Notes And Queries Number 34 June 22 1850 A Medium Of Inter Communication For Literary Men Artists Antiquaries Genealogists Etc

Notes and Queries, Number 34, June 22, 1850 A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc George Bell THE "AGAPEMONE" OF THE SIXTEENTH CENTURY. As it is not generally known that the "Agapemone" had a prototype in the celebrated Family of Love, some account of this "wicked sect" may not at this moment be without interest to your readers: - "Henry Nicholas, a Westphalian, born at Munster, but who had lived a great while at Amsterdam, and some time likewise at Embden, was the father of this family. He appeared upon the stage about the year 1540, styled himself the deified man, boasted of great matters, and seemed to exalt himself above the condition of a human creature. He was, as he pretended, greater than Moses and Christ, because Moses had taught mankind to hope, Christ to believe, but he to love; which last being of more worth than both the former, he was consequently greater than both those prophets."-See Brandt's Hist. of the Reform, &c., in the Low Countries, vol. i. p. 105, ed. 1720. According to some writers, however, the sect was not founded by Henry Nicholas, but by David George, an Anabaptist enthusiast of Delft, who died in 1556; and indeed there is some reason to believe that the Family of Love grew out of the heresies of the said George, with whom Nicholas had been on friendly terms. "'Not content, ' says Fuller, speaking of Nicholas, 'to confine his errors to his own country, over he comes into England, and in the latter end of the reign of Edward the Sixth, joyned himself to the Dutch congregation in London, where he seduced a number of artificers and silly women.'"-Church. Hist., p. 112, ed. 1655. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

Notes and Queries (originally subtitled A Medium of Inter- Communication for Literary Men, Artists, Antiquaries, Genealogists, etc) is a London-based, quarterly publication, part academic journal, part correspondence magazine, in which scholars and interested amateurs can exchange knowledge on literature and history. Notes and Queries was first published in 1849 as a weekly periodical edited by William John Thoms. The format consisted of "Notes" (miscellaneous thoughts from correspondents that they and the editors considered of interest to the readership), and "Queries" (and responses to queries), which formed the bulk of the publication. There were numerous regional versions of Notes and Queries throughout Britain (e. g., Somerset and Dorset Notes and Queries) and three incarnations of American Notes and Queries. Many of the entries in the journal for its first seventy years were but a few paragraphs long, and occasionally as short as a sentence or two. A very frequent contributor was the Rev. Walter W. Skeat, one of the most important figures in the field of English etymology.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.