. 'Nude' is a short poetic compilation of thirteen beautiful souls and a glimpse inside their life. Life is never the same for everyone but phases and so emotions are, and hopefully you can connect with one of the characters to understand the emotion you had once felt. No emotion is right or wrong our verdicts are based on perceptions and the situation we live in, and sometimes we often make the mistake of acknowledging that emotion, most importantly understanding that emotion.