Navel Of The Moon

This story takes place in San Sebastian de Hidalgo, a Mexican village with a name longer than its main street. It is a story of death and flowers, love, good fun, pride and poverty, all of it set to music in a country that is more grand opera than a nation.

This timely study examines the processes by which modern states are created within multiethnic societies. How are national identities forged from countries made up of peoples with different and often conflicting cultures, languages, and histories? How successful is this process? What is lost and gained from the emergence of national identities? Natividad Gutiérrez examines the development of the modern Mexican state to address these difficult questions. She describes how Mexican national identity has been and is being created and evaluates the effectiveness of that process of state-building. Her investigation is distinguished by a critical consideration of cross-cultural theories of nationalism and the illuminating use of a broad range of data from Mexican culture and history, including interviews with contemporary indigenous intellectuals and students, an analysis of public-school textbooks, and information gathered from indigenous organizations. Gutiérrez argues that the modern Mexican state is buttressed by pervasive nationalist myths of foundation, descent, and heroism. These myths--expressed and reinforced through the manipulation of symbols, public education, and political discourse--downplay separate ethnic identities and work together to articulate an overriding nationalist ideology. The ideology girding the Mexican state has not been entirely successful, however. This study reveals that indigenous intellectuals and students are troubled by the relationship between their nationalist and ethnic identities and are increasingly questioning official policies of integration.

Navel of the Moon is a coming-of-age tale centering on Vicenta “Vicky” Lumiere, a resident of the Irish Channel neighborhood of New Orleans. By closely observing her neighbors and friends, often with a critical eye and a naïve interpretation, Vicky learns that the world fails to fall into discrete categories of good and evil, and that any attempt to assert authority over chaos is ultimately impossible. The characters that structure Vicky's world are intriguing, beginning with her Mexican grandmother, Mimy, whose claim to be from the "navel of the moon" baffles Vicky. Over the course of one summer, the heroine's attempts to understand the illusive nature of friendship captures the sorrow, the happiness, and the ordinary of one's humanity.

A set of commentaries that present some of the most rarefied and secret teachings within Tibetan Buddhism from the perspective of the Dalai Lama’s Gelug school. The Blazing Inner Fire of Bliss and Emptiness presents lucid translations of a pair of detailed commentaries by the famed Tibetan tantric master Ngulchu Dharmabhadra (1772–1851), illuminating a set of extremely secret and restricted tantric practices of highest yoga tantra. The first of these commentaries details the practices of the Six Yogas of Naropa, one of the most celebrated and revered systems of completion-stage practice in Tibet. Dharmabhadra presents the Six Yogas by elaborating upon Lama Tsongkhapa’s (1357–1419) masterpiece on the subject entitled Endowed with the Three Inspirations, which served as the basis for nearly all subsequent commentaries on the Six Yogas within the Gelug tradition. Ngulchu Dharmabhadra’s commentary is unique in that it presents the Six Yogas within the context of Vajrayogini practice, making this book a perfect companion piece to The Extremely Secret Dakini of Naropa (Wisdom Publications, 2020). Also contained in this book is Ngulchu Dharmabhadra’s lucid and concise commentary on the First Panchen Lama’s (1570–1662) famous Supplication for Liberation from [Fear of] the Perilous Journey of the Intermediate State. The prayer—a beautiful literary contribution from the First Panchen Lama in its own right—invokes the immediacy of death and the potential to use the process of dying as an opportunity for liberation. The prayer extols the efficacy of the “nine mixings” of the completion stage as direct means of transforming our ordinary death process by using advanced yogas presented in the first commentary on the Six Yogas. Together, these works present the reader with a vast and profound vision of spiritual transformation—one in which every aspect of human experience can be used as an opportunity for transcendence and spiritual liberation.

This extraordinary commentary by a late twelfth-century anonymous northern French exegete interprets the Song of Songs solely according to its plain meaning as a story of two young lovers and their developing relationship. The exegete pays attention to every detail of the text, offering many enlightening insights into its meaning, all the while expanding upon the “way of lovers” – the ways that young people in love go about their lovemaking. The French background of the exegete is made clear by numerous references to knights, coats of arms, weapons, chivalry, and of course, wine drinking. The edition is accompanied by an English translation and extensive introduction which analyzes the various linguistic, literary, and exegetical features of the text.

This story takes place in San Sebastian de Hidalgo, a Mexican village with a name longer than its main street. It is a story of death and flowers, love, good fun, pride and poverty, all of it set to music in a country that is more grand opera than a nation.

PRAISE FOR BIRTHDAY PRESENCE "These are tales of intensity and indignation, of passion and pathos, of angst and anger, of grappling and grief. They're also tales of both humor and heart-though each of these elements skews, at times, rather dark. Most of all, these are tales of wounded spirits yearning for redemption, reconciliation, release... or just a reason to live. Cox characters step right up, grab us by the lapels, yank us toward them and, Willy-Loman-like demand to be known," Paul McComas Author of Unplugged and Planet of the Dates, from his foreword

Saints and Their Cults in the Atlantic World traces the changing significance of a dozen saints and holy sites from the fourth century to the twentieth and from Africa, Sicily, Wales, and Iceland to Canada, Boston, Mexico, Brazil, and the Caribbean. Scholars representing the fields of history, art history, religious studies, and communications contribute their perspectives in this interdisciplinary collection, also notable as the first English language study of many of the saints treated in the volume. Several chapters chart the changing images and meanings of holy people as their veneration traveled from the Old World to the New; others describe sites and devotions that developed in the Americas. The ways that a group feels connected to the holy figure by ethnicity or regionalism proves to be a critical factor in a saint's reception, and many contributors discuss the tensions that develop between ecclesiastical authorities and communities of devotees.