Napoleons Art Of War

Napoleon. The passage of time has not dimmed the power of his name. A century and a half after his death, Napoleon remains the greatest military genius of the modern world. Yet unlike Machiavelli, Clausewitz, or Sun Tzu, his name has not crowned any single literary work. The subject of thousands of biographies and treatises on warfare, he is the author of none. Until now. The great general and conqueror of Europe may not have written any books, but he was a prolific writer. Thousands of his missives to subordinates survive, and these documents reflect the broad range of a fearless and incisive mind. From them, military historian Jay Luvaas has wrought a seamless whole. Luvaas has spent decades culling, editing, and arranging Napoleon's thoughts into coherent essays and arguments. In the remarkable result. Napoleon speaks without interruption in a work that will forever change the way we view him. Luvaas covers every subject Napoleon wrote about, from the need for preparation -- "Simply gathering men together does not produce real soldiers; drill, instruction, and skill is what makes real soldiers." -- to the essence of victory -- "To win is not enough: It is necessary to profit from success." On education, leadership, strategy and history, Napoleon speaks with an authority unique to those who have ruled a continent. In these pages lies the wisdom of a giant who knew life's greatest achievements and its lowest lows: triumph and conquest, exile and disgrace. Whether you are a student of military strategy or a business professional eager to learn from the greatest manager of personnel that the world has ever known, Napoleon on the Art of War has something for you. From the specifies of Napoleon's use of cavalry and unique reliance upon artillery to an all-encompassing vision of life from a man of supreme confidence and success, you'll find it here. This is the only straightforward explanation of Napoleon's campaigns and philosophy by the man himself.

Napoleon Bonaparte's ascent to power was meteoric. Ever the outsider and regarded by many as an upstart, his extraordinary determination, courage, and tactical skill saw him rise from ordinary beginnings to become the greatest military commander of his age. A brigadier general by the age of 24, crowned Emperor of France by age 35, he had conquered most of the countries of Europe by the time he was 45. Napoleon's maxims for conduct on the battlefield gives a fascinating insight into his knowledge, intuition, and resourcefulness. His ideas have shaped the opinion of generations of military strategists, politicians, and business entrepreneurs, and are still relevant today. The translation, by British army officer Colonel George D'Aguilar, contains notes exploring the background to Napoleon's theories of war and the leaders who inspired him. This edition also contains an historical introduction by Frederick C. Schneid, Professor of History at High Point University, North Carolina.

Some 12 years ago it was estimated that well over 300,000 works existed on this period and since then several thousand more have appeared. Therefore, it might be reasonably argued that there is little room for another volume. Nonetheless, this vast outpouring of literature has usually dealt with major leaders, specific battles or campaigns, and with certain branches of the service. Moreover, at least in English, the literature tends to concentrate primarily on the French or British armies. There appears to be a lack of works combining a description of the major changes and trends in the art of war, especially at the cutting edge of events, with a discussion of the French military establishment and the armies of the major opponents, British as well as continental. And while this book is only a brief survey, I do believe that it may serve as a contribution towards filling this gap in our historical knowledge of military institutions and fighting men.

Napoleon has been called a giant for the ages, and his influence resonates to this day not only in the field of military endeavor but also in law and governance. His military maxims, captured here in Napoleon's Art of War, are timeless principles applicable to many aspects of life. To contextualize each of the seventy-eight pithy maxims, General Burnod provides brief explanatory expositions.

Renowned for its accuracy, brevity, and readability, this book has long been the gold standard of concise histories of the Napoleonic Wars. Now in an updated and revised edition, it is unique in its portrayal of one of the world's great generals as a scrambler who never had a plan, strategic or tactical, that did not break down or change of necessity in the field. Distinguished historian Owen Connelly argues that Napoleon was the master of the broken play, so confident of his ability to improvise, cover his own mistakes, and capitalize on those of the enemy that he repeatedly plunged his armies into uncertain, seemingly desperate situations, only to emerge victorious as he "blundered" to glory. Beginning with a sketch of Napoleon's early life, the book progresses to his command of artillery at Toulon and the "whiff of grapeshot" in Paris that netted him control of the Army of Italy, where his incredible performance catapulted him to fame. The author vividly traces Napoleon's campaigns as a general of the French Revolution and emperor of the French, knowledgeably analyzing each battle's successes and failures. The author depicts Napoleon's "art of war" as a system of engaging the enemy, waiting for him to make a mistake, improvising a plan on the spot-and winning. Far from detracting from Bonaparte's reputation, his blunders rather made him a great general, a "natural" who depended on his intuition and ability to read battlefields and his enemy to win. Exploring this neglected aspect of Napoleon's battlefield genius, Connelly at the same time offers stirring and complete accounts of all the Napoleonic campaigns.

One of The Christian Science Monitor's Ten Best Books of May "A highly original work of history . . . [Saltzman] has written a distinctive study that transcends both art and history and forces us to explore the connections between the two.” —Roger Lowenstein, The Wall Street Journal A captivatingstudy of Napoleon’s plundering of Europe’s art for the Louvre, told through the story of a Renaissance masterpiece seized from Venice Cynthia Saltzman’s Plunder recounts the fate of Paolo Veronese’s Wedding Feast at Cana, a vast, sublime canvas that the French, under the command of the young Napoleon Bonaparte, tore from a wall of the monastery of San Giorgio Maggiore, on an island in Venice, in 1797. Painted in 1563 during the Renaissance, the picture was immediately hailed as a masterpiece. Veronese had filled the scene with some 130 figures, lavishing color on the canvas to build the illusion that the viewers’ space opened onto a biblical banquet taking place on a terrace in sixteenth-century Venice. Once pulled from the wall, the Venetian canvas crossed the Mediterranean rolled on a cylinder; soon after, artworks commandeered from Venice and Rome were triumphantly brought into Paris. In 1801, the Veronese went on exhibition at the Louvre, the new public art museum founded during the Revolution in the former palace of the French kings. As Saltzman tells the larger story of Napoleon’s looting of Italian art and its role in the creation of the Louvre, she reveals the contradictions of his character: his thirst for greatness—to carry forward the finest aspects of civilization—and his ruthlessness in getting whatever he sought. After Napoleon’s 1815 defeat at Waterloo, the Duke of Wellington and the Allies forced the French to return many of the Louvre’s plundered paintings and sculptures. Nevertheless, The Wedding Feast at Cana remains in Paris to this day, hanging directly across from the Mona Lisa. Expertly researched and deftly told, Plunder chronicles one of the most spectacular art appropriation campaigns in history, one that sheds light on a seminal historical figure and the complex origins of one of the great museums of the world.

In Napoleon and the Operational Art of War, the leading scholars of Napoleonic military history provide the most authoritative analysis of Napoleon’s battlefield success and ultimate failure. Napoleon’s development and mastery of the operational art of warfare is revealed as each chapter analyzes one Napoleonic war or major campaign of a war. To achieve this, the essays conform to the common themes of Napoleon’s planning, his command and control, his execution of plans, and the response of his adversaries. Napoleon's sea power and the British response to the French challenge at sea is also investigated. Overall, this volume reflects the finest scholarship and cutting-edge research to be found in Napoleonic Military History. Contributors include Jonathan Abel, Robert M. Citino, Huw Davies, Mark T. Gerges; John H. Gill; Jordan Hayworth, Kenneth G. Johnson, Michael V. Leggiere, Kevin D. McCranie, Alexander Mikaberidze, Frederick C. Schneid, John Severn, Dennis Showalter, Geoffrey Wawro, and John F. Weinzierl.