News From The Empire

If there was not so much fiction in News from the Empire, it could be called a work of history. In fact, the focus of this broad work is history itself, as well as the many unrecorded lives and events that history has forgotten from this strange era in Mexico's early nationhood. Using Emperor Maximilian and his wife, Carlota, as a starting point, Fernando Del Paso both considers what Mexico is and the country's place in the larger narrative of world history. The book spans the palaces of Europe and the villages of Mexico, yet despite its broad focus News is a book rich in characters and details, a work that opens up this era of Mexican history to readers without specialized knowledge. Maximilian and Carlota are the focus of the book, and even if they are not explicitly on every page, they are always in the background somewhere, providing the humanizing contradictions that fill it. Del Paso draws a complicated picture of two naïve people placed in a situation they could not manage and a country they did not understand. This innocence is especially inexplicable in the case of Maximilian, who, as brother of Austria's Emperor Franz Josef, should have known something about ruling but is completely unable to govern.

Shortlisted for the 2022 George A. and Jeanne S. DeLong Book History Book Prize presented by the Society for the History of Authorship, Reading and Publishing Winner of the 2021 Robert and Vineta Colby Scholarly Book Prize presented by the Research Society for Victorian Periodicals In Empire News, Priti Joshi examines the neglected archive of English-language newspapers from India to unpack the maintenance and tensions of empire. Focusing on the period between 1845 and 1860, she analyzes circulation—of newspapers and news, of peoples and ideas—and newspapers' coverage and management of crises. The book explores three moments of colonial crisis. The sensational trial of East India Company vs. Jyoti Prasad in Agra in 1851 as the Kohinoor diamond is exhibited in London's Hyde Park is a case lost but for colonial newspapers. In these accounts, the trial raises the specter of Warren Hastings and the costs of empire. The Uprising of 1857 was a geopolitical crisis, but for the Indian news media it was a story simultaneously of circulation and blockage, of contraction and expansion, of colonial media confronting its limits and innovating. Finally, Joshi traces circuits of exchange between Britain and India and across media platforms, including Dickens's Household Words, where the empire's mofussil (margin) appears in an unrecognized guise during and after the Uprising. By attending to these fascinating accounts in the Anglo-Indian press, Joshi illuminates the circulation and reproduction of colonial narratives and informs our understanding of the functioning of empire.

The Glory of the Empire is the rich and absorbing history of an extraordinary empire, at one point a rival to Rome. Rulers such as Basil the Great of Onessa, who founded the Empire but whose treacherous ways made him a byword for infamy, and the romantic Alexis the bastard, who dallied in the fleshpots of Egypt, studied Taoism and Buddhism, returned to save the Empire from civil war, and then retired “to learn to die,” come alive in The Glory of the Empire, along with generals, politicians, prophets, scoundrels, and others. Jean d’Ormesson also goes into the daily life of the Empire, its popular customs, and its contribution to the arts and the sciences, which, as he demonstrates, exercised an influence on the world as a whole, from the East to the West, and whose repercussions are still felt today. But it is all fiction, a thought experiment worthy of Jorge Luis Borges, and in the end The Glory of the Empire emerges as a great shimmering mirage, filling us with wonder even as it makes us wonder at the fugitive nature of power and the meaning of history itself.

In the last century, no other nation has grown and transformed itself with such zeal as China. With a booming economy, a formidable military, and a rapidly expanding population, China is emerging as a twenty-first-century global superpower. China's prosperity has increased dramatically in the last two decades, propelling the nation to a prominent position in the international community. Yet China's ancient history still informs and shapes its understanding of itself in relation to the world. As a highly developed and modern nation, China is something of a paradox. Though China is an international leader in modern business and technology, its past remains a source of guiding principles for the nation's foreign policy. In The Mind of Empire: China's History and Modern Foreign Relations, Christopher A. Ford demonstrates how China's historical awareness shapes its objectives and how the resulting national consciousness continues to influence the country's policymaking. Despite its increasing prominence among modern, developed nations, China continues to seek guidance from a past characterized by Confucian notions of hierarchical political order and a "moral geography" that places China at the center of the civilized world. The Mind of Empire describes how these attitudes have clashed with traditional Western ideals of sovereignty and international law. Ford speculates about how China's legacy may continue to shape its foreign relations and offers a warning about the potential global consequences. He examines major themes in China's conception of domestic and global political order, describes key historical precedents, and outlines the remarkable continuity of China's Sinocentric stance. Expertly synthesizing historical, philosophical, religious, and cultural analysis into a cohesive study of the Chinese worldview, Ford offers revealing insights into modern China. The Mind of Empire tracks China's astonishing development within the framework of a national ideology that is intrinsically linked to the distant past. Ford's perspective is both pertinent and prescient at a time when China is expanding into new areas of power, both economically and militarily. As China's power and influence continue to grow, its reliance on ancient philosophies and political systems will shape its approach to foreign policy in idiosyncratic and, perhaps, highly problematic ways.

