Neon Wasteland

This path-breaking book examines the lives of five topless dancers in the economically devastated "rust belt" of upstate New York. With insight and empathy, Susan Dewey shows how these women negotiate their lives as parents, employees, and family members while working in a profession widely regarded as incompatible with motherhood and fidelity. Neither disparaging nor romanticizing her subjects, Dewey investigates the complicated dynamic of performance, resilience, economic need, and emotional vulnerability that comprises the life of a stripper. An accessibly written text that uses academic theories and methods to make sense of feminized labor, Neon Wasteland shows that sex work is part of the learned process by which some women come to believe that their self-esteem, material worth, and possibilities for life improvement are invested in their bodies.

In a world ravaged by environmental neglect, Jax, a resourceful scavenger, embarks on a desperate quest to find the Kaminari Battery – a legendary power source rumored to exist in the mythical city of Shinka no Miyako. Accompanied by Kai, a scholar yearning for knowledge, they venture into the Forbidden Forest, a realm guarded by vengeful spirits. There, they discover a hidden entrance leading them to a breathtaking metropolis unlike anything they've ever seen. Shinka no Miyako, the City of Harmony, stands as a testament to a bygone era where technology and nature coexisted in perfect balance. However, their arrival awakens a malevolent entity, a manifestation of discord that seeks to exploit the city's forgotten power for its own destructive ends. Guided by the wisdom of ancient guardians – the kami – Jax and Kai must prove themselves worthy by facing the Trials of Harmony. These trials test their understanding of flow, growth, and cooperation, forcing them to confront not just their physical limitations, but also the deep-seated imbalance within their own world. As they delve deeper into the city, they uncover the secrets of the Chamber of Resonance, a repository of forgotten knowledge that holds the key to saving both Neo-Tokyo and Shinka no Miyako. Witnessing the consequences of both unchecked technology and the neglect of nature, Jax and Kai must choose their path. Will they succumb to the allure of absolute power, or can they forge a new way forward, one built on harmony and a deep respect for the delicate balance between humanity and the natural world? This is a story of adventure, self-discovery, and the importance of ecological balance. It explores themes of environmental responsibility, the power of cooperation, and the consequences of unchecked ambition. Join Jax and Kai on their thrilling quest as they unlock the secrets of a lost civilization and fight to restore harmony to a world teetering on the brink of destruction.

This path-breaking book examines the lives of five topless dancers in the economically devastated “rust belt” of upstate New York. With insight and empathy, Susan Dewey shows how these women negotiate their lives as parents, employees, and family members while working in a profession widely regarded as incompatible with motherhood and fidelity. Neither disparaging nor romanticizing her subjects, Dewey investigates the complicated dynamic of performance, resilience, economic need, and emotional vulnerability that comprises the life of a stripper. An accessibly written text that uses academic theories and methods to make sense of feminized labor, Neon Wasteland shows that sex work is part of the learned process by which some women come to believe that their self-esteem, material worth, and possibilities for life improvement are invested in their bodies.

The turn of the twenty-first century has witnessed an eruption of nonfiction films on sex work. The first book to examine a cross-section of this diverse and transnational body of work, Sexography confronts the ethical questions raised by ethnographic documentary and interviews with sexually marginalized subjects. Nicholas de Villiers argues that carnal and cultural knowledge are inextricably entangled in ethnographic sex work documentaries. De Villiers offers a reading of cinema as a technology of truth and advances a theory of confessional and counterconfessional performance by the interviewed subject who must negotiate both loaded questions and stigma. He pays special attention to the tactical negotiation of power in these films and how cultural and geopolitical shifts have affected sex work and sex workers. Throughout, Sexography analyzes the films of a range of non–sex-worker filmmakers, including Jennie Livingston, Pier Paolo Pasolini, Shohini Ghosh, and Cui Zi’en, as well as films produced by sex workers. In addition, it identifies important parallels and intersections between queer and sex worker rights activist movements and their documentary historiography. De Villiers ultimately demonstrates how commercial sex is intertwined with culture and power. He advocates shifting our approach from scrutinizing the motives of those who sell sex to examining the motives and roles of the filmmakers and transnational audiences creating and consuming films about sex work.

