Museum Of Contemporary Art North Miami Fla

Miami, Florida, is fast becoming a critical center for contemporary art. Serving as an incubator for outstanding visual artists, this "natural playground for inspiration" is poised to become one of the leading cultural destinations of the world. With more than 315 stunning color photos, this exciting new book takes readers through significant highlights of the city's art history and showcases the works of over 100 contemporary artists who have helped bring the cultural evolution to fruition. Ranging from established artists with international careers to those beginning to make a name for themselves, this selection reveals diversity that breathes creative energy into the sultry, scintillating city of Miami.

"Groundbreaking and provocative, Judy Chicago's iconic sculptures, paintings, and installations helped bridge the gap between feminism and art during the 1960s, 70s, and beyond. Using imagery inspired by the female body and references to historical female figures, Chicago forged a new, women-focused visual language that continues to influence the aesthetics of feminist art today. This book traces Chicago's career from her emergence on the Los Angeles art scene in the 1960s through her mature work in the 1990s. Featuring illustrations of six distinct bodies of works, this book includes Chicago's masterpiece The Dinner Party as well as other lesser-known works. With informative essays that situate Chicago's oeuvre in the context of contemporary Southern Californian art and scholarship that reflects Chicago's current work, this comprehensive book provides a breathtaking look at one of the quintessential figures of American feminist art" --

Account of the rise of modernism in the art of Latin America, published to accompany the exhibition Latin American Artists of the Twentieth Century at The Museum of Modern Art, New York.

"This artist's book is the second in a collaborative series between the Contemporary Arts Center, New Orleans and Siglio in which artists are invited to intervene in the history and space of the book in conuunction with a solo exhibition at the CAC." -- Page 152

A tale of two Pop artists in 1960s New York This book charts the emergence of Marisol Escobar (1930-2016) and Andy Warhol (1928-87) in New York during the dawn of Pop art in the early 1960s. Through essays, interviews and prose, the book explores the artists' parallel rise to success, the formation of their artistic personas, their savvy navigation of gallery relationships and the blossoming of their early artistic practices from 1960 to 1968. The exhibition features key loans of Marisol's work from major global collections, along with iconic works and rarely seen films and archival materials from the Andy Warhol Museum's collection. By situating Marisol's work in dialogue with Warhol's, this new collection of writing seeks to reclaim the importance of her art; reframe the strength, originality and daring nature of her work; and reconsider her as one of the leading figures of the Pop era.

Trenton Doyle Hancock has created a world of characters through drawings, paintings, and installations and this "field guide" immerses readers in his creative process and inspirations. Trenton Doyle Hancock has transformed his childhood love of comic books, toys, and superhero culture into his own creation myth. That mythology and the fascinating, multimedia iterations that it has sparked are told in this captivating and revealing book. Accompanied by images of his paintings, drawings, and installations alongside pictures of his own vast toy and pop culture collections as well as pages from his forthcoming graphic novel, the artist traces the birth of the Mounds and Vegans--the plants and mutants that are forever at war--through which he explores good, evil, authority, race, moral relativism, and religion. Hancock takes readers inside his largest exhibition yet at MASS MoCA--a multi-media work that blends sculpture, painting, and installations to bring the Mounds' world to life. Included in this book are contributions by the exhibition curator Denise Markonish, an art historical essay about Hancock's paintings, and illuminating conversations between Hancock and some of his influences, including Frank Oz. With this book, Hancock merges his personal history with his imagination to create a rich panoply of color, image, and language. Copublished by MASS MoCA and DelMonico Books

"Haiti, 1965. The impoverished island nation's brutal dictator rules with an iron fist. As the regime threatens to crush them, two brothers fight to survive"--Page 4 of cover.

This publication accompanies the first comprehensive museum survey of the American artist. Chakaia Booker: The Observance explores the artist's signature form--monumental works made of rubber--while showcasing her artistic innovations across mediums. With new photography of the wide-ranging exhibition at ICA Miami, historic images, and newly commissioned scholarship, the publication illuminates key themes in the artist's practice. With special attention to Booker's totemic and anthropomorphic assemblages fabricated from cast-off tires, the volume highlights Booker's ongoing expression of ecological and technological concerns, examinations of racial and economic disparities, and her interest in the symbolism of the automobile in American culture. Alongside essays by Erin Jenoa Gilbert, Aruna d'Souza, and Stephanie Seidel as well as an interview with the artist by Alex Gartenfeld, this catalog includes some of Booker's most topical works, including Chu Ching (2012), a cross on a wheelbarrow that resembles Jesus being dismounted from the cross. The artist's photographic series, "Foundling Warrior Quest" (2010) and "Graveyard Series" (1995), are featured to explore the importance of performance and mythology in her practice. Anchoring the book is The Observance (1995), an immersive installation made of deconstructed rubber tires and tubes--Booker's first large-scale installation in this signature material, chosen by the artist for its associations with riots.