No Beginning No End

In No Beginning, No End, Zen master Jakusho Kwong-roshi shows us how to treasure the ordinary activities of our daily lives through an understanding of simple Buddhist practices and ideas. The author’s spontaneous, poetic, and pragmatic teachings—so reminiscent of his spiritual predecessor Shunryu Suzuki (Zen Mind, Beginner’s Mind)—transport us on an exciting journey into the very heart of Zen and its meaningful traditions. Because Kwong-roshi can transmit the most intimate thing in the most accessible way, we learn how to ignite our own vitality, wisdom, and compassion and awaken a feeling of intimacy with the world. It is like having a conversation with our deepest and wisest self. Jakusho Kwong-roshi was originally inspired to study Zen because of zenga, the ancient art of Zen calligraphy. Throughout this book he combines examples of his own unique style of calligraphy, with less-known stories from the Zen tradition, personal anecdotes—including moving and humorous stories of his training with Suzuki-roshi—and his own lucid and inspiring teachings. All of this comes together to create an intimate expression of the enlightening world of Zen.

Swiss artist, architect, designer, typographer, and theorist Max Bill (1908 94) was one of the most important exponents of concrete and constructive art and a key figure in European applied arts and design history. Educated by such prominent teachers as Paul Klee, Wassily Kandisky, and Walter Gropius at the Bauhaus, at the start of his career in the 1930s. In the 1950s he teamed up with Inge Scholl and Otl Aicher to found the legendary Ulm College of Design in Ulm, Germany, of which he became the first director. In his work, Max Bill carried on the legacy of the Bauhaus, both as an artist and a teacher, and made a decisive and lasting contribution to twentieth-century cultural life. "Max Bill" accompanies an exhibition at the Museum MARTa Herford in Herford, Germany, held to mark the centenary of this exceptional artist. The exhibition displays Bill s wide-ranging work, and it also sets him in the context of his cultural milieu by featuring works by his contemporaries, such as Kurt Schwitters, Wassily Kandinsky, and Donald Judd. Accompanying essays investigate Bill s influence on other artists and the lasting importance of his oeuvre in the present."

No End in Sight offers a critical analysis of Polish cinema and literature during the transformative late Socialist period of the 1970s and 1980s. Anna Krakus details how conceptions of time, permanence, and endings shaped major Polish artistic works. She further demonstrates how film and literature played a major role in shaping political consciousness during this highly-charged era. Despite being controlled by an authoritarian state and the doctrine of socialism, artists were able to portray the unsettled nature of the political and psychological climate of the period, and an undetermined future. In analyzing films by Andrzej Wajda, Krzysztof Kieslowsi, Krzysztof Zanussi, Wojciech Has, and Tadeusz Konwicki alongside Konwicki’s literary production, Anna Krakus identifies their shared penchant to defer or completely eschew narrative closure, whether in plot, theme, or style. Krakus calls this artistic tendency "aesthetic unfinalizability." As she reveals, aesthetic unfinalizability was far more than an occasional artistic preference or a passing trend; it was a radical counterpolitical act. The obsession with historical teleology saturated Polish public life during socialism to such a degree that instances of nonclosure or ambivalent endings emerged as polemical responses to official ideology.

"A ... chronicle of the reasons behind Iraq's descent into guerrilla war, warlord rule, criminality, and anarchy ... It features candid interviews with high-ranking officials ... as well as Iraqi civilians, American soldiers, intelligence officers, and prominent analysts... Together, these voices reveal the principal errors of U.S. policy -- using insufficient troop levels, allowing the looting of Baghdad, purging professionals from the Iraq government, and disbanding the Iraqi military -- errors that largely created the insurgency and chaos that engulf Iraq today. The book brings the movie up-to-date by evaluating the military's recent 'surge' tactic as well as current administration policy. It concludes with a wide-ranging debate on the crucial question: what do we do now?"--P. [4] of cover.

Describes the latest events and trends in terrorism against the United States.

25th ANNIVERSARY EDITION • From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road: an epic novel of the violence and depravity that attended America's westward expansion, brilliantly subverting the conventions of the Western novel and the mythology of the Wild West. Based on historical events that took place on the Texas-Mexico border in the 1850s, Blood Meridian traces the fortunes of the Kid, a fourteen-year-old Tennesseean who stumbles into the nightmarish world where Indians are being murdered and the market for their scalps is thriving. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.

While Franklin Delano Roosevelt's first hundred days may be the most celebrated period of his presidency, the months before the attack on Pearl Harbor proved the most critical. Beginning as early as 1939 when Germany first attacked Poland, Roosevelt skillfully navigated a host of challenges -- a reluctant population, an unprepared military, and disagreements within his cabinet -- to prepare the country for its inevitable confrontation with the Axis. In No End Save Victory, esteemed historian David Kaiser draws on extensive archival research to reveal the careful preparations that enabled the United States to win World War II. Alarmed by Germany and Japan's aggressive militarism, Roosevelt understood that the United States would almost certainly be drawn into the conflict raging in Europe and Asia. However, the American populace, still traumatized by memories of the First World War, was reluctant to intervene in European and Asian affairs. Even more serious was the deplorable state of the American military. In September of 1940, Roosevelt's military advisors told him that the US would not have the arms, ammunition, or men necessary to undertake any major military operation overseas -- let alone win such a fight -- until April of 1942. Aided by his closest military and civilian collaborators, Roosevelt pushed a series of military expansions through Congress that nearly doubled the size of the US Navy and Army, and increased production of the arms, tanks, bombers, and warships that would allow America to prevail in the coming fight. Highlighting Roosevelt's deft management of the strong personalities within his cabinet and his able navigation of the shifting tides of war, No End Save Victory is the definitive account of America's preparations for and entry into World War II. As Kaiser shows, it was Roosevelt's masterful leadership and prescience that prepared the reluctant nation to fight -- and gave it the tools to win.

Published on the sixth anniversary of the invasion of Afghanistan, the beginning of the 'War on Terror', John Berger, Naomi Klein, Arundhati Roy, Joe Sacco and others examine the consequences.