New Territories

This comprehensive survey of contemporary design in Latin America explores collaborations between small manufacturing operations and artists, designers, and craftspeople, demonstrating how the resulting work addresses issues of commodification, production, urbanisation, displacement, and sustainability. It is organised around various cities and the main themes pursued by more than 100 artists, design studios, and artisans in regions such as Brazil, Cuba, Panama, Mexico, Puerto Rico, Colombia, and Chile. Published in conjunction with an exhibition at the Museum of Art and Design in New York, it is richly illustrated and includes essays by critics, curators, and art historians. 00Exhibition: Museum of Arts and Design, New York, USA (04.11.2014-06.04.2015).

James Stewart Lockhart called it "the great difference". Returned from an inspection tour of the newly leased extension to Hong Kong territory in August 1898, Lockhart, a senior Hong Kong colonial official, had used this phrase to describe the gulf between the New Territories and its people and the existing British colony of Hong Kong and its inhabitants. In this volume, James Hayes argues that this "the great difference" led the colonial government to administer the New Territories and its people differently from the old urban area from the outset, resulting in repercussions that affect present-day Hong Kong. The study covers the whole period of the Lease, with all its crowded events and dramatic changes, as they affected the native inhabitants and their relationship with the government and, over time, the many times larger new urban population. James Hayes (PhD Lond; HonDLitt, HK) is a scholar of the Hong Kong region and its people. He worked in the New Territories for almost half his thirty-two years of government service, and was Regional Secretary in charge of district administration there in 1985-87. His publications include Friends and Teachers: Hong Kong and Its People 1953-87 (Hong Kong University Press, 1996) and South China Village Culture (2001).

Exploring Hong Kong presents a vivid and multidimensional portrait of Hong Kong, one of Asia's most exciting cities. Inspired by his 20-year love affair with Hong Kong, Steven K. Bailey has transformed the typical Hong Kong guidebook by dispensing with the usual laundry lists of sights, hotels, and restaurants. In their place are thoughtfully written chapters that offer the author's personal perspective on how to best explore Hong Kong. From dolphin watches and back-country hikes to street markets, temples, and ferry rides, Exploring Hong Kong contains 40 richly detailed experiences that will unite travelers with the soul of one of the most dynamic cities in Asia. Book jacket.

At the end of the nineteenth century a slice of imperial China was abruptly incorporated into the British Crown Colony of Hong Kong. It became known as the New Territories. The people of this remote and traditional corner of the Ching empire were not consulted about the annexation, initially resisted and long resented it. To placate them, the incoming authorities promised that little would alter and that their customs would be respected. The promise would not be fully kept but it became the source of the preservation of Chinese customary law in respect of rural land and the justification for privileges afforded to indigenous inhabitants. Their tenacious assertion of those rights and aversion to authority is detectible throughout the twentieth century and into the era of the Hong Kong Special Administrative Region; it permeates almost every aspect of policy and law relating to rural land. The Unruly New Territories is an account of the annexed area and of its special place in Hong Kong history and law. It recounts the customs and privileges, how they preserved a China that was elsewhere disappearing and how they gave—and, despite enormous changes, continue to give—leverage to indigenous representatives in dealings with government as well as handsome profits to rural landowners. ‘This fascinating and impressive book is a must-read for all who want to know more about the New Territories. Malcolm Merry traces, with his usual clarity and insight, its unique land history that blends, not always harmoniously, Chinese custom with the advance of common law and this area’s dramatic development.’ —Sarah Nield, University of Southampton ‘The Unruly New Territories covers various aspects of land law and custom in the New Territories and the history of this region in a thoughtful and provocative combined thesis. A must-read for anyone studying the laws and customs affecting land in rural Hong Kong and interested in the history of the New Territories.’ —Steven Gallagher, The Chinese University of Hong Kong

Until very recently, Welsh literary modernism has been critically neglected, both within and outside Wales. This is the first book solely devoted to the study of Welsh literary modernism, revealing and examining the modernism of eight key Anglophone Welsh writers. Throughout the book, the author demonstrates how the linguistic experimentation of Anglophone Welsh writers both reflects and constitutes their engagement with the modernistic conditions generated by unprecedented linguistic, social and cultural change in modern Wales. The author concludes that Anglophone Welsh writing in the period 1930-49 saw the emergence of a distinct Welsh modernism that now challenges conventional literary histories and, in more than one sense, takes modernism and modernist studies into new territories.

New Territory is an analysis of the turbulent years of the late 1980s and early 1990s by one of New Zealand's leading political commentators. Colin James looks at the way Labour’s structural reforms shattered the ‘prosperity consensus’ that had gone before, setting the changes of the 1980s in a broader political and economic context. In a thoughtful and even-handed study taking into account different views of these immensely controversial reforms, James brings a global perspective to an often fragmented and incoherent debate.

This collection of essays provides a historical and contemporary context for Indigenous new media arts practice in Canada. The writers are established artists, scholars, and curators who cover thematic concepts and underlying approaches to new media from a distinctly Indigenous perspective. Through discourse and narrative analysis, the writers discuss a number of topics ranging from how Indigenous worldviews inform unique approaches to new media arts practice to their own work and specific contemporary works. Contributors include: Archer Pechawis, Jackson 2Bears, Jason Edward Lewis, Steven Foster, Candice Hopkins, and Cheryl L'Hirondelle.

This book argues that access to industrial and commercial land is crucial to investment, but sustainable development requires government policy measures that balance investors needs with broader public interests.