Nature Next Door

The once denuded northeastern United States is now a region of trees. Nature Next Door argues that the growth of cities, the construction of parks, the transformation of farming, the boom in tourism, and changes in the timber industry have together brought about a return of northeastern forests. Although historians and historical actors alike have seen urban and rural areas as distinct, they are in fact intertwined, and the dichotomies of farm and forest, agriculture and industry, and nature and culture break down when the focus is on the history of Northeastern woods. Cities, trees, mills, rivers, houses, and farms are all part of a single transformed regional landscape. In an examination of the cities and forests of the northeastern United States-with particular attention to the woods of Maine, New Hampshire, Pennsylvania, and Vermont-Ellen Stroud shows how urbanization processes there fostered a period of recovery for forests, with cities not merely consumers of nature but creators as well. Interactions between city and hinterland in the twentieth century Northeast created a new wildness of metropolitan nature: a reforested landscape intricately entangled with the region's cities and towns.

A charming natural history (inclined to botany) of the Rincon Mountains of SE Arizona. But the location is not carefully specified.

A uniquely personal meditation on Britain's gulls by one of today's leading wildlife writers From a distance, gulls are beautiful symbols of freedom over the oceanic wilderness. Up close, however, they can be loud, aggressive and even violent. Yet gulls fascinate birdwatchers, and seafarers regard them with respect and affection. The Gull Next Door explores the natural history of gulls and their complicated relationship with humans. Marianne Taylor grew up in an English seaside town where gulls are ever present. Today, she is a passionate advocate for these underappreciated birds. In this book, Taylor looks at the different gull species and sheds light on all aspects of the lives of gulls—how they find food, raise families, socialize and migrate across sea, coastland and countryside. She discusses the herring gull, Britain's best-known and most persecuted gull species, whose numbers are declining at an alarming rate. She looks at gulls in legend, fiction and popular culture, and explains what we can do to protect gull populations around the world. The Gull Next Door reveals deeper truths about these remarkable birds. They are thinkers and innovators, devoted partners and parents. They lead long lives and often indulge their powerful drive to explore and travel. But for all these natural gifts, many gull species are struggling to survive in the wild places they naturally inhabit, which is why they are now exploiting the opportunities of human habitats. This book shows how we might live more harmoniously with these majestic yet misunderstood birds.

Americans have had a long-standing love affair with the wilderness. As cities grew and frontiers disappeared, film emerged to feed an insatiable curiosity about wildlife. The camera promised to bring us into contact with the animal world, undetected and unarmed. Yet the camera's penetration of this world has inevitably brought human artifice and technology into the picture as well. In the first major analysis of American nature films in the twentieth century, Gregg Mitman shows how our cultural values, scientific needs, and new technologies produced the images that have shaped our contemporary view of wildlife. Like the museum and the zoo, the nature film sought to recreate the experience of unspoiled nature while appealing to a popular audience, through a blend of scientific research and commercial promotion, education and entertainment, authenticity and artifice. Travelogue-expedition films, like Teddy Roosevelt's African safari, catered to upper- and middle-class patrons who were intrigued by the exotic and entertained by the thrill of big-game hunting and collecting. The proliferation of nature movies and television shows in the 1950s, such as Disney's True-Life Adventures and Marlin Perkins's Wild Kingdom, made nature familiar and accessible to America's baby-boom generation, fostering the environmental activism of the latter part of the twentieth century. Reel Nature reveals the shifting conventions of nature films and their enormous impact on our perceptions of, and politics about, the environment. Whether crafted to elicit thrills or to educate audiences about the real-life drama of threatened wildlife, nature films then and now reveal much about the yearnings of Americans to be both close to nature and yet distinctly apart.

The house next door to the Kennedys appears to be haunted by an all-pervasive evil, and the couple watches as a succession of owners becomes engulfed by the sinister force, until the Kennedys set out to destroy the house themselves.

Post-World War II Oregon was a place of optimism and growth, a spectacular natural region from ocean to high desert that seemingly provided opportunity in abundance. With the passing of time, however, Oregon’s citizens — rural and urban — would find themselves entangled in issues that they had little experience in resolving. The same trees that provided income to timber corporations, small mill owners, loggers, and many small towns in Oregon, also provided a dramatic landscape and a home to creatures at risk. The rivers whose harnessing created power for industries that helped sustain Oregon’s growth — and were dumping grounds for municipal and industrial wastes — also provided passageways to spawning grounds for fish, domestic water sources, and recreational space for everyday Oregonians. The story of Oregon’s accommodation to these divergent interests is a divisive story between those interested in economic growth and perceived stability and citizens concerned with exercising good stewardship towards the state’s natural resources and preserving the state’s livability. In his second volume of Oregon’s environmental history, William Robbins addresses efforts by individuals and groups within and outside the state to resolve these conflicts. Among the people who have had roles in this process, journalists and politicians Richard Neuberger and Tom McCall left substantial legacies and demonstrated the ambiguities inherent in the issues they confronted.

Winner of the George Perkins Marsh Award, American Society for Environmental History

Poetry, vignettes, narratives and photographs based on the author's decade of visiting a 3000-acre forest preserve and its beaver ponds. His personal writing style takes his readers with him as he follows the lives of his wild neighbors.

My next door neighbor is a serious pain. Parker Jax is covered in tats, rides a motorcycle, and his parties keep me up all night. The fact he’s sexy as sin doesn’t change the fact that he’s definitely not my type. We mix like bike grease and water. I’m a quiet artist. He’s a rowdy marine. My heart’s been broken. His seems to be missing altogether. Thankfully, my bad-boy neighbor is on leave from the Marines for only thirty days. But then the jerk has to go and complicate things. Like show me that he has a soft side beneath all those hard muscles and that he’s capable of helping out another human being—like me. Now I owe Jax a favor. A big one. All I need to do is ride out the rest of the month and hope he never calls it in. But when a woman shows up with a kid at her side, knocking on Parker’s door, I know that this time, payback’s gonna be deliciously complicated.

A Chilean writer named Julio and his wife, Gloria, are at a low point in their lives. Constantly bickering, the pair are beset by worries about money, their writing, and their son (who may or may not be plying the oldest profession in Marrakesh). When Julio's boyhood best friend, now a famous artist, lends the couple his luxurious Madrid apartment for the summer, it is an escape for both - but in particular for Julio, who fantasizes about the garden next door and the erotic life of the lovely young aristocratic woman who inhabits it. But Julio's life - and career - unravel In Madrid: he is rebuffed by a famous literary agent, Nuria Monclus, who detests him and his novel; his son's friend from Marrakesh moves in and causes havoc; and Gloria begins to drink. In the face of pitiless adversity, Julio's talent inexorably begins to fade. The garden next door, however, is also Gloria, who has been doing some creating of her own. It is this twist that transforms Donoso's brilliant satire of the writer's life into something even greater: a carefully crafted and bitteily comic meditation on gardens, deceit, and the nature of a writer's muse.