New Voices On The Harlem Renaissance

Widely regarded as the key text of the Harlem Renaissance, this landmark anthology of fiction, poetry, essays, drama, music, and illustration includes contributions by Langston Hughes, Zora Neale Hurston, Claude McKay, James Weldon Johnson, and other luminaries.

This book expands the discourse on the Harlem Renaissance into more recent crucial areas for literary scholars, college instructors, graduate students, upper-level undergraduates, and Harlem Renaissance aficionados. These selected essays, authored by mostly new critics in Harlem Renaissance studies, address critical discourse in race, cultural studies, feminist studies, identity politics, queer theory, and rhetoric and pedagogy. While some canonical writers are included, such as Langston Hughes and Alain Locke, others such as Dorothy West, Jessie Fauset, and Wallace Thurman have equal footing. Illustrations from several books and journals help demonstrate the vibrancy of this era. Australia Tarver is Associate Professor of English at Texas Christian University. Paula C. Barnes is an Associate Professor of English at Hampton University.

Nathan Irvin Huggins showcases more than 120 selections from the political writings and arts of the Harlem Renaissance. Featuring works by such greats as Langston Hughes, Aaron Douglas, and Gwendolyn Bennett, here is an extraordinary look at the remarkable outpouring of African-American literature and art during the 1920s.

"Heretofore scholars have not been willing—perhaps, even been unable for many reasons both academic and personal—to identify much of the Harlem Renaissance work as same-sex oriented. . . . An important book." —Jim Elledge This groundbreaking study explores the Harlem Renaissance as a literary phenomenon fundamentally shaped by same-sex-interested men. Christa Schwarz focuses on Countée Cullen, Langston Hughes, Claude McKay, and Richard Bruce Nugent and explores these writers' sexually dissident or gay literary voices. The portrayals of men-loving men in these writers' works vary significantly. Schwarz locates in the poetry of Cullen, Hughes, and McKay the employment of contemporary gay code words, deriving from the Greek discourse of homosexuality and from Walt Whitman. By contrast, Nugent—the only "out" gay Harlem Renaissance artist—portrayed men-loving men without reference to racial concepts or Whitmanesque codes. Schwarz argues for contemporary readings attuned to the complex relation between race, gender, and sexual orientation in Harlem Renaissance writing.

A collection of 148 poems written by African-American women about four major themes, including protest, heritage, love, and nature.

This is a collection of lost stories about the Harlem Renaissance. They are the voices of ordinary people who came to Harlem to start new lives. They created a new culture, the first generation of African-Americans.

This book presents original essays that explore the eclecticism of Harlem Renaissance literature and culture.

Newly recovered from the vaults of the Library of Congress, this rich and varied collection of 45 essays recall the vibrant world of 1930s Harlem, and documents the everyday life in the thriving African-American community.

Gathering a representative sampling of the New Negro Movement's most important figures, and providing substantial introductory essays, headnotes, and brief biographical notes, Lewis' volume—organized chronologically—includes the poetry and prose of Sterling Brown, Countee Cullen, W. E. B. Du Bois, Zora Neale Hurston, James Weldon Johnson, and others.

Harlem, New York in the early 1920's and 1930's was the backdrop for an outpouring exploration of black identity through music, writing, poetry and social commentary. This period in history became known as the Harlem Renaissance. Ignited by a great migration from the rural South to the industrial North, the Harlem Renaissance celebrated unique aspects of African American culture and attracted audiences around the world. Author Wendy Hart examines the appeal of this era and the people who took part in it. James Weldon Johnson, Alain LeRoy Locke, Zora Neale Hurston, Bessie Smith, Aaron Douglas, Duke Ellington, Langston Hughes, Arna Bontemps, Countee Cullen, and Josephine Baker are profiled.