My Soviet Youth

Putting on gas masks and learning how to shoot Kalashnikov rifles in grade school made Soviet children fear possible attack by Cold War enemies. But a more prosaic invasion of Colorado beetles in the 1980s turned out to be a far more real threat to Soviet families. Many had to master farming when the state, near its demise, no longer had the finances to pay salaries. One of the last generation of Soviet teenagers who tasted the political restrictions and propaganda, and the benefits and deficits of the communist state, the author recalls her early years in a Soviet school, a Young Pioneer inauguration ceremony, work on a collective farm, her family's plot of land and their fights against invasive insects, and her first breaths of post-Soviet freedom, which brought economic havoc and bitter disappointments, along with new hopes.

Can trauma be inherited? In this luminous memoir of identity, exile, ancestry, and reckoning, an American writer returns to Russia to face a family history that still haunts him. It is this question that sets Alex Halberstadt off on a quest to name and acknowledge a legacy of family trauma, and to end a cycle of estrangement that had endured for nearly a century. His search takes him across the troubled, enigmatic land of his birth. In Ukraine he tracks down his paternal grandfather--most likely the last living bodyguard of Joseph Stalin--to reckon with the ways in which decades of Soviet totalitarianism shaped and fractured three generations of his family. He returns to Lithuania, his Jewish mother's home, to revisit the legacy of the Holocaust and the pernicious anti-Semitism that remains largely unaccounted for, learning that the boundary between history and biography is often fragile and indistinct. And he visits his birthplace, Moscow, where his glamorous grandmother designed homespun couture for Soviet ministers' wives, his mother dosed dissidents at a psychiatric hospital, and his father made a living by selling black-market jazz and rock records. Finally, Halberstadt explores his own story: that of a fatherless immigrant who arrived in America, to a housing project in Queens, New York, as a ten-year-old boy struggling with identity, feelings of rootlessness, and a yearning for home. He comes to learn that he was merely the latest in a lineage of sons who grew up alone, separated from their fathers by the tides of politics and history. As Halberstadt revisits the sites of his family's formative traumas, he uncovers a multigenerational transmission of fear, suspicion, melancholy, and rage. And he comes to realize something more: Nations, like people, possess formative traumas that penetrate into the most private recesses of their citizens' lives.

A memoir of Svetlanda who was born in the Soviet Union soon after the Revolution.

Putting on gas masks and learning how to shoot Kalashnikov rifles in grade school made Soviet children fear possible attack by Cold War enemies. But a more prosaic invasion of Colorado beetles in the 1980s turned out to be a far more real threat to Soviet families. Many had to master farming when the state, near its demise, no longer had the finances to pay salaries. One of the last generation of Soviet teenagers who tasted the political restrictions and propaganda, and the benefits and deficits of the communist state, the author recalls her early years in a Soviet school, a Young Pioneer inauguration ceremony, work on a collective farm, her family's plot of land and their fights against invasive insects, and her first breaths of post-Soviet freedom, which brought economic havoc and bitter disappointments, along with new hopes.

Youth and Rock in the Soviet Bloc explores the rise of youth as consumers of popular culture and the globalization of popular music in Russia and Eastern Europe. This collection of essays challenges assumptions that Communist leaders and Western-influenced youth cultures were inimically hostile to one another. While initially banning Western cultural trends like jazz and rock-and-roll, Communist leaders accommodated elements of rock and pop music to develop their own socialist popular music. They promoted organized forms of leisure to turn young people away from excesses of style perceived to be Western. Popular song and officially sponsored rock and pop bands formed a socialist beat that young people listened and danced to. Young people attracted to the music and subcultures of the capitalist West still shared the values and behaviors of their peers in Communist youth organizations. Despite problems providing youth with consumer goods, leaders of Soviet bloc states fostered a socialist alternative to the modernity the capitalist West promised. Underground rock musicians thus shared assumptions about culture that Communist leaders had instilled. Still, competing with influences from the capitalist West had its limits. State-sponsored rock festivals and rock bands encouraged a spirit of rebellion among young people. Official perceptions of what constituted culture limited options for accommodating rock and pop music and Western youth cultures. Youth countercultures that originated in the capitalist West, like hippies and punks, challenged the legitimacy of Communist youth organizations and their sponsors. Government media and police organs wound up creating oppositional identities among youth gangs. Failing to provide enough Western cultural goods to provincial cities helped fuel resentment over the Soviet Union’s capital, Moscow, and encourage support for breakaway nationalist movements that led to the Soviet Union’s collapse in 1991. Despite the Cold War, in both the Soviet bloc and in the capitalist West, political elites responded to perceived threats posed by youth cultures and music in similar manners. Young people participated in a global youth culture while expressing their own local views of the world.

Start raising bilingual children the fun, easy way! Your child is a few pages away from reaping the benefits of bilingualism: a sharper brain + improved language skills. Among the best dual language children's books to jumpstart your little one's learning journey, this bilingual book is a treasure trove for families who are bringing up a bilingual child. Specifically created for ages 0-5, whose primary language is non-Russian Includes 100+words on different topics to maximize your child's bilingual ability With bright and memorable illustrations to capture and keep the attention of young learners Printed in Russian and English with phonetic transcription, so non-Russian parents can still read the book to their child

"Every Holocaust story is unique, but Joe Pell's is so extraordinary it transcends the genre. Pell's book is part World War II saga, part adventure tale, part memoir. It encompasses the tragedy of the war and the triumph of the survivors. It goes from Pell's days sleeping on leaves and digging for potatoes in the Ukranian woods to his life among the Bay Area's most successful businessmen. It's also a great read. -Caroline Jones, San Francisco Chronicle. Illustrations. Winner Foreword Magazine Book of the Year Bronze Award