Music For The Dead And Resurrected

WINNER OF THE INTERNATIONAL GRIFFIN PRIZE A NEW YORK TIMES BEST POETRY BOOK OF 2020 Music for the Dead and Resurrected captures the complexity of living in the shadows of imperial force, of the vulnerability of bodies, of seeing with more than the eyes. Valzhyna Mort's work is characterised by a memorial sensibility that honours those lost to the violences of nation states. In Music for the Dead and Resurrected the poet offers us a body of work which balances political import with serious play. There are few poets writing with such an intuitive sense of the balance between arcane and contemporary currents in poetry. Mort's lines are timeless, finely honed to last beyond a single lifetime.

Explores ancient beliefs about life after death, highlighting the fact that the early Christians' belief about the afterlife belonged firmly on the Jewish spectrum, while introducing several new mutations and sharper definitions, forcing readers to view the Easter narratives not simply as rationalizations, but as accounts of two actual events: the empty tomb of Jesus and his "appearances." Simultaneous. Hardcover no longer available.

WINNER OF THE INTERNATIONAL GRIFFIN PRIZE NAMED ONE OF THE BEST POETRY BOOKS OF 2020 BY The New York Times In her book of letters to the dead, the prize-winning poet Valzhyna Mort relearns how to mourn those erased by violent history. With shocking, unforgettable lyric force, Valzhyna Mort’s Music for the Dead and Resurrected confronts the legacy of violent death in one family in Belarus. In these letters to the dead, the poet asks: How do we mourn after a century of propaganda? Can private stories challenge the collective power of Soviet and American historical mythology? Mort traces a route of devastation from the Chernobyl fallout and a school system controlled by ideology to the Soviet labor camps and the massacres of World War II. While musical form serves as a safe house for the poet’s voice, old trees speak to her as the only remaining witnesses, hosts to both radiation and memory. Valzhyna Mort, born in Belarus and now living in the United States, conjures a searing, hallucinogenic ritual of rhythmic remembrance in a world where appeals to virtue and justice have irrevocably failed.

Singing the Resurrection brings music to the foreground of Reformation studies, as author Erin Lambert explores song as a primary mode for the expression of belief among ordinary Europeans in the sixteenth century, for the embodiment of individual piety, and the creation of new communities of belief. Together, resurrection and song reveal how sixteenth-century Christians--from learned theologians to ordinary artisans, and Anabaptist martyrs to Reformed Christians facing exile--defined belief not merely as an assertion or affirmation but as a continuous, living practice. Thus these voices, raised in song, tell a story of the Reformation that reaches far beyond the transformation from one community of faith to many. With case studies drawn from each of the major confessions of the Reformation--Lutheran, Anabaptist, Reformed, and Catholic--Singing the Resurrection reveals sixteenth-century belief in its full complexity.

When Jesus died on the cross, it seemed that all had been lost. Death had won. But after three days in a rich man's tomb, Jesus appeared...alive! The news was so shocking that his followers refused to believe it until they saw him with their own eyes and touched his wounds with their own hands. Then Jesus made an amazing claim: In the future, they too would have resurrected bodies like his, bodies that would never deteriorate, age, or perish. They would have new life without death or pain in the presence of a loving God forever. But can we really believe His promise? For that matter, can we really believe that the promise was made by a man who rose from the dead? In this fascinating look at the claims of the Gospel writers and 2,000 years of believing Christians, bestselling author Josh McDowell and his son Sean examine the compelling evidence and conclude that Jesus Christ conquered death and the grave. In clear, concise, and accessible chapters, Josh and Sean present the facts about the resurrection and what it means for readers today.

