Academy Notes

Academy Notes
Author: Buffalo Fine Arts Academy
Publisher:
Total Pages: 20
Release: 1908
Genre: Art
ISBN:


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Museums Journal

Museums Journal
Author: Elijah Howarth
Publisher:
Total Pages: 492
Release: 1907
Genre: Museums
ISBN:


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"Indexes to papers read before the Museums Association, 1890-1909. Comp. by Charles Madeley": v. 9, p. 427-452.

Museum Notes

Museum Notes
Author: Plymouth (England). Municipal Museum and Art Gallery
Publisher:
Total Pages:
Release: 1912*
Genre: Museums
ISBN:


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The American Museum Journal

The American Museum Journal
Author: American Museum of Natural History
Publisher:
Total Pages: 796
Release: 1913
Genre: Museums
ISBN:


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Notes and Queries

Notes and Queries
Author:
Publisher:
Total Pages: 702
Release: 1894
Genre: Questions and answers
ISBN:


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The Museums Journal

The Museums Journal
Author:
Publisher:
Total Pages: 622
Release: 1921
Genre: Museums
ISBN:


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"Indexes to papers read before the Museums Association, 1890-1909. Comp. by Charles Madeley": v. 9, p. 427-452.

The Connoisseur

The Connoisseur
Author:
Publisher:
Total Pages: 274
Release: 1921
Genre: Art
ISBN:


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Museum Rhetoric

Museum Rhetoric
Author: M. Elizabeth Weiser
Publisher: Penn State Press
Total Pages: 234
Release: 2017-09-13
Genre: Language Arts & Disciplines
ISBN: 0271080248


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In today’s diverse societies, museums are the primary institutions within the public sphere in which individuals can both engage critical thought and celebrate community. This volume uses the lens of rhetoric to explore the role these societal repositories play in establishing and altering cultural heritage and national identity. Based on fieldwork conducted in over sixty museums in twenty-two countries across six continents, Museum Rhetoric explores how heritage museum exhibits persuade visitors to unite their own sense of identity with that of the broader civic society and how the latter changes in response. Elizabeth Weiser examines what compels communities, organizations, and nations to create museum spaces, and how museums operate as sites of both civic engagement and rhetorical persuasion. Moving beyond rhetorical explorations of museums as “memory sites,” she shows how they intentionally straddle the divides between style and content, intellect and affect, and unity and diversity, and why their portrayal of the past matters to civic life—and particularly studies of nationalism—in the present and future. Deeply researched and artfully argued, Museum Rhetoric sheds light on the public impact of cultural and aesthetic heritage and opens avenues of inquiry for scholars of museum studies and public history.