Nightmare Alley

Soon to be a major motion picture from Academy Award–winning director Guillermo del Toro and starring Bradley Cooper, Cate Blanchett, Rooney Mara, and Toni Collette. Nightmare Alley begins with an extraordinary description of a carnival-show geek—alcoholic and abject and the object of the voyeuristic crowd’s gleeful disgust and derision—going about his work at a county fair. Young Stan Carlisle is working as a carny, and he wonders how a man could fall so low. There’s no way in hell, he vows, that anything like that will ever happen to him. And since Stan is clever and ambitious and not without a useful streak of ruthlessness, soon enough he’s going places. Onstage he plays the mentalist with a cute assistant (before long his harried wife), then he graduates to full-blown spiritualist, catering to the needs of the rich and gullible in their well-upholstered homes. It looks like the world is Stan’s for the taking. At least for now.

Classic film noir offers more than pesky private eyes and beautiful bad girls—it explores the quest for the not-so-attainable American dream. Winner of the CHOICE Outstanding Academic Title of the Choice ACRL Desperate young lovers on the lam (They Live by Night), a cynical con man making a fortune as a mentalist (Nightmare Alley), a penniless pregnant girl mistaken for a wealthy heiress (No Man of Her Own), a wounded veteran who has forgotten his own name (Somewhere in the Night)—this gallery of film noir characters challenges the stereotypes of the wise-cracking detective and the alluring femme fatale. Despite their differences, they all have something in common: a belief in self-reinvention. Nightmare Alley is a thorough examination of how film noir disputes this notion at the heart of the American Dream. Central to many of these films, Mark Osteen argues, is the story of an individual trying, by dint of hard work or, more often, illicit enterprises, to overcome his or her origins and achieve material success. In the wake of World War II, the noir genre tested the dream of upward mobility and the ideas of individualism, liberty, equality, and free enterprise that accompany it. Employing an impressive array of theoretical perspectives (including psychoanalysis, art history, feminism, and music theory) and combining close reading with original primary source research, Nightmare Alley proves both the diversity of classic noir and its potency. This provocative and wide-ranging study revises and refreshes our understanding of noir's characters, themes, and cultural significance.

by Spain Rodriguez & William Lindsay Gresham An adaptation of the long out-of-print 1930s cult novel of the same name by William Lindsay Gresham, illustrated by legendary underground cartoonist Spain Rodriguez. The story is a study of the lowest depths of showbiz and its sleazy inhabitants and environs, the dark, shadowy world of a second-rate carnival filled with cheap hustlers, scheming grifters, and Machiavellian femme fatales. Gresham was born in Baltimore in 1909, but grew up in New York. Nightmare Alley was highly influenced by the freaks and sideshows he routinely observed at Coney Island as a child. The book depicts the rise of Stan Carlisle from a carnival mentalist to a successful "spiritualist," preying on the rich and gullible matrons of society, to his eventual fall and total disintegration. SC, 136pg, b&w

"From acclaimed director Guillermo del Toro comes the stunning psychological thriller Nightmare Alley. Taking readers on a captivating journey through the making of the highly anticipated film, The Art and Making of Guillermo del Toro's Nightmare Alley is filled with incisive commentary from the director and his creative team. A behind-the-scenes experience through Guillermo del Toro's eyes: The acclaimed filmmaker and a range of key collaborators provide exclusive insight into the director's process and his unique creative vision. Discover a riveting story: Nightmare Alley follows a manipulative young carny (Bradley Cooper) who becomes involved with a dangerous psychiatrist (Cate Blanchett). The exciting new film is del Toro's first since the Academy Award-winning The Shape of Water. Never-before-seen concept art and photos: With compelling art and candid imagery, this in-depth exploration gives you the insider's perspective on the making of del Toro's latest film. A stunning addition to your collection: This large-format, exquisitely detailed book is the perfect volume for your collection--a must-have for every Guillermo del Toro fan"--provided by publisher.

Previously uncollected nonfiction pieces by Hollywood's ultimate It Girl about everything from fashion to tango to Jim Morrison and Nicholas Cage. With Eve’s Hollywood Eve Babitz lit up the scene in 1974. The books that followed, among them Slow Days, Fast Company and Sex and Rage, have seduced generations of readers with their unfailing wit and impossible glamour. What is less well known is that Babitz was a working journalist for the better part of three decades, writing for the likes of Rolling Stone, Vogue, and Esquire, as well as for off-the-beaten-path periodicals like Wet: The Magazine of Gourmet Bathing and Francis Ford Coppola’s short-lived City. Whether profiling Hollywood darlings, getting to the bottom of health crazes like yoga and acupuncture, remembering friends and lovers from her days hobnobbing with rock stars at the Troubadour and art stars at the Ferus Gallery, or writing about her beloved, misunderstood hometown, Los Angeles, Babitz approaches every assignment with an energy and verve that is all her own. I Used to Be Charming gathers nearly fifty pieces written between 1975 and 1997, including the full text of Babitz’s wry book-length investigation into the pioneering lifestyle brand Fiorucci. The title essay, published here for the first time, recounts the accident that came close to killing her in 1996; it reveals an uncharacteristically vulnerable yet never less than utterly charming Babitz.

A satire on Byronism and pessimism in general. A gathering of eccentric characters in a country house, including Mr Glowry, his son Scythrop and Mr Toobad, leads to a series of absurd incidents.

A compilation of selected review essays from Erickson's DVD Savant internet column.

Last week they invaded Manhattan. This week they will destroy the world. The vampiric virus is spreading and soon will envelop the globe. Amid the chaos, Eph Goodweather—head of the Centers for Disease Control's team—leads a band out to stop these bloodthirsty monsters. But it may be too late. Ignited by the Master's horrific plan, a war has erupted between Old and New World vampires. Caught between these warring forces, powerless and vulnerable, humans find themselves no longer the consumers but the consumed. At the center of the conflict lies an ancient text that contains the vampires' entire history . . . and their darkest secrets. Whoever finds the book can control the outcome of the war and, ultimately, the fate of us all.

In one week, Manhattan will be gone. In one month, the country. In two months . . . the world. At New York's JFK Airport an arriving Boeing 777 taxiing along a runway suddenly stops dead. All the shades have been drawn, all communication channels have mysteriously gone quiet. Dr. Eph Goodweather, head of a CDC rapid-response team investigating biological threats, boards the darkened plane . . . and what he finds makes his blood run cold. A terrifying contagion has come to the unsuspecting city, an unstoppable plague that will spread like an all-consuming wildfire—lethal, merciless, hungry . . . vampiric. And in a pawnshop in Spanish Harlem an aged Holocaust survivor knows that the war he has been dreading his entire life is finally here . . .

Only collection of William Lindsay Gresham's fiction and essays ever published. Profusely illustrated with a stimulating biographical introduction.