Music Of Huntsville

Huntsville, Alabama musicians are a wonderful way to personalize an event and set the tone for the festivities. From weddings to intimate dinner parties, musicians of all genres create a specific mood while also entertaining your guests. Huntsville's recently formed NASA station drew new residents from throughout the country, and across the world, to the Rocket City. This influx of fresh perspectives informed the city's youth. Soon, dozens of vibrant rock bands and soul groups, characteristic of the era but unique in Alabama, were formed. Set against the bitter backdrop of segregation, Huntsville musicians black and white' found common ground in rock and soul music. Whether playing to desegregated audiences, in desegregated bands, or both, Huntsville musicians were boldly moving forward, ushering in a new era. Through interviews with these musicians, local author Jane DeNeefe recounts this unique and important chapter in Huntsville's history.

Based on the classic 1989 film, Westerberg High is ruled by a shoulder-padded, scrunchie-wearing junta: Heather, Heather and Heather, the hottest and cruelest girls in all of Ohio. But misfit Veronica Sawyer rejects their evil regime for a new boyfriend, the dark and sexy stranger J.D., who plans to put the Heathers in their place - six feet under.

Huntsville, Alabama musicians are a wonderful way to personalize an event and set the tone for the festivities. From weddings to intimate dinner parties, musicians of all genres create a specific mood while also entertaining your guests. Huntsville's recently formed NASA station drew new residents from throughout the country, and across the world, to the Rocket City. This influx of fresh perspectives informed the city's youth. Soon, dozens of vibrant rock bands and soul groups, characteristic of the era but unique in Alabama, were formed. Set against the bitter backdrop of segregation, Huntsville musicians black and white' found common ground in rock and soul music. Whether playing to desegregated audiences, in desegregated bands, or both, Huntsville musicians were boldly moving forward, ushering in a new era. Through interviews with these musicians, local author Jane DeNeefe recounts this unique and important chapter in Huntsville's history.

Huntsville, Alabama musicians are a wonderful way to personalize an event and set the tone for the festivities. From weddings to intimate dinner parties, musicians of all genres create a specific mood while also entertaining your guests. Huntsville's recently formed NASA station drew new residents from throughout the country, and across the world, to the Rocket City. This influx of fresh perspectives informed the city's youth. Soon, dozens of vibrant rock bands and soul groups, characteristic of the era but unique in Alabama, were formed. Set against the bitter backdrop of segregation, Huntsville musicians black and white' found common ground in rock and soul music. Whether playing to desegregated audiences, in desegregated bands, or both, Huntsville musicians were boldly moving forward, ushering in a new era. Through interviews with these musicians, local author Jane DeNeefe recounts this unique and important chapter in Huntsville's history.

In 1999, when Napster made music available free online, the music industry found itself in a fight for its life. A decade later, the most important and misunderstood story—and the one with the greatest implications for both music lovers and media companies—is how the music industry has failed to remake itself. In Fortune’s Fool, Fred Goodman, the author of The Mansion on the Hill, shows how this happened by presenting the singular history of Edgar M. Bronfman Jr., the controversial heir to Seagram’s, who, after dismantling his family’s empire and fortune, made a high-stakes gamble to remake both the music industry and his own reputation. Napster had successfully blown the industry off its commercial foundations because all that the old school label heads knew how to do was record and market hits. So when Bronfman took over the Warner Music Group in 2004, his challenge was to create a new kind of record executive. Goodman finds the source of the crisis in the dissolution of the old Warner Music Group, the brilliant conglomerate of Atlantic, Elektra, and Warner Bros. Records. He shows how Doug Morris, the head of Atlantic Records, rose through the ranks and rode the CD bonanza of the 1990s to enormous corporate and personal profit before becoming embroiled in an ego-driven corporate turf war, and how all of Warner’s record executives were blindsided when AOL/Time-Warner announced in 2003 that it wanted nothing more to do with the record industry. When the music group was finally sold to Bronfman, it was a ghost of itself. Bronfman built an aggressive, streamlined team headed by Lyor Cohen, whose relentless ambition and discipline had helped build Def Jam Records. They instituted a series of daring initiatives intended to give customers legitimate online music choices and took market share from Warner’s competitors. But despite these efforts, illegal downloads still outnumber legitimate ones 19–1. Most of the talk of a new world of music and media has proven empty; despite the success of iTunes, even wildly popular sites like YouTube and MySpace have not found a way to make money with music. Instead, Warner and the other labels are diversifying and forcing young artists to give them a cut of their income from touring, publishing, and merchandising. Meanwhile, the average downloader isn’t even meeting forward-thinking musicians halfway. Each time a young band finds a following through music websites, it’s a unique story; no formula has emerged. If one does, Warner is probably in a better position than anyone to exploit it. But at the end of the day, If is the one-word verdict on Bronfman’s big bet.

