Nature Red In Tooth And Claw

Those who believe in God often puzzle over how God could permit evil and suffering in the world. Nature Red in Tooth and Claw focuses specifically on non-human animal suffering, and whether or not it raises problems for belief in the existence of a perfectly good creator.

Tennyson s central poem is presented with an extensive introduction that provides background information on the poet and poem as well as an overview of In Memoriam s formal and thematic peculiarities, including Tennyson s use of the stanza and the poem s rhyme scheme."

While the problem of evil remains a perennial challenge to theistic belief, little attention has been paid to the special problem of animal pain and suffering. This absence is especially conspicuous in our Darwinian era when theists are forced to confront the fact that animal pain and suffering has gone on for at least tens of millions of years, through billions of animal generations. Evil of this sort might not be especially problematic if the standard of explanations for evil employed by theists could be applied in this instance as well. But there is the central problem: all or most of the explanations for evil cited by theists seem impotent to explain the reality of animal pain and suffering through evolutionary history. Nature Red in Tooth and Claw addresses the evil of animal pain and suffering directly, scrutinizing explanations that have been offered for such evil.

What can elephant seals tell us about Homer’s Iliad? How do gorillas illuminate the works of Shakespeare? What do bloodsucking bats have to do with John Steinbeck? MADAME BOVARY’S OVARIES A Darwinian Look at Literature According to evolutionary psychologist David Barash and his daughter Nanelle, the answers lie in the most important word in biology: evolution. Just like every animal from mites to monkeys, our day-to-day behavior has been shaped by millions of years of natural selection. So it should be no surprise to learn that the natural forces that drive animals in general and Homo sapiens in particular are clearly visible in the creatures of literature, from Henry Fielding’s Tom Jones all the way to Helen Fielding’s Bridget Jones. Seen through the lens of evolutionary biology, the witty repartee of Jane Austen’s courting couples, Othello’s tragic rage, the griping of Holden Caulfield, and the scandalous indiscretions of Madame Bovary herself all make a fresh and exciting kind of sense. The ways we fall in—and out—of love, stand by our friends, compete against our enemies, and squabble with our families have their roots in biological imperatives we share not only with other primates but with an amazing array of other creatures. The result is a new way to read, a novel approach to novels (and plays) that reveals how human nature underlies literature, from the great to the not-so-great. Using the cutting-edge ideas of contemporary Darwinism, the authors show how the heroes and heroines of our favorite stories have been molded as much by evolution as by the genius of their creators, revealing a gallery of characters from Agamemnon to Alexander Portnoy, who have more in common with birds, fish, and other mammals than we could ever have imagined. As engaging and informative as a good story, Madame Bovary’s Ovaries is both an accessible introduction to a fascinating area of science and a provocatively sideways look at our cherished literary heritage. Most of all, it shows in a delightfully enteraining way how science and literature shed light on each other.

Fantasy-roman.

This new collection of short stories from T.C. Boyle finds him at his mercurial best. Inventive, wickedly funny, sometimes disturbing, these are stories about drop-outs, deadbeats and kooks. Take the man who shares his apartment with a wildcat won in a drunken bet; the drive-time shock jock hallucinating from sleep deprivation for a publicity stunt; the suburban woman who joins a pack of dogs, eating rabbits and baying at the moon. With a unique deftness of touch and a keen eye for the telling detail, Boyle has mapped the strange underworld of America.

The problem of animal suffering is the atheistic argument that an all-knowing, all-powerful, and all-good God would not use millions of years of animal suffering, disease, and death to form a planet for human beings. This argument has not received as much attention in the philosophical literature as other forms of the problem of evil, yet it has been increasingly touted by atheists since Charles Darwin. While several theists have attempted to provide answers to the problem, they disagree with each other as to which answer is correct. Also, some of these theists have given in to the problem and believe it entails that God is limited in certain ways. B. Kyle Keltz seeks to provide a classical answer to the problem of animal suffering inspired by the medieval philosopher/theologian Thomas Aquinas. In doing so, Keltz not only utilizes the wisdom of Aquinas, but also contemporary insights into non-human animal minds from contemporary philosophy and science. Keltz provides a compelling neo-Thomistic answer to the problem of animal suffering and explains why the classical God of theism would create a world that includes animal death.

"Secrets of the Woods" is a collection of sketches of diverse storylines but all related to forest life. "Simmo was full of wonder, for an Indian notices few things in the woods beside those that pertain to his trapping and hunting; and to see a mouse wash his face was as incomprehensible to him as to see me read a book. But all wood mice are very cleanly; they have none of the strong odors of our house mice. Afterwards, while getting acquainted, I saw him wash many times in the plate of water that I kept filled near his den..."

The Companion to Romanticism is a major introductory survey from an international galaxy of scholars writing new pieces, specifically for a student readership, under the editorship of Duncan Wu.