Muses Of One Mind

Describing how ancient discussions of literature borrowed their descriptive terms from mathematical, philosophical, and rhetorical disciplines, Wesley Trimpi shows that when any one of these three types of discourse was sacrificed to one or both of the other two, the resulting imbalance proved destructive to literary discourse. Preoccupation with exhortatory (rhetorical) intention reduced literary works to displays of eloquence or ideology; preoccupation with cognitive (philosophical) intention led to didacticism; and preoccupation with formal (mathematical) excellence resulted in "aesthetic" expression for its own sake. In tracing the relationship of the three disciplines to literary discourse through the Middle Ages, this work diagnosis the increase of such reductive preoccupations after the Neoplatoic reconstruction of classical literary theory. Since 1600 these imbalances have continued to exist, obscured by proliferating and competing "theories" and "methods" of literary interpretation. Taking theoria in the ancient sense of "inclusive observation," Professor Trimpi points to an alternative to contemporary critical orthodoxies.

The Description for this book, Muses of One Mind: The Literary Analysis of Experience and its Continuity, will be forthcoming.

ONE OF THE BEST BOOKS OF THE YEAR: Time, NPR, The Atlantic, Electric Lit, Thrillist, LitHub, Kirkus Reviews • A witty, intelligent novel of an American woman on the edge, by a brilliant new voice in fiction—“the glorious love child of Ottessa Moshfegh and Sally Rooney” (Publishers Weekly, starred review) “[A] jewel of a debut . . . abundantly satisfying.”—Jia Tolentino, The New Yorker As an adjunct professor of English in New York City with little hope of finding a permanent position, Dorothy feels “like a janitor in the temple who continued to sweep because she had nowhere else to be but who had lost her belief in the essential sanctity of the enterprise.” No one but her boyfriend knows that she’s just had a miscarriage—not her mother, her best friend, or her therapists (Dorothy has two of them). She wasn’t even sure she wanted to be a mother. So why does Dorothy feel like a failure? The Life of the Mind is a book about endings—of youth, of ambition, of possibility, but also of the meaning that an inquiring mind can find in the mess of daily experience. Mordant and remorselessly wise, this jewel of a debut cuts incisively into life as we live it, and how we think of it.

The first in an action-packed debut middle grade fantasy duology about a Cuban American girl who discovers that she’s one of the nine Muses of Greek mythology. Perfect for fans of The Serpent’s Secret, the Aru Shah series, and the Percy Jackson and the Olympians series. Callie Martinez-Silva didn’t mean to turn her best friend into a pop star. But when a simple pep talk leads to miraculous results, Callie learns she’s the newest muse of epic poetry, one of the nine Muses of Greek mythology tasked with protecting humanity’s fate in secret. Whisked away to Muse Headquarters, she joins three recruits her age, who call themselves the Muse Squad. Together, the junior muses are tasked with using their magic to inspire and empower—not an easy feat when you’re eleven and still figuring out the goddess within. When their first assignment turns out to be Callie’s exceptionally nerdy classmate, Maya Rivero, the squad comes to Miami to stay with Callie and her Cuban family. There, they discover that Maya doesn’t just need inspiration, she needs saving from vicious Sirens out to unleash a curse that will corrupt her destiny. As chaos erupts, will the Muse Squad be able to master their newfound powers in time to thwart the Cassandra Curse . . . or will it undo them all?

Things in the ground, thinking their thoughts . . . . . . Thoughts they can express only through Harry Keogh, NECROSCOPE. For that's Harry's talent, and his burden: he reads the thoughts of the dead in their graves - and the thoughts of the UNdead! Except . . . the undead are thinking thoughts that are totally-unthinkable! Yulian Bodescue's mother fainted at the tomb of Thibor Ferenczy, vampire. Corrupt from birth, now Yulian feels a strange compulsion: to discover his real father and spread his works abroad. Only Harry Keogh, prisoner of the metaphysical Mobius Continuum, can stop him. Harry's other big problem is this: HE DOESN'T HAVE A BODY!

In MUSES IV, 'Magic Unisons', as the title indicates, the word magic explains best those moments, when during the process of composing word sequences that gradually become verses and stanzas, and could lead to a whole cycle of compositions, like in the 'Chants of a Traveling Bard'. For love, in 'Magic Unisons', transferred into many shades of enjoyment and happy feelings, one's Muses certainly stimulate the poet with their sensual impulses: This cannot be stored like goods, but the traces of those happy moments are still embedded in the poet's soul and the souls of all people engaged in creative work. Fascinating are the times one spends looking through one's creative output of one year that usually happens at the end of it when the mood is influenced by dark ominous cloud formations, snowfall that reflects the dusky light, fine stringing rain, unexpected storms, and foggy mystical mornings. Indeed, magical unisons are unique.

Known widely in Europe as "interpretive narrative archaeology", the practice of using creative methods to interpret and present current knowledge of the past is gaining popularity in North America. This is a compilation of international case studies of the various artistic methods used in this new form of education. Plays, opera, visual art, stories, poetry, performance dance, music, sculpture, digital imagery - all can effectively communicate archaeological processes and cultural values to public audiences. The 23 contributors to this volume are a diverse group of archaeologists, educators and artisans who have direct experience in schools, museums and at archaeological sites. Citing specific examples, such as the film, "The English Patient", science fiction mysteries and hypertext environments, they explain how creative imagination and the power of visual and audio media can personalize, contextualize and demystify the research process

Sidney's Poetics is essential reading not only for students and scholars of Renaissance literature and literary theory but also for all who want to understand how human beings write and read creatively.

The Nine Modern Day Muses (and a Bodyguard) are actually 10 powerful creativity principles in the guise of wise and playful Muses. This is the third edition of a popular book published in 2003 now updated expanded with new sections. These modern day Muses provide empowering, playful but practical tools and concepts, quotes and a dazzling experience of returning to, deepening or discovering ones creativity. The Muses are designed to bust through every block that stands in the way of a mortals' creative fulfillment in all aspects of their lives from business to parenting and from art to writing. Move through procrastination, overwhelm, perfectionism, self-sabotage, lack of focus to the joy of the creative process and its validation of our soul and spirit.