Now The Cats With Jeweled Claws Other One Act Plays

“The peak of my virtuosity was in the one-act plays—like firecrackers in a rope.” —Tennessee Williams This new collection of fantastic, lesser-known one-acts contains some of Williams’s most potent, comical and disturbing short plays?Upper East Side ladies dine out during the apocalypse in Now the Cats With Jeweled Claws, while the poet Hart Crane is confronted by his mother at the bottom of the ocean in Steps Must Be Gentle. Five previously unpublished plays include A Recluse and His Guest, and The Strange Play, in which we witness a woman’s entire life lived within a twenty-four-hour span. This volume is edited, with an introduction and notes, by the editor, acting teacher, and theater scholar Thomas Keith.

This new volume gathers some of Williams' most exuberant early work and includes one-acts that he would later expand to powerful full-length dramas, including "The Pretty Trap," a cheerful take on "The Glass Menagerie," and "Interior: Panic," a stunning precursor to "A Streetcar Named Desire."

Thirteen previously unpublished short plays now available for the first time.

"Collected here for the first time, these twelve plays embrace what Time magazine called "the four major concerns of Williams' dramatic imagination: loneliness, love, the violated heart and the valiancy of survival"--Back cover.

Volume III of the series includes Cat on a Hot Tin Roof (1955), Orpheus Descending (1957), and Suddenly Last Summer (1958). The first, which won both the Pulitzer Prize and Drama Critics Award, has proved every bit as successful as William's earlier A Streetcar Named Desire. The other two plays, though different in kind, both have something of the quality of Greek tragedy in 20th-century settings, bringing about catharsis through ritual death.

The playwright dramatizes his experiences in Cape Cod during the pivotal summer of 1940, when he met his first great love and openly acknowledged his homosexuality.

A crucible of so many elements that would later shape and characterize Williams's work.--World Literature Today

Never produced until this year (1998), NOT ABOUT NIGHTINGALES (1938), portrays a shocking prison scandal in which convicts leading a hunger strike in prison were locked in a steam-heated cell and roasted to death. Williams himself later said that he had never written anything to compare with it in violence and horror. The play indelibly presages the great plays he was later to write. Copyright © Libri GmbH. All rights reserved.

This book is William's symbol for the military-industrial complex and all the dehumanizing trends it represents from mindless cocktail party chatter to bribery of officials to assassination plots directed against those who won't play the game, to attempted coups by right-wing zealots.

A play produced only twice in the 1940s and now published for the first time reveals that Tennessee Williams anticipated the themes of Star Trek by decades.