Mythology And The Romantic Tradition In English Poetry

Incorporates the results of recent scholarship and criticism, particularly in the work of Spenser and Milton.

In The Reception of Myth in English Romanticism, Harding deals with those questions by examining how Romantic writers understood and received myth and what they understood "the mythic" to be. He shows how the Romantics' own mythmaking drew its meaning from the contemporary political scene and contemporary ideological conflicts, rather than from a concept of myth as a timeless, unchanging source of value. Harding analyzes the uses of myth in selected texts of the period, covering the work of Wordsworth, Coleridge, Keats, and Shelley, among others.

First published in 1940. This title examines the tradition of Romantic literature, and the conception of poetry held by poets and critics throughout the centuries. Evans explores the writings of Chaucer, Shakespeare, Wordsworth and Coleridge, up until the modernist movement and the works of W. B. Yeats and T. S. Eliot. This title will be of interest to students of literature.

First published in 1967. These essays illustrate the movement of ideas in the literary and artistic history of the later part of the nineteenth century. The subjects dealt with are diverse though interrelated. All the contributors exemplify the changing thought of the period from Romanticism, through Victorianism to Symbolism. This title will be of interest to students of art history and literature.