Nothing Like A Dame

In Nothing Like a Dame, theater journalist Eddie Shapiro opens a jewelry box full of glittering surprises, through in-depth conversations with twenty leading women of Broadway. He carefully selected Tony Award-winning stars who have spent the majority of their careers in theater, leaving aside those who have moved on or occasionally drop back in. The women he interviewed spent endless hours with him, discussing their careers, offering insights into the iconic shows, changes on Broadway over the last century, and the art (and thrill) of taking the stage night after night. Chita Rivera describes the experience of starring in musicals in each of the last seven decades; Audra McDonald gives her thoughts on the work that went into the five Tony Awards she won before turning forty-one; and Carol Channing reflects on how she has revisited the same starring role generation after generation, and its effects on her career. Here too is Sutton Foster, who contemplates her breakout success in an age when stars working predominately in theater are increasingly rare. Each of these conversations is guided by Shapiro's expert knowledge of these women's careers, Broadway lore, and the details of famous (and infamous) musicals. He also includes dozens of photographs of these players in their best-known roles. This fascinating collection reveals the artistic genius and human experience of the women who have made Broadway musicals more popular than ever-a must for anyone who loves the theater.

"Homes for Votes, three cemeteries sold for five pence apiece, the missing Tesco millions and a gold toilet seat, plus a camel processing through London and pay-as-you-go toilets - the hallmarks of Shirley Porter's regime in Westminster were as farcical as her policies were corrupt." "Two decades ago, Dame Shirley Porter was Britain's second most famous female politician after Margaret Thatcher. Today she has been almost erased from Conservative party history. The Tesco heiress, having shot to power and notoriety as Leader of Westminster City Council in the 1980s, embarked on a wide-spread policy of gerrymandering to secure Tory votes in the coming elections. The fall-out from her reign united opposition from all corners of public life, from Ken Livingstone to Margaret Thatcher, Nigella Lawson to the Queen of Holland, refuse workers to the Billy Furry fan club." "In an account of one of the strangest episodes in British political history, Today programme investigative journalist Andrew Hosken tells of Shirley Porter's upbringing as the daughter of Jack Cohen, the founder of Tesco; her rise to power in Westminster; the extraordinary details of the scandal and the search for her hidden millions. Nothing Like A Dame, meticulously researched and including interviews with most of the individuals involved, is colourful, shocking and often stranger than fiction."--BOOK JACKET.

Before she died, Elizabeth Taylor claimed that previous biographers had revealed "only half of my story, but I can't tell the other half because I'd get sued." In response to that challenge, Blood Moon presents history's most comprehensive compilation of the unpublished--until now--secrets of Dame Elizabeth. With photos, this meaty and startling book offers a juicy feast of till-now untold tales about the 20th century's most deadlinegenerating actress, relayed with empathy and brutal candor.

Dame Phyllis Frost was a remarkable woman who chaired countless organisations, raised millions of dollars for charitable causes, galvanised states into action after natural disasters and shamed countless politicians into action. Far from being ‘just a suburban housewife’– a phrase that she wielded like a weapon in her campaigns – Dame Phyllis was a force to be reckoned with. Nothing Like a Dame, her biography by BERNADETTE CLOHESY, reveals how Dame Phyllis fought for prison reform at a time when prisoners were locked away and forgotten; how she established the Keep Australia Beautiful movement; and how she became the national president of the Australian Freedom from Hunger Campaign. This is an amazing story following one woman’s battle for social reform.