At the dawn of the Cold War, the early 1950s, a young, brash, Army major, Hamilton Pike, brings famed German rocket scientist and former Hitler employee Wernher Von Braun to Huntsville, Alabama, a cotton town selected to become America's "Rocket City." But Huntsville is a Jewish community over a century old. Sparks fly and tempters explode when Amy Lubin, the Jewish fiancaee of local war hero Jed Kessler learns of Von Braun's Nazi past.

Features the Department of Music at the University of Alabama in Huntsville. Contains a calendar of events and scholarship information. Highlights performance opportunities and a list of the faculty. Offers a schedule of classes and the student handbook. Links to the home page of the University. Discusses the Huntsville Chamber Music Guild and the Cultural Entertainment Committee.

Using minimal tools and a simple technique of bending, interweaving, and fastening together sticks, artist Patrick Dougherty creates works of art inseparable with nature and the landscape. With a dazzling variety of forms seamlessly intertwined with their context, his sculptures evoke fantastical images of nests, cocoons, cones, castles, and beehives. Over the last twenty-five years, Dougherty has built more than two hundred works throughout the United States, Europe, and Asia that range from stand-alone structures to a kind of modern primitive architecture--every piece mesmerizing in its ability to fly through trees, overtake buildings, and virtually defy gravity. Stickwork, Dougherty's first monograph, features thirty-eight of his organic, dynamic works that twist the line between architecture, landscape, and art. Constructed on-site using locally sourced materials and local volunteer labor, Dougherty's sculptures are tangles of twigs and branches that have been transformed into something unexpected and wild, elegant and artful, and often humorous. Sometimes freestanding, and other times wrapping around trees, buildings, railings, and rooms, they are constructed indoors and in nature. As organic matter, the stick sculptures eventually disintegrate and fade back into the landscape. Featuring a wealth of photographs and drawings documenting the construction process of each remarkable structure, Stickwork preserves the legend of the man who weaves the simplest of materials into a singular artistic triumph.

"A jewel box of a musical: small, delicate, brimming with emotion and charm."—Vogue "It may sound like heresy to fans of the 2006 film, but this bewitching stage adaptation arguably improves on the movie, expanding its emotional breadth and elevating it stylistically while remaining true to the original's raw fragility."?Hollywood Reporter Retaining the film's popular music and lyrics, acclaimed Irish playwright Enda Walsh adapts this charming tale of a complicated romance between an Irish street musician and a young Czech immigrant for the stage. A hit musical Off-Broadway, Once premiered on Broadway in spring 2012 to rave reviews. Enda Walsh is the author of five Edinburgh Festival Fringe First Award-winning plays, including Penelope, The Walworth Farce, and The New Electric Ballroom. He also co-wrote the film Hunger, which won the Camera d'Or award at the Cannes Film Festival. Glen Hansard and Markéta Irglová are the stars and songwriters of the 2006 film Once, for which they won an Academy Award for Best Song. The two comprise the musical folk-rock duo The Swell Season, which is currently touring the United States. A documentary film of the duo, The Swell Season, was an official selection of the 2011 Tribeca Film Festival. Hansard is also a member of the Irish band The Frames and Irglová is a classically trained Czech pianist and vocalist.