No writer captured the urban blight that befell postwar America in all its grime and commotion as well as noir legend John D. MacDonald. The Neon Jungle depicts a world in which the bright lights belie the turbulent lives of a lost generation. Introduction by Dean Koontz The smell of warm gin hovers over a whole section of town. The threat of violence hangs in the air. And the neighborhood kids know all about drugs, knives, and back-alley beatings long before they’re pushed into high school by weary truant officers. This is simply reality for the family that runs Varaki Quality Market. Its patriarch, Gus Varaki, is doing all he can to keep his business afloat after his beloved middle child, Henry, is killed in action. But his oldest son is at a crossroads, his teenage daughter has been seduced by a rough crowd, and one of his employees is running a racket of his own. Only Henry’s despondent widow, Bonny, sees the awful truth—and the deadly plot hanging over all of their heads. Praise for John D. MacDonald “John D. MacDonald was the great entertainer of our age, and a mesmerizing storyteller.”—Stephen King “My favorite novelist of all time . . . No price could be placed on the enormous pleasure that his books have given me.”—Dean Koontz “John D. MacDonald is a shining example for all of us in the field. Talk about the best.”—Mary Higgins Clark

The story of sex tourism in the Gringo Gulch neighborhood of San José, Costa Rica could be easily cast as the exploitation of poor local women by privileged North American men—men who are in a position to take advantage of the vast geopolitical inequalities that make Latin American women into suppliers of low-cost sexual labor. But in Gringo Gulch, Megan Rivers-Moore tells a more nuanced story, demonstrating that all the actors intimately entangled in the sex tourism industry—sex workers, sex tourists, and the state—use it as a strategy for getting ahead. Rivers-Moore situates her ethnography at the intersections of gender, race, class, and national dimensions in the sex industry. Instead of casting sex workers as hapless victims and sex tourists as neoimperialist racists, she reveals each group as involved in a complicated process of class mobility that must be situated within the sale and purchase of leisure and sex. These interactions operate within an almost entirely unregulated but highly competitive market beyond the reach of the state—bringing a distinctly neoliberal cast to the market. Throughout the book, Rivers-Moore introduces us to remarkable characters—Susan, a mother of two who doesn’t regret her career of sex work; Barry, a teacher and father of two from Virginia who travels to Costa Rica to escape his loveless, sexless marriage; Nancy, a legal assistant in the Department of Labor who is shocked to find out that prostitution is legal and still unregulated. Gringo Gulch is a fascinating and groundbreaking look at sex tourism, Latin America, and the neoliberal state.

In this groundbreaking book, Antoinette Elizabeth DeNapoli examines the everyday religious worlds and lived practices of female Hindu ascetics (sadhus) in the north Indian state of Rajasthan. Real Sadhus Sing to God is the first book-length study to explore the ways that female sadhus perform and create gendered views of asceticism through their singing, storytelling, and sacred text practices .

Mónica waits in the Anti-Venereal Medical Service of the Zona Galactica, the legal, state-run brothel where she works in Tuxtla Gutiérrez, Mexico. Surrounded by other sex workers, she clutches the Sanitary Control Cards that deem her registered with the city, disease-free, and able to work. On the other side of the world, Min stands singing karaoke with one of her regular clients, warily eyeing the door lest a raid by the anti-trafficking Public Security Bureau disrupt their evening by placing one or both of them in jail. Whether in Mexico or China, sex work-related public policy varies considerably from one community to the next. A range of policies dictate what is permissible, many of them intending to keep sex workers themselves healthy and free from harm. Yet often, policies with particular goals end up having completely different consequences. Policing Pleasure examines cross-cultural public policies related to sex work, bringing together ethnographic studies from around the world—from South Africa to India—to offer a nuanced critique of national and municipal approaches to regulating sex work. Contributors offer new theoretical and methodological perspectives that move beyond already well-established debates between “abolitionists” and “sex workers’ rights advocates” to document both the intention of public policies on sex work and their actual impact upon those who sell sex, those who buy sex, and public health more generally.

Interweaving history and theory, this book unpacks the complexity of comics, covering formal, critical and institutional dimensions.