This is the story of one of the most important American newspapermen of the twentieth century. Roy Howard rose to prominence at the height of newspapers’ power and became a leader in the evolution of print news starting in 1908—when E. W. Scripps appointed him head of the fledgling United Press at age 25—through his tenure as chairman of the Scripps-Howard empire until 1952. As Howard expanded and modernized the business, he landed some of the most important scoops between World War I and the Korean War. Ebullient, likeable, and outgoing, he headed one of only two coast-to-coast news concerns—Hearst being the other. An advisor to presidents and prime ministers, Howard witnessed the most significant events of the time. A 1930 front-page New York Times article named him one of the 59 men who “rule” America, with John D. Rockefeller topping the list. Time magazine put him on the cover. The Saturday Evening Post lionized him. Even his enemies gave him plenty of coverage: The New Yorker excoriated him in a four-part series, although the author admitted that Howard’s and Hearst’s were the only American newspaper publishers whose photographs the average newspaper reader would recognize. With exclusive, first-time access to thousands of previously unpublished documents in the privately held Howard family archives, author Patricia Beard opens a rich mine of stories from one of the most volatile periods in history as revealed by the head of a newspaper empire at a time when the press both made and broke the news.

“Deftly written, gripping and informative. Empire of Wild is a rip-roaring read!”—Margaret Atwood, From Instagram “Empire of Wild is doing everything I love in a contemporary novel and more. It is tough, funny, beautiful, honest and propulsive—all the while telling a story that needs to be told by a person who needs to be telling it.”—Tommy Orange, author of There There A bold and brilliant new indigenous voice in contemporary literature makes her American debut with this kinetic, imaginative, and sensuous fable inspired by the traditional Canadian Métis legend of the Rogarou—a werewolf-like creature that haunts the roads and woods of native people’s communities. Joan has been searching for her missing husband, Victor, for nearly a year—ever since that terrible night they’d had their first serious argument hours before he mysteriously vanished. Her Métis family has lived in their tightly knit rural community for generations, but no one keeps the old ways . . . until they have to. That moment has arrived for Joan. One morning, grieving and severely hungover, Joan hears a shocking sound coming from inside a revival tent in a gritty Walmart parking lot. It is the unmistakable voice of Victor. Drawn inside, she sees him. He has the same face, the same eyes, the same hands, though his hair is much shorter and he's wearing a suit. But he doesn't seem to recognize Joan at all. He insists his name is Eugene Wolff, and that he is a reverend whose mission is to spread the word of Jesus and grow His flock. Yet Joan suspects there is something dark and terrifying within this charismatic preacher who professes to be a man of God . . . something old and very dangerous. Joan turns to Ajean, an elderly foul-mouthed card shark who is one of the few among her community steeped in the traditions of her people and knowledgeable about their ancient enemies. With the help of the old Métis and her peculiar Johnny-Cash-loving, twelve-year-old nephew Zeus, Joan must find a way to uncover the truth and remind Reverend Wolff who he really is . . . if he really is. Her life, and those of everyone she loves, depends upon it.

Excerpt from The Empire: A Series of Letters Published in "the Daily News," 1862, 1863 I did not intend, when the letters were written, to reprint them in that form; but when I tried to put the matter of them into a more regular shape, I found that the discussion which ran through the series had followed the main lines of thought, and that in attempting to be more methodical I only became less clear. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Winner of the 2020 Hugo Award for Best Novel A Locus, and Nebula Award nominee for 2019 A Best Book of 2019: Library Journal, Polygon, Den of Geek An NPR Favorite Book of 2019 A Guardian Best Science Fiction and Fantasy Book of 2019 and “Not the Booker Prize” Nominee A Goodreads Biggest SFF Book of 2019 and Goodreads Choice Awards Nominee "A Memory Called Empire perfectly balances action and intrigue with matters of empire and identity. All around brilliant space opera, I absolutely love it."—Ann Leckie, author of Ancillary Justice Ambassador Mahit Dzmare arrives in the center of the multi-system Teixcalaanli Empire only to discover that her predecessor, the previous ambassador from their small but fiercely independent mining Station, has died. But no one will admit that his death wasn't an accident—or that Mahit might be next to die, during a time of political instability in the highest echelons of the imperial court. Now, Mahit must discover who is behind the murder, rescue herself, and save her Station from Teixcalaan's unceasing expansion—all while navigating an alien culture that is all too seductive, engaging in intrigues of her own, and hiding a deadly technological secret—one that might spell the end of her Station and her way of life—or rescue it from annihilation. A fascinating space opera debut novel, Arkady Martine's A Memory Called Empire is an interstellar mystery adventure. "The most thrilling ride ever. This book has everything I love."—Charlie Jane Anders, author of All the Birds in the Sky And coming soon, the brilliant sequel, A Desolation Called Peace! At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.