Notes And Queries Number 35 June 29 1850 A Medium Of Inter Communication For Literary Men Artists Antiquaries Genealogists Etc

Notes and Queries, Number 35, June 29, 1850 A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc George Bell GEORGE GORING, EARL OF NORWICH, AND HIS SON GEORGE, LORD GORING. G.'s inquiry (Vol. i., p. 22.) about the two Gorings of the Civil War-a period of our history in which I am much interested-has led me to look into some of the sources of original information for that time, in the hope that I might be enabled to answer his Queries. I regret I cannot yet answer his precise questions, when Lord Goring the son was married, and when and where he died? but I think the following references to notices of the father and the son will be acceptable to him; and I venture to think that the working out in this way of neglected biographies, is one of the many uses to which your excellent periodical may be applied. Confusion has undoubtedly been made between the father and son by careless compilers. But whoever carefully reads the passages of contemporary writers relating to the two Gorings, and keeps in mind that the title of Earl of Norwich, given by Charles I. in November, 1644, to the father, was not recognised by the parliamentary party, will have no difficulty in distinguishing between the two. Thus it will be seen in two of the passages which I subjoin from Carte's Letters, that in 1649 a parliamentarian calls the father Lord Goring, and Sir Edward Nicholas calls him Earl of Norwich. Burke, in his Dormant and Extinct Peerages, vol. iii., makes the mistake of giving to the father the son's proceedings at Portsmouth at the beginning of the Civil War. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

Notes and Queries, Number 35, June 29, 1850, has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Notes and Queries, Number 54, November 9, 1850; A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc., has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.