"There is nothing like a dame", proclaims the song from South Pacific. Certainly there is nothing like the fast-talking dame of screen comedies in the 1930s and '40s. In this engaging book, film scholar and movie buff Maria DiBattista celebrates the fast-talking dame as an American original. Coming of age during the Depression, the dame -- a woman of lively wit and brash speech -- epitomized a new style of self-reliant, articulate womanhood. Dames were quick on the uptake and hardly ever downbeat. They seemed to know what to say and when to say it. In their fast and breezy talk seemed to lie the secret of happiness, but also the key to reality. DiBattista offers vivid portraits of the grandest dames of the era, including Katharine Hepburn, Irene Dunne, Rosalind Russell, Barbara Stanwyck, and others, and discusses the great films that showcased their compelling way with words -- and with men. With their snappy repartee and vivid colloquialisms, these fast-talkers were verbal muses at a time when Americans were reinventing both language and the political institutions of democratic culture. As they taught their laconic male counterparts (most notably those appealing but tongue-tied American icons, Gary Cooper, Henry Fonda, and James Stewart) the power and pleasures of speech, they also reimagined the relationship between the sexes. In such films as Bringing Up Baby, The Awful Truth, and The Lady Eve, the fast-talking dame captivated moviegoers of her time. For audiences today, DiBattista observes, the sassy heroine still has much to say.

Lettice Duffet, an expert on Elizabethan cuisine and medieval weaponry, is an indefatigable but daffy enthusiast of history and the theatre. As a tour guide at Fustian House, one of the least stately of London's stately homes, she theatrically embellishes its historical past, ultimately coming up on the radar of Lotte Schon, an inspector from the Preservation Trust. Neither impressed or entertained by Lettice's freewheeling history lessons, Schon fires her. Not one however, to go without a fight, Lettice engages the stoic, conventionial Lotte in battle to the death of all that is sacred to the Empire and the crown. This hit by the author of Equus and Amadeus featured a triumphant award-winning performance by Dame Maggie Smith in London and on Broadway.

The philosophical question of nothingness has often been controversial. The main core of the question is the use of ‘nothing’ or ‘nothingness’ as a noun phrase rather than a quantifier phrase. This work deals with the question of nothingness and metaphysical nihilism in analytic philosophy. After evaluating an account of nothingness based on the notion of an empty possible world, the present work proposes two original arguments for metaphysical nihilism. With a preface by Graham Priest. “Simionato’s book delivers a welcome deepening of our understanding of nothing.” Graham Priest

What sorts of material objects are there? Many philosophers opt for surprising answers to this question that seem deeply at odds with how we ordinarily think about the material world. Some embrace radically eliminative views, on which there are far fewer objects than we ordinarily take there to be, while others go in for radically permissive views on which there are legions of extraordinary objects that somehow escape our notice, despite being highly visible and right before our eyes. In this book, Daniel Z. Korman defends our ordinary, intuitive judgments about which objects there are. The book responds to a wide variety of arguments that have driven people away from the intuitive view: arbitrariness arguments, debunking arguments, overdetermination arguments, arguments from vagueness and material constitution, and the problem of the many. It also criticizes attempts to show that permissive and eliminative views are, despite appearances, entirely compatible with our ordinary beliefs and intuitions.

The private and public views of a woman whose zest for life has carried her through most of this century, from the horse-drawn era almost to the second millennium.

Ordinary language and scientific language enable us to speak about, in a singular way (using demonstratives and names), what we recognize not to exist: fictions, the contents of our hallucinations, abstract objects, and various idealized but nonexistent objects that our scientific theories are often couched in terms of. Indeed, references to such nonexistent items-especially in the case of the application of mathematics to the sciences-are indispensable. We cannot avoid talking about such things. Scientific and ordinary languages thus enable us to say things about Pegasus or about hallucinated objects that are true (or false), such as "Pegasus was believed by the ancient Greeks to be a flying horse," or "That elf I'm now hallucinating over there is wearing blue shoes." Standard contemporary metaphysical views and semantic analyses of singular idioms on offer in contemporary philosophy of language have not successfully accommodated these routine practices of saying true and false things about the nonexistent while simultaneously honoring the insight that such things do not exist in any way at all (and have no properties). That is, philosophers often feel driven to claim that such objects do exist, or they claim that all our talk isn't genuine truth-apt talk, but only pretence. This book reconfigures metaphysics (and the role of metaphysics in semantics) in radical ways that allow the accommodation of our ordinary ways of speaking of what does not exist while retaining the absolutely crucial presupposition that such objects exist in no way at all, have no properties, and so are not the truth-makers for the truths and falsities that are about them.