Nisqually Indian Tribe

The Nisqually are the original stewards of prairie lands, mountains, and rivers in Thurston and Pierce Counties. They welcomed British and American newcomers and tightly bound the outsiders to the Native American world. This volume visually explores the traditional time, when Nisqually political and economic control of the South Sound was supreme. As Nisqually men and women married and worked with outsiders, the Native American world was transformed. In 1854, Nisqually leaders signed a treaty with the United States and officially ceded most of their country, but the land and rights they reserved set the stage for a cultural revival in the 1970s.

Where the Waters Begin takes us up the Nisqually side of Mount Rainier through the traditional beliefs of the Nisqually people and their relationship to the bountiful natural resources the mountain offered them. The Nisqually are the original stewards of the prairies, mountains, and rivers west of the mountain on lands that are now Thurston and Pierce Counties. Living in a more natural world, without the complexities of today, they developed a coexistence with nature that included respect and appreciation of its beneficent forces as well as fear of its darker sides. The deep connection the Nisqually people developed with the mountain they called Ta-co-bet is best related through their traditional stories. Author and Nisqually tribal historian Cecelia Svinth Carpenter brings those stories to life here in Where the Waters Begin: the Traditional Nisqually Indian History of Mount Rainier.

An Indigenous artist blends the aesthetics of punk rock with the traditional spiritual practices of the women in her lineage in this bold, contemporary journey to reclaim her heritage and unleash her power and voice while searching for a permanent home Sasha taqʷšəblu LaPointe has always longed for a sense of home. When she was a child, her family moved around frequently, often staying in barely habitable church attics and trailers, dangerous places for young Sasha. With little more to guide her than a passion for the thriving punk scene of the Pacific Northwest and a desire to live up to the responsibility of being the namesake of her beloved great-grandmother—a linguist who helped preserve her Indigenous language of Lushootseed—Sasha throws herself headlong into the world, determined to build a better future for herself and her people. Set against a backdrop of the breathtaking beauty of Coast Salish ancestral land and imbued with the universal spirit of punk, Red Paint is ultimately a story of the ways we learn to find our true selves while fighting for our right to claim a place of our own. Examining what it means to be vulnerable in love and in art, Sasha offers up an unblinking reckoning with personal traumas amplified by the collective historical traumas of colonialism and genocide that continue to haunt native peoples. Red Paint is an intersectional autobiography of lineage, resilience, and, above all, the ability to heal.

Pulitzer Prize-winner Richard Kluger brings to life a bloody clash between Native Americans and white settlers in the 1850s Pacific Northwest. After he was appointed the first governor of the state of Washington, Isaac Ingalls Stevens had one goal: to persuade the Indians of the Puget Sound region to leave their ancestral lands for inhospitable reservations. But Stevens's program--marked by threat and misrepresentation--outraged the Nisqually tribe and its chief, Leschi, sparking the native resistance movement. Tragically, Leschi's resistance unwittingly turned his tribe and himself into victims of the governor's relentless wrath. The Bitter Waters of Medicine Creek is a riveting chronicle of how violence and rebellion grew out of frontier oppression and injustice.

Framing Chief Leschi: Narratives and the Politics of Historical Justice