Nocturnes

From the winner of the Nobel Prize in Literature and author of the Booker Prize–winning novel The Remains of the Day comes an inspired sequence of stories as affecting as it is beautiful. With the clarity and precision that have become his trademarks, Kazuo Ishiguro interlocks five short pieces of fiction to create a world that resonates with emotion, heartbreak, and humor. Here is a fragile, once famous singer, turning his back on the one thing he loves; a music junky with little else to offer his friends but opinion; a songwriter who inadvertently breaks up a marriage; a jazz musician who thinks the answer to his career lies in changing his physical appearance; and a young cellist whose tutor has devised a remarkable way to foster his talent. For each, music is a central part of their lives and, in one way or another, delivers them to an epiphany.

Bestselling author John Connolly's first collection of short fiction,Nocturnes,now features five additional stories -- never-before published for an American audience -- in a dark, daring, utterly haunting anthology of lost lovers and missing children, predatory demons, and vengeful ghosts. In "The New Daughter," a father comes to suspect that a burial mound on his land hides something very ancient, and very much alive; in "The Underbury Witches," two London detectives find themselves battling a particularly female evil in a town culled of its menfolk. And finally, private detective Charlie Parker returns in the long novella "The Reflecting Eye," in which the photograph of an unknown girl turns up in the mailbox of an abandoned house once occupied by an infamous killer. This discovery forces Parker to confront the possibility that the house is not as empty as it appears, and that something has been waiting in the darkness for its chance to kill again.

Nocturnes, literally music for the night, is a delightfully impressionistic investigation into everything that is not known, and perhaps can never be known, about dreams. Rather than espousing yet another strategy of dream interpretation, Lippmann proffers a naturalistic approach appreciative of the playful, complex, even zany creativity embodied in dreams. He urges us, that is, to apprehend dreams on their own terms, in a manner that enables patients actually to experience the unconscious in its radical difference from waking thought. Lippmann delivers on his agenda lightly, with a sense of humor and practicality that will engage lay readers as well as analysts and therapists. He takes up questions of general interest that challenge us to reorient our thinking about dreams: How do children learn about dreams and their telling? Why are most dreams forgotten? How may we understand dreams about sleeping and waking, even dreams about dreaming? And he reengages issues of perennial interest to analytic therapists: dream disguise, dream forgetting, the "companionship" of dreams, the neurotic dream expert, and the therapist's management of his or her own anxiety when patients report their dreams. "Oh, I had a dream last night," the patient remembers. Too often, observes Lippmann, this remark signals the beginning of an unfortunate struggle, as the patient is called on to relate something that changes when it is put into words, the analyst is put on the spot to come up with an interpretation, and both are asked to extract something immediately useful - and lately, cost effective - from something that partakes of magic and mystery. How silly this ritual is, Lippmann argues, and how alien to the nature of the dream itself. After reading Nocturnes, no clinician, from the novice to the most senior, will hear the words "Oh, I had a dream last night" in quite the same way.

A beautifully illustrated look at the vogue for night landscapes amid the social, political, and technological changes of modern America The turn of the 20th century witnessed a surge in the creation and popularity of nocturnes and night landscapes in American art. In this original and thought-provoking book, Hélène Valance investigates why artists and viewers of the era were so captivated by the night. Nocturne examines works by artists such as James McNeill Whistler, Childe Hassam, Winslow Homer, Frederic Remington, Edward Steichen, and Henry Ossawa Tanner through the lens of the scientific developments and social issues that dominated the period. Valance argues that the success of the genre is connected to the resonance between the night and the many forces that affected the era, including technological advances that expanded the realm of the visible, such as electric lighting and photography; Jim Crow–era race relations; America’s closing frontier and imperialism abroad; and growing anxiety about identity and social values amid rapid urbanization. This absorbing study features 150 illustrations encompassing paintings, photographs, prints, scientific illustration, advertising, and popular media to explore the predilection for night imagery as a sign of the times.

It's all fun and games until someone wakes up dead. Governor's daughter Jane Anderson is used to getting what she wants. When a girls' trip to Mardi Gras thrusts her into the arms—and fangs—of New Orleans' hottest vampire, he gifts her with immortality, super strength, and a complexion to die for. There's only one tiny problem. Jane faints at the sight of blood. When Ethan Devereaux meets Jane, his cold, lifeless heart learns to beat again. Convinced she's his late fiancée reincarnated, he turns her, claiming her as his own. But when Jane wakes up dead in Ethan's attic, she's loud, sassy, and downright ornery. He doesn't know if he should kiss her or stake her, but one thing's for certain… She is so not his long-lost love. But Ethan turned her, so he's stuck with her. Jane has three weeks to learn the ways of the vampire and get her license, or she'll be staked. If Ethan can't help her overcome her aversion to blood, his undead life might also be on the line. Join the supes of New Orleans Nocturnes as they lighten up the darker side of the Big Easy in this fast, steamy romantic comedy.

The night and popular music have long served to energise one another, such that they appear inextricably bound together as trope and topos. This history of reciprocity has produced a range of resonant and compelling imaginaries, conjured up through countless songs and spaces dedicated to musical life after dark. Nocturnes: Popular Music and the Night is one of the first volumes to examine the relationship between night and popular music. Its scope is interdisciplinary and geographically diverse. The contributors gathered here explore how the problems, promises, and paradoxes of the night and music play off of one another to produce spaces of solace and sanctuary as well as underpinning strategies designed to police, surveil and control movements and bodies. This edited collection is a welcome addition to debates and discussions about the cultures of the night and how popular music plays a continuing role in shaping them.

Features 20 Nocturnes: Op. 9, 15, 27, 32, 37, 48, 55, 62, 72, and more. Also includes 11 Polonaises: Op. 26, 40, 44, 53, 61, 71, and posthumous Polonaise in G-sharp Minor. Mikuli Edition. Commentary.

From the bestselling author of the Charlie Parker mysteries—"the finest crime series currently in existence" (The Independent)—comes a new anthology of chilling short fiction. A decade after Nocturnes first terrified and delighted readers, John Connolly, bestselling author of thirteen acclaimed thrillers featuring private investigator Charlie Parker, gives us a second volume of tales of the supernatural. From stories of the monstrous for dark winter nights to fables of fantastic libraries and haunted books, from a tender account of love after death to a frank, personal, and revealing account of the author's affection for myths of ghosts and demons, this is a collection that will surprise, delight—and terrify. Night Music: Nocturnes 2 also contains two novellas: the multi-award-winning The Caxton Private Lending Library & Book Depository and The Fractured Atlas. Night Music: Nocturnes 2 is a masterly collection to be read with the lights on—menace has never been so seductive.

The nocturnes (night pieces) are among the most introspective and personal of Chopin's works, as he was influenced by John Field's pieces of the same title. This complete collection of the nocturnes includes a useful thematic index and footnotes citing the differences between the manuscripts and the first editions. The pedaling, tempos and other musical markings are Chopin's. The comb binding creates a lay-flat book that is perfect for study and performance.