No Place Of Refuge

NGO worker Audrey Clare, sister of Esa Khattak's childhood friend, is missing. In her wake, a French Interpol Agent and a young Syrian man are found dead at the Greek refugee camp where she worked. Khattak and Sergeant Rachel Getty travel to Greece to trace Audrey's last movements in a desperate attempt to find her. In doing so, they learn that her work in Greece had strayed well beyond the remit of her NGO... Had Audrey been on the edge of exposing a dangerous secret at the heart of the refugee crisis - one that ultimately put a target on her own back?

Forced to leave his home in war-torn Syria, thirteen-year-old Ghalib makes an arduous journey with his family to a refugee camp in Turkey. Includes glossary.

A Country of Refuge is a poignant, thought-provoking and timely anthology of writing on asylum seekers from some of Britain and Ireland’s most influential voices. Compiled and edited by human rights activist and writer Lucy Popescu, this powerful collection of short fiction, memoir, poetry and essays explores what it really means to be a refugee: to flee from conflict, poverty and terror; to have to leave your home and family behind; and to undertake a perilous journey, only to arrive on less than welcoming shores. These writings are a testament to the strength of the human spirit. The contributors articulate simple truths about migration that will challenge the way we think about and act towards the dispossessed and those forced to seek a safe place to call home.

In a quiet town with a thriving Mennonite community, police officer Ashley Walters finds her threadbare faith and way of life challenged by the Plain people whose simple dress and welcoming manner open her eyes to a God she left behind. Peace eludes Ashley until she realizes the answers she seeks aren't found in starting over but in returning to the simple truth that it's God who overcomes the world, not her. Written for women who desire action-packed suspense, romance, and an escape into the peaceful world of the Mennonites, Hiding in Plain Sight delves into the painful struggle to fit in and the search for peace that so often eludes our fast-paced lives.

An epic tale of freedom and slavery, love and war, and the potential futures of humankind tells of a twenty-first century California clan caught between two clashing worlds, one based on tolerance, the other on repression. Declaration of the Four Sacred Things The earth is a living, conscious being. In company with cultures of many different times and places, we name these things as sacred: air, fire, water, and earth. Whether we see them as the breath, energy, blood, and body of the Mother, or as the blessed gifts of a Creator, or as symbols of the interconnected systems that sustain life, we know that nothing can live without them. To call these things sacred is to say that they have a value beyond their usefulness for human ends, that they themselves became the standards by which our acts, our economics, our laws, and our purposes must be judged. no one has the right to appropriate them or profit from them at the expense of others. Any government that fails to protect them forfeits its legitimacy. All people, all living things, are part of the earth life, and so are sacred. No one of us stands higher or lower than any other. Only justice can assure balance: only ecological balance can sustain freedom. Only in freedom can that fifth sacred thing we call spirit flourish in its full diversity. To honor the sacred is to create conditions in which nourishment, sustenance, habitat, knowledge, freedom, and beauty can thrive. To honor the sacred is to make love possible. To this we dedicate our curiosity, our will, our courage, our silences, and our voices. To this we dedicate our lives. Praise for The Fifth Sacred Thing “This is wisdom wrapped in drama.”—Tom Hayden, California state senator “Starhawk makes the jump to fiction quite smoothly with this memorable first novel.”—Locus “Totally captivating . . . a vision of the paradigm shift that is essential for our very survival as a species on this planet.”—Elinor Gadon, author of The Once and Future Goddess “This strong debut fits well against feminist futuristic, utopic, and dystopic works by the likes of Charlotte Perkins Gilman, Ursula LeGuin, and Margaret Atwood.”—Library Journal

Syrians crossing the Mediterranean in ramshackle boats bound for Europe; Sudanese refugees, their belongings on their backs, fleeing overland into neighboring countries; children separated from their parents at the US/Mexico border--these are the images that the Global Refugee Crisis conjures to many. In the news we often see photos of people in transit, suffering untold deprivations in desperate bids to escape their countries and find safety. But behind these images, there is a second crisis--a crisis of arrival. Refugees in the 21st century have only three real options--urban slums, squalid refugee camps, or dangerous journeys to seek asylum--and none provide genuine refuge. In No Refuge, political philosopher Serena Parekh calls this the second refugee crisis: the crisis of the millions of people who, having fled their homes, are stuck for decades in the dehumanizing and hopeless limbo of refugees camps and informal urban spaces, most of which are in the Global South. Ninety-nine percent of these refugees are never resettled in other countries. Their suffering only begins when they leave their war-torn homes. As Parekh urgently argues by drawing from numerous first-person accounts, conditions in many refugee camps and urban slums are so bleak that to make people live in them for prolonged periods of time is to deny them human dignity. It's no wonder that refugees increasingly risk their lives to seek asylum directly in the West. Drawing from extensive first-hand accounts of life as a refugee with nowhere to go, Parekh argues that we need a moral response to these crises--one that assumes the humanity of refugees in addition to the challenges that states have when they accept refugees. Only once we grasp that the global refugee crisis has these two dimensions--the asylum crisis for Western states and the crisis for refugees who cannot find refuge--can we reckon with a response proportionate to the complexities we face. Countries and citizens have a moral obligation to address the structures that unjustly prevent refugees from accessing the minimum conditions of human dignity. As Parekh shows, there are ways we as citizens can respond to the global refugee crisis, and indeed we are morally obligated to do so.

