Nature Redeemed

Focus on family relationships between husbands and wives, parents and children.The essays develop a Jewish theory of marriage and sexuality, parenthood and the duty to honor and revere one's parents.

The Redeemed Image of God examines the classical development of imago Dei, the image of God, in Christian theology, and reconstructs the doctrine in order to recover the role of the image in redemption and the importance of human embodiment in salvific relationships. The author argues that the imago Dei is the point of contact that enables a rich web of relationships to others, but most importantly the redemptive relationship to the Other, God

Nature plays an important and often neglected role in Jewish apocalypses. Most Second Temple Jewish apocalypses (ca. 200 BC - AD 100) do not oppose the material world, but view nature as damaged by human and angelic sin. Rather than expecting God to destroy the world, many look forward to God's dramatic eschatological deliverance of nature from corruption. Although Romans 8:19-22 was not written in the genre of an apocalypse, it shares the basic apocalyptic world view. The Apostle Paul follows that stream of apocalyptic thought that looks forward to the transformation of creation by an eschatological divine act, the reversal of the damage caused by sin, and the perfection of nature to share glory with redeemed humanity. A comparison of nature in Jewish apocalypses and Romans 8:19-22 reveals important insights into the theology of early Judaism and its influence on early Christian thought.

This provocative study argues that the 'believers' church' should draw on Catholic, Reformed, and Lutheran thought to find a solid basis for Christian political action. The book believes that a 'believers' church' ethic has points of continuity with the quest for social justice in the larger society. Rather than separating discipleship from political life or uncritically baptizing political projects, the believers' church may appeal to natural law as a basis for cooperation with others toward the end of a more just society. The volume draws upon various historical theologians and a variety of contemporary figures to affirm a God-given moral capacity in humans that makes a tolerably just political order possible.

This volume brings together original essays by both seasoned professionals and emerging scholars who examine state-of-the-art scholarship and pedagogy in ecologically-alert theology. Authors assess what various theologians have to offer, and draw implications for reshaping religious and environmental studies, as well as preparing the next generations of church leaders or pastoral workers. What needs to be done, these authors ask, to bring biblical studies, systematics, social ethics, practical theology, spiritual formation, and liturgy up to speed with eco-justice thought and action on environmental questions?

After discussing the "arts of redemption" and their rivals, and introducing soteriology, the theology of salvation, Patrick Sherry argues that the Christian "Drama of Redemption" has three Acts. The next five chapters discuss the three Acts, namely salvation history, our present human life, and the life to come. In each case, Sherry explains how art and literature can lead to an understanding of what is at stake here. His main concern is with the present life: hence three of those chapters deal with that phase of redemption, one of them specifically with "novels of redemption." The last substantial chapter of the book takes up the general issue of how art and literature contribute to religious understanding: Sherry argues that they may be primary expressions of religious belief, as well as "illustrations," and that as such they may criticise or complement theology, or in turn be open to criticism themselves from that quarter. Finally, he summarises the main theme and briefly discusses some of the particular problems of assessing the arts of redemption.The book's most distinctive feature is the way in which it uses art and literature as a means of religious and theological understanding. It is not a survey of the arts of redemption, though it uses a wide variety of examples, including ancient Greek drama, Flemish and Italian painting, religious music, and 19th -20th century novels. These examples are used as a tool for understanding what is one of the most difficult areas of theology.