My Hiroshima

Hiroshima is the story of six people—a clerk, a widowed seamstress, a physician, a Methodist minister, a young surgeon, and a German Catholic priest—who lived through the greatest single manmade disaster in history. In vivid and indelible prose, Pulitzer Prize–winner John Hersey traces the stories of these half-dozen individuals from 8:15 a.m. on August 6, 1945, when Hiroshima was destroyed by the first atomic bomb ever dropped on a city, through the hours and days that followed. Almost four decades after the original publication of this celebrated book, Hersey went back to Hiroshima in search of the people whose stories he had told, and his account of what he discovered is now the eloquent and moving final chapter of Hiroshima.

The author recalls her happy childhood in Hiroshima, abruptly halted on August 6, 1945, when her known world was hideously destroyed by an atomic bomb.

In 1946, with the war over and Japan occupied, 2nd Lt. Herbert Sussan received a plum assignment. He would get to use his training as a cinematographer and join a Strategic Bombing Survey crew to record the results of the atomic bombings in Nagasaki and Hiroshima. From his first arrival in Nagasaki, he knew that something completely novel and appalling had happened and that he had to preserve a record of the results, especially the ongoing suffering of those affected by the bomb (known as hibakusha) even months later. When the U.S. government decided that the gruesome footage would not be "of interest" to the American public and therefore classified it top secret, he spent decades arguing for its release. His last wish was that his ashes be scattered at ground zero in Hiroshima. The author, his daughter, followed his footsteps in 1987, met survivors he had filmed more than 40 years before. And found that she met there a father she never really knew in life. This book recounts Herbert Sussan's experiences (drawn directly from an oral history he left behind), his daughter's quest to understand what he saw in Japan, and the stories of some of the survivors with whose lives both father and daughter intersected. This nuclear legacy captures the ripples of the atomic bombing down through decades and generations. The braided tale brings human scale and understanding to the horrors of nuclear war and the ongoing need for healing and peacemaking.

Argues that information and debate about President Truman's decision to drop the bomb on Japan have been suppressed in order to prevent criticism of America.

The bombing of Hiroshima was one of the pivotal events of the twentieth century, yet this controversial question remains unresolved. At the time, General Dwight Eisenhower, General Douglas MacArthur, and chief of staff Admiral William Leahy all agreed that an atomic attack on Japanese cities was unnecessary. All of them believed that Japan had already been beaten and that the war would soon end. Was the bomb dropped to end the war more quickly? Or did it herald the start of the Cold War? In his probing new study, prizewinning historian Ronald Takaki explores these factors and more. He considers the cultural context of race - the ways in which stereotypes of the Japanese influenced public opinion and policymakers - and also probes the human dimension. Relying on top secret military reports, diaries, and personal letters, Takaki relates international policies to the individuals involved: Los Alamos director J. Robert Oppenheimer, Secretary of State James Byrnes, Secretary of War Henry L. Stimson, and others... but above all, Harry Truman.

This compelling autobiography tells the life story of famed manga artist Nakazawa Keiji. Born in Hiroshima in 1939, Nakazawa was six years old when on August 6, 1945, the United States dropped the atomic bomb. His gritty and stunning account of the horrific aftermath is powerfully told through the eyes of a child who lost most of his family and neighbors. In eminently readable and beautifully translated prose, the narrative continues through the brutally difficult years immediately after the war, his art apprenticeship in Tokyo, his pioneering "atomic-bomb" manga, and the creation of Barefoot Gen, the classic graphic novel based on Nakazawa's experiences before, during, and after the bomb. This first English-language translation of Nakazawa's autobiography includes twenty pages of excerpts from Barefoot Gen to give readers who don't know the manga a taste of its power and scope. A recent interview with the author brings his life up to the present. His trenchant hostility to Japanese imperialism, the emperor and the emperor system, and U.S. policy adds important nuance to the debate over Hiroshima. Despite the grimness of his early life, Nakazawa never succumbs to pessimism or defeatism. His trademark optimism and activism shine through in this inspirational work.

戦争と原爆の悲劇をやさしい英文で描いた絵本。

“Each and every scene was hell itself.” “Human beings do not need atomic bombs.” - Shigeru Nonoyama, exposed to the atomic bomb in Hiroshima at the age of 15 // Over 50 hibakusha - victims of the atomic bombs dropped on Hiroshima and Nagasaki on August 6 and 9, 1945 - give vivid testimony of living through the nightmare of those fateful days and their hellish aftermath. Today, more than 70 years later, it is a challenge to keep alive an understanding of the true nature of nuclear weapons and their human toll. This book is a unique resource for those engaged in advocacy and education for the sake of peace. Accounts by women and men from Hiroshima are presented in separate sections, enabling the reader to gain a uniquely gendered perspective of the different ways the bombing affected survivors’ lives. These firsthand accounts give a chilling picture of the horror that nuclear weapons inflict. Survivors describe disfiguring and agonizing burns, and how radiation exposure causes pain, anxiety and discriminatory attitudes that last a lifetime as well as affecting subsequent generations.

This edited volume reconsiders the importance of the attacks on Hiroshima and Nagasaki from a post-Cold War perspective. It has been argued that during the Cold War era scholarship was limited by the anxiety that authors felt about the possibility of a global thermonuclear war, and the role their scholarship could play in obstructing such an event. The new scholarship of Nuclear Humanities approaches this history and its fallout with both more nuanced and integrative inquiries, paving the way towards a deeper integration of these seminal events beyond issues of policy and ethics. This volume, therefore, offers a distinctly post-Cold War perspective on the nuclear attacks on Hiroshima and Nagasaki. The chapters collected here address the memorialization and commemoration of Hiroshima and Nagasaki by officials and states, but also ordinary people’s resentment, suffering, or forgiveness. The volume presents a variety of approaches with contributions from academics and contributions from authors who are strongly connected to the cities of Hiroshima and Nagasaki, and its people. In addition, the work branches out beyond the traditional subjects of social sciences and humanities to include contributions on art, photography, and design. This variety of approaches and perspectives provides moral and political insights on the full range of vulnerabilities – such as emotional, bodily, cognitive, and ecological – that pertains to nuclear harm. This book will be of much interest to students of critical war studies, nuclear weapons, World War II history, Asian History and International Relations in general.

Explore Hiroshima, and with eyewitness accounts and commentary, learn about the differing viewpoints surrounding the event.