Refugee displacement is a global phenomenon that has uprooted millions of individuals over the past century. In the 1980s, repatriation became the preferred option for resolving the refugee crisis. As human rights achieved global eminence, refugees' right of return fell under its umbrella. Yet return as a right and its practice as a rite created a radical disconnect between principle and everyday practice, and the repatriation of refugees and Internally Displaced Persons (IDPs) remains elusive in cases of forced displacement of victims by ethnic conflict. Reviewing cases of ethnic displacement throughout the twentieth century in Europe, Asia, and Africa, Howard Adelman and Elazar Barkan juxtapose the empirical lack of repatriation in cases of ethnic conflict, unless accompanied by coercion. The emphasis on repatriation during the last several decades has obscured other options, leaving refugees to spend years warehoused in camps. Repatriation takes place when identity, defined by ethnicity or religion, is not at the center of the displacing conflict, or when the ethnic group to which the refugees belong are not a minority in their original country or in the region to which they want to return. Rather than perpetuate a ritual belief in return as a right without the prospect of realization, Adelman and Barkan call for solutions that bracket return as a primary focus in cases of ethnic conflict.

In the spring of 1983 Terry Tempest Williams learned that her mother was dying of cancer. That same season, The Great Salt Lake began to rise to record heights, threatening the Bear River Migratory Bird Refuge and the herons, owls, and snowy egrets that Williams, a poet and naturalist, had come to gauge her life by. One event was nature at its most random, the other a by-product of rogue technology: Terry's mother, and Terry herself, had been exposed to the fallout of atomic bomb tests in the 1950s. As it interweaves these narratives of dying and accommodation, Refuge transforms tragedy into a document of renewal and spiritual grace, resulting in a work that has become a classic.

Five years ago, Tobias Jones and his wife set up a woodland sanctuary for people in a period of crisis in their lives. Windsor Hill Wood quickly becomes a well-known refuge, and a family home is transformed into a small community. Most people arrive because of a desperate need - bereavement, depression, addiction or homelessness - while others come simply because they are dismayed by modern life. A Place of Refuge is the story of an evolving community: the characters and conflicts, the miracles and mistakes. As the seasons turn in the bustling woodland, an ever-changing group of people try to share their money, their meals and ideals; making furniture, growing vegetables and rearing livestock. Encountering both violent antagonism and astounding generosity, the family open up not only their house, but also themselves, to the most demanding of judgements and transformations. This book is not about a retreat from the world, but about a deeper engagement with it. Living alongside troubled guests, Jones examines the consequences of our way of life - seeing up close the scars of war, abuse and loneliness - and contemplates the ways in which nature and stillness offer solace to those in torment.

In Cities of Refuge, a single act of violence resonates through several lives, connecting closeby fears to distant political terrors. At the story’s center is the complex, intensely charged relationship between a twenty-eight-year-old woman and the father who abandoned her when she was young. One summer night on a side street in downtown Toronto, Kim Lystrander is attacked by a stranger. Thrown deep into turmoil, in the weeks and months that follow, she confronts her fear by returning to the night, in writing, searching for harbingers of the incident and clues to the identity of her assailant. The attack also torments Kim's father, Harold, a historian of Latin America. As he investigates the crime on his own, the darkest hours from his past revisit him, and he gradually begins to unravel. Entwined in their stories are Kim’s ailing mother, Marian; Father André Rowe, whose mission to guide others involves him in a decision with troubling consequences; Rodrigo Cantero, a young Colombian man living illegally in the city; and Rosemary Yates, a woman whose faith-based belief in the duty to give asylum to any who seek it, even those judged guilty, draws Harold to her, before a fateful choice changes the future for them all. Cities of Refuge is a novel of profound moral tension and luminous prose. It weaves a web of incrimination and inquiry, in which mysteries live within mysteries, and stories within stories, and the power to save or condemn rests in the forces of history and in the realm of our deepest longings.