Naming The Witch

Naming the Witch explores the recent series of witchcraft accusations and killings in East Java, which spread as the Suharto regime slipped into crisis and then fell. After many years of ethnographic work focusing on the origins and nature of violence in Indonesia, Siegel came to the conclusion that previous anthropological explanations of witchcraft and magic, mostly based on sociological conceptions but also including the work of E.E. Evans-Pritchard and Claude Lévi-Strauss, were simply inadequate to the task of providing a full understanding of the phenomena associated with sorcery, and particularly with the ideas of power connected with it. Previous explanations have tended to see witchcraft in simple opposition to modernism and modernity (enchantment vs. disenchantment). The author sees witchcraft as an effect of culture, when the latter is incapable of dealing with accident, death, and the fear of the disintegration of social and political relations. He shows how and why modernization and witchcraft can often be companions, as people strive to name what has hitherto been unnameable.

Kimberly B. Stratton investigates the cultural and ideological motivations behind early imaginings of the magician, the sorceress, and the witch in the ancient world. Accusations of magic could carry the death penalty or, at the very least, marginalize the person or group they targeted. But Stratton moves beyond the popular view of these accusations as mere slander. In her view, representations and accusations of sorcery mirror the complex struggle of ancient societies to define authority, legitimacy, and Otherness. Stratton argues that the concept "magic" first emerged as a discourse in ancient Athens where it operated part and parcel of the struggle to define Greek identity in opposition to the uncivilized "barbarian" following the Persian Wars. The idea of magic then spread throughout the Hellenized world and Rome, reflecting and adapting to political forces, values, and social concerns in each society. Stratton considers the portrayal of witches and magicians in the literature of four related periods and cultures: classical Athens, early imperial Rome, pre-Constantine Christianity, and rabbinic Judaism. She compares patterns in their representations of magic and analyzes the relationship between these stereotypes and the social factors that shaped them. Stratton's comparative approach illuminates the degree to which magic was (and still is) a cultural construct that depended upon and reflected particular social contexts. Unlike most previous studies of magic, which treated the classical world separately from antique Judaism, Naming the Witch highlights the degree to which these ancient cultures shared ideas about power and legitimate authority, even while constructing and deploying those ideas in different ways. The book also interrogates the common association of women with magic, denaturalizing the gendered stereotype in the process. Drawing on Michel Foucault's notion of discourse as well as the work of other contemporary theorists, such as Homi K. Bhabha and Bruce Lincoln, Stratton's bewitching study presents a more nuanced, ideologically sensitive approach to understanding the witch in Western history.

Parents want the perfect name for their child. Among the baby books available today, none are tailored to the needs of witches, pagans, and other seekers.

The New York Times bestselling series! A USA TODAY bestseller! Nothing can stop the demon tide… Newly exposed as the Black Witch of Prophecy, Elloren Gardner Grey is on the run, not knowing if she’ll find friends or foes. With her fastmate, Lukas Grey, either dead or in the hands of High Mage Marcus Vogel, Elloren knows the only chance of turning the tide of the coming war is to seek allies who will listen long enough not to kill her on sight. In the Eastern Realm, Water Fae Tierney Calix and Elloren’s brother Trystan have joined the Wyvernguard to prepare for Vogel’s attack. But Trystan is fighting on two fronts, as the most despised and least trusted member of the guard. And Tierney’s bond with Erthia’s most powerful river has exposed a danger even more terrifying than the looming war. The Black Witch is back, and the Prophecy is at hand. It’s time to fight. But Vogel has one more earth-shattering revelation for them all. Books in The Black Witch Chronicles: The Black Witch The Iron Flower The Shadow Wand The Demon Tide Wandfasted (ebook novella)* Light Mage (ebook novella)* * Also available in print in The Rebel Mages anthology

Which Witch? is a brilliantly witty tale of magic and marriage by Eva Ibbotson, shortlisted for the Carnegie Medal. 'Find me a witch!' cried Arriman the Awful, feared Wizard of the North. Arriman has decided to marry. His wife must be a witch of the darkest powers – but which witch will she be? To find the most fiendish, he holds a spell-casting competition. Glamorous Madame Olympia performs the terrifying Symphony of Death and conjures up a thousand plague-bearing rats. The magic of gentle Belladonna, the white witch, goes hopelessly wrong. She produces perfumed flowers instead of snakes. And bats roost in her golden hair instead of becoming blood-sucking vampires. Poor Belladonna longs to be an evil enchantress – but how? 'This kind of fun will never fail to delight' - Philip Pullman.

Marily is a four year old little girl who lives with her parents in the Bright Forest. However, her life will change entirely when she accidentally falls into a cauldron boiling with the worst magic potion that exists. A few minutes later, she transforms into the meanest witch in all the world and stars! Marily disappears once and for all. BADFREAKY a very bad and frightening witch takes her place!

Swa wiccan taeca?: ?as the witches teach.' So, explained the Old English translator, it was witches who counseled people to ?bring their offerings to earth-fast stone and also to trees and to wellsprings.' His contextualizing commentary on a Frankish penitential reveals the witches? intimate association with animist, earth-based ceremonies, contradicting the now-engrained idea that they were ?wicked.' In a compelling exploration of language, archaeology, early medieval literature and art, Max Dashu pulls the covers off ethnic lore known to few except scholarly specialists. She shows that the old ethnic names for ?witch? signify wisewoman, prophetess, diviner, healer, shapeshifter, and dreamer. She fleshes out the spiritual culture of the Norse völur (?staff-women?), with their oracular ceremonies, incantations, and ?sitting-out? on the land for wisdom. She examines archaeological finds of women's ritual staffs, many of which symbolize the distaff, a spinning tool that connects with broader European themes of goddesses, fates, witches, and female power. Ecclesiastical records show that these aspects of European women's spiritual culture survived state conversions to Christianity. Witches and Pagans plunges into the megalithic taproot of the elder kindreds, and the ancestral Old Woman known as the Cailleach. It draws on priestly Frankish and German sources to trace the foundational witch-legend of the Women Who Go by Night with the Goddess'and her links to women's spinning sacraments in the orature of Holle, Fraw Percht, and Swanfooted Berthe. The book also looks at the sexual politics of early witch burnings and the female ordeal of treading red-hot iron. Anglo-Saxon ?mystery-singers? shed light on ancestor veneration in early medieval Europe.The webs of Wyrd, weavers? ceremonies, herb-chanters, crystal balls and the Völuspá: this book uncovers the authentic ethnic roots of witchcraft. Putting the common woman at the center results in a very different view of European history than the one we have been taught. Sagas, ecclesiastical canons, laws, chronicles, charms, manuscripts and sculpture show the spiritual leadership of women and the goddesses, fates, and ancestors they revered. These strands can help to reweave the ripped webs of women's culture.

A witches book of shadows is one of the more important tools in their arsenal, holding their spells (both successful and not, ) their divinations and of course all of the correspondences that aid them in their everyday craft. Being able to reference your own material is a great way to help you become more confident in your own craft, and to remember all of the ingredients and astrological timings that have worked best for you. What you have in your hands, is a completely blank Book of Shadows, to help any witch organize their craft. This 150+ page journal, comes with pre-formatted spell, ritual, Sabbat and divination pages, In the back of the journal you'll find 15+ pages of indexed correspondences ranging from colors, to moon phases, herbs, tarot and much more. Being completely blank and dateless, this Journal is suited to witches from all walks of life, and either hemisphere, proving to be an asset for all users from novice to expert, Let this journal be your starting point to creating your perfect, personalized book of shadows, and fall in love with your craft.