New Platonism And Alchemy

A sketch of the doctrines and principal teachers of the Eclectic or Alexandrian School; also an outline of the interior doctrines of the alchemists of the Middle Ages.

This Is A New Release Of The Original 1869 Edition.

In its day, spiritualism brought hundreds of thousands of Americans to séance tables and trance lectures. It has alternately been ridiculed as the apogee of fatuous credulity and hailed as a feminist movement. Its tricks have been exposed, its charlatans unmasked, and its heroes' names lost to posterity. In its day, however, its leaders were household names and politicians worried about capturing the Spiritualist vote. Cathy Gutierrez places Spiritualism in the context of the 19th-century American Renaissance. Although this epithet usually signifies the sudden blossoming of American letters, Gutierrez points to its original meaning: a cultural imagination enraptured with the past and the classics in particular, accompanied by a cultural efflorescence. Spiritualism, she contends, was the religious articulation of the American Renaissance, and the ramifications of looking backward for advice about the present were far-reaching. The Spiritualist movement, says Gutierrez, was a 'renaissance of the Renaissance,' a culture in love with history as much as it trumpeted progress and futurity, and an expression of what constituted religious hope among burgeoning technology and colonialism. Rejecting Christian ideas about salvation, Spiritualists embraced Platonic and Neoplatonic ideas. Humans were shot through with the divine, rather than seen as helpless and inexorably corrupt sinners in the hands of a transcendent, angry God. Gutierrez's study of this fascinating and important movement is organized thematically. She analyzes Spiritualist conceptions of memory, marriage, medicine, and minds, explores such phenomena as machines for contacting the dead, spirit-photography, the idea of eternal spiritual affinity (which implied the necessity for marriage reform), the connection between health and spirituality, and mesmerism.

Since we accept as part of the natural order of life that parents love their children, sacrifice for them, and desire to influence the direction of their lives, it is possible to make that love and caring more profound and mature if we understand the significance of how, as parents and authorities, we unknowingly influence the lives of our children. When we reveal to them our most vital concerns, we do not realize that children draw their own conclusions from these encounters, and it is these conclusions that may adversely affect the understanding that shapes and molds their lives. We need to encourage families to create situations for family members where these pathologos scenes and the conclusions drawn from them can be discussed, reflected upon, and reexamined, thereby making the meaning of these words and deeds fit into a context other than the matrix of the pathologos. To achieve this goal, an openness to questions and discussions needs to be established in our society. A philosophical midwifery (PMW) approach could conceivably benefit those who recognize this need.

Theurgy means "the science or art of divine works." In alchemy, this process is called the "Great Work," which is the purification and exaltation of our "lower" nature by the proper application of esoteric principles, so that it may become united with its higher counterparts, whereby we may attain spiritual, and ultimately divine, consciousness. Drawing on the teachings of the Egyptian, Greek, and Hebrew mystery schools and quoting extensively from important alchemical writers, Garstin details this process of purification. Students who are curious about alchemy but daunted by the body of its literature and its strange allegories will find this book to be an excellent introduction. Garstin discusses source alchemical works and clearly explains what their esoteric symbolism means. With the information in this book, students of alchemy can then proceed to make a more informed exploration of the alchemical works and other writings of the Western Mystery Tradition.

This is the first comprehensive overview of the influence of Platonism on the English literary tradition, showing how English writers, including Chaucer, Shakespeare, Milton, Blake, Wordsworth, Yeats, Pound and Iris Murdoch, used Platonic themes and images within their own imaginative work.