"Mort is a fireball. . . . Personal, political, and passionate, Mort's poetry will surely sustain many reading audiences. Highly recommended."—Library Journal "A one-of-a-kind work of passion and insight."—Midwest Book Review "Mort's style—tough and terse almost to the point of aphorism—recalls the great Polish poets Czeslaw Milosz and Wislawa Szymborska."—Los Angeles Times Valzhyna Mort is a dynamic Belarusian poet, and Collected Body is her first collection composed in English. Whether writing about sex, relatives, violence, or fish markets as opera, Mort insists on vibrant, dark truths. "Death hands you every new day like a golden coin," she writes, then warns that as the bribe grows "it gets harder to turn down." "Preface" on a bare tree— a red beast, so still, it has become the tree. now it's the tree that prowls over the beast, a cautious beast itself. a stone thrown at its breast is so fast—the stone has become the beast. now it's the beast that throws itself like a stone, blood like a dog-rose tree on a windy day, and the moon is trying on your face for the annual masquerade of the dead. death decides to wait to hear more. so death mews: first—your story, then—me. Valzhyna Mort was born in Minsk, Belarus. Her American debut, Factory of Tears, appeared in 2008 and she was featured on the cover of Poets & Writers. She has received many honors and awards, including a Civitella Raineri fellowship. She lives in Baltimore, Maryland.

The National Book Award–winning author of Hell of a Book shares “a breathtaking novel that navigates emotional minefields with realism and grace” (Kirkus Reviews, starred review). Harold and Lucille Hargrave’s eight-year-old son, Jacob, died tragically in 1966. In their old age they’ve settled comfortably into life without him. . . . Until one day Jacob mysteriously appears on their doorstep—flesh and blood, still eight years old. All over the world people’s loved ones are returning from beyond. No one knows how or why, whether it’s a miracle or a sign of the end. But as chaos erupts around the globe, the newly reunited family finds itself at the center of a community on the brink of collapse, forced to navigate a mysterious new reality. With spare, elegant prose and searing emotional depth, award-winning poet Jason Mott explores timeless questions of faith and morality, love and responsibility. This acclaimed debut novel marked Mott’s arrival as an important new voice in contemporary fiction.

Say Something Back will allow readers to see just why the name of Denise Riley has been held in such high regard by her fellow poets for so long. The book reproduces A Part Song, a profoundly moving document of grieving and loss, and one of the most widely admired long poems of recent years. Elsewhere these poems become a space for contemplation of the natural world and of physical law, and for the deep consideration of what it is to invoke those who are absent. But finally, they extend our sense of what the act of human speech can mean - and especially what is drawn forth from us when we address our dead. Lyric, intimate, acidly witty, unflinchingly brave, Say Something Back is a deeply moving book by one of our finest poets, and one destined to introduce Riley's name to a wide new readership.

In this deeply personal and daring meditation, eminent theologian Jürgen Moltmann challenges many closely held beliefs about the experience of dying, the nature of death, and the hope of eternal life. Moving deftly between biblical, theological, and existential domains, Moltmann argues that while we know intimately the experience of dying--both our loved ones' dying and, ultimately, our own--death itself is a mystery. Are those who have died in fact dead? If the dead are alive, how or in what respect? When the dead awaken to eternal life, who wakes? Moltmann's interrogations yield surprising and beautiful fruits. The living soul that awakens to eternal life is not a ghost in a machine, but the Lebensgestalt, the shape and story of a life, its human and divine contexts, its whole. Drawing on themes from his oeuvre's entire arc, Resurrected to Eternal Life testifies to the inner unity of Moltmann's theology: the cross, the Spirit, the kingdom, the end, and the hope that makes the end present here and now. Seasoned readers of Moltmann will find in these pages a capstone of a lifetime of theological exploration, while those new to his complex thought will find a concise and elegant entry point into his voluminous work.

A teenage girl becomes one of the undead—and an unlikely spy for her country—in this imaginative fantasy debut for fans of Graceling and Daughter of Smoke and Bone Naya, the daughter of a sea merchant captain, nervously undertakes her first solo trading mission in the necromancer-friendly country bordering her homeland of Talmir. Unfortunately, she never even makes it to the meeting. She's struck down in the streets of Ceramor. Murdered. But death is not the end for Naya. She awakens to realize she's become an abomination—a wraith, a ghostly creature bound by runes to the bones of her former corpse. She's been resurrected in order to become a spy for her country. Reluctantly, she assumes the face and persona of a servant girl named Blue. She never intended to become embroiled in political plots, kidnapping, and murder . . . Or to fall in love with the young man and former necromancer she is destined to betray . . . “A high fantasy filled with adventure, espionage, and romance.” —Kirkus Reviews