Multi Stories

This work explores the overlapping and intermingling of cultures across the world. Questioning the concept of superiority amongst peoples, it uses personal narratives to show that cross-culture pollination, an ongoing process, always reveals itself through the ignored cracks of history.

From a creepypasta horror farm to a bullish love tale and from the bloody metal deck of the ESS Arclight to superhero octopus food trucks, you can transform your shortest stolen moments into utter delights with this diverse collection of 33 flash fiction stories. Commuting to work? Grabbing a quick coffee? Each story tells a complete tale in but a few short minutes with the added promise of a lifelong introduction to new indie writers. You never know, you might just find your next favorite author. This collection, the first in the Flash Flood series, is a special selection of master works with a variety of genres and voices guaranteed to keep you engaged. Sign up now for future flash fiction anthologies themed for Halloween, Christmas, Valentine's Day, May the 4th and Independence Day.

A collection of short stories, fables, and fairy tales emphasizing non-sexist, multi-racial, multi-cultural themes.

There is a deadly code of conduct that operates beyond the boundaries of the everyday. It's a world where anger, strength, and terrifying ferocity must be controlled with total precision and perfect timing. It is an art known to only a few. In this unique project, Kate Kray has met such men and talked to them on their own ground. They have opened up to her, told her their stories--the hunger and poverty they have endured as kids with crime and violence on every street corner, a world where it's a thin line between survival and the cold slab in the city mortuary. With integrated photographs, the portraits of these men reveal not only their awesome and terrifying presence, their power and brutal strength, but their underlying humanity and dignity too. The result of this collaboration is a revelation--portraits in words and pictures of tough guys who are smooth, loaded, and hard as rock. Men who have gone to the brink, and have survived to turn their lives around to tell their tale.

From the pen of award-winning erotica author Lucy Felthouse comes a collection of short stories and flash fiction sure to hit the spot. There's something for everyone nestling between the pages of this sexy anthology. From spanking to voyeurism, bondage to pegging, solo loving to menage, with a sprinkling of femdom, maledom and magic, fans of M/F erotic stories will soon discover why this book is described as multi-orgasmic. Enjoy twenty one titillating tales, over 52,000 words of naughtiness packed into one steamy read. Please note: Many of the stories in this book have been previously published in anthologies and online, but three of the tales are brand new and never-seen-before!

While honoring the historical context and literary diversity of the Old Testament, Telling the Old Testament Story is a thematic reading that construes the OT as a complex but coherent narrative. Unlike standard, introductory textbooks that only cover basic background and interpretive issues for each Old Testament book, this introduction combines a thematic approach with careful exegetical attention to representative biblical texts, ultimately telling the macro-level story, while drawing out the multiple nuances present within different texts and traditions. The book works from the Protestant canonical arrangement of the Old Testament, which understands the story of the Old Testament as the story of God and God’s relationship with all creation in love and redemption—a story that joins the New Testament to the Old. Within this broader story, the Old Testament presents the specific story of God and God’s relationship with Israel as the people called, created, and formed to be God’s covenant partner and instrument within creation. The Old Testament begins by introducing God’s mission in Genesis. The story opens with the portrait of God’s good, intended creation of right-relationships (Gen 1—2) and the subsequent distortion of that good creation as a result of humanity’s rebellion (Gen 3—11). Genesis 12 and following introduce God’s commitment to restore creation back to the right-relationships and divine intentions with which it began. Coming out of God’s new covenant engagement with creation in Gen 9, this divine purpose begins with the calling of a people (who turn out to be the manifold descendants of Abraham and Sarah) to be God’s instrument of blessing for all creation and thus to reverse the curse brought on by sin. The diverse traditions that comprise the remainder of the Pentateuch then combine to portray the creation and formation of Israel as a people prepared to be God’s instrument of restoration and blessing. As the subsequent Old Testament books portray Israel’s life in the land and journey into and out of exile, the reader encounters complex perspectives on Israel’s attempts to understand who God is, who they are as God’s people, and how, therefore, they ought to live out their identity as God’s people within God’s mission in the world. The final prophetic books that conclude the Protestant Old Testament ultimately give the story of God’s mission and people an open-ended quality, suggesting that God’s mission for God’s people continues and leading Christian readers to consider the New Testament’s story of the Church as an extension and expansion of the broader story of God introduced in the Old Testament. The main methodological perspective that informs the book includes work on the phenomenological function of narrative (especially story’s function to shape the identity and practice of the reader), as well as more recent so-called “missional” approaches to reading Christian scripture. Canonical criticism provides the primary means for relating the distinctive voices within the Old Testament texts that still honor the particularity and diversity of the discrete compositions. Accessibly written, this book invites readers to enter imaginatively into the biblical story and find the Old Testament's lively and enduring implications.

This is a collection of peer-reviewed papers originally presented at the 19th Australasian Conference on the Mechanics of Structures and Materials by academics, researchers and practitioners largely from Australasia and the Asia-Pacific region. The topics under discussion include: composite structures and materials; computational mechanics; dynamic analysis of structures; earthquake engineering; fire engineering; geomechanics and foundation engineering; mechanics of materials; reinforced and prestressed concrete structures; shock and impact loading; steel structures; structural health monitoring and damage identification; structural mechanics; and timber engineering. It is a valuable reference for academics, researchers, and civil and mechanical engineers working in structural and material engineering and mechanics.

This book describes the research of the authors over more than a decade on an end-to-end methodology for the design and development of Web Information Systems (WIS). It covers syntactics, semantics and pragmatics of WIS, introduces sophisticated concepts for conceptual modelling, provides integrated foundations for all these concepts and integrates them into the co-design method for systematic WIS development. WIS, i.e. data-intensive information systems that are realized in a way that arbitrary users can access them via web browsers, constitute a prominent class of information systems, for which acceptance by its a priori unknown users in varying contexts with respect to the presented content, the ease of functionality provided and the attraction of the layout adds novel challenges for modelling, design and development. This book is structured into four parts. Part I, Web Information Systems – General Aspects, gives a general introduction to WIS describing the challenges for their development, and provides a characterization by six decisive aspects: intention, usage, content, functionality, context and presentation. Part II, High-Level WIS Design – Strategic Analysis and Usage Modelling with Storyboarding, introduces methods for high-level design of WIS covering strategic aspects and the storyboarding method, which is discussed from syntactic, semantic and pragmatic perspectives. Part III, Conceptual WIS Design – Rigorous Modelling of Web Information Systems and their Layout with Web Interaction Types and Screenography, continues with conceptual design of WIS including layout and playout. This introduces the decisive web interaction types, the screenography method and adaptation aspects. The final Part IV, Rationale of the Co-Design Methodology and Systematic Development of Web Information Systems, describes the co-design method for WIS development and its application for the systematic engineering of systems. The book addresses the research community, and at the same time can be used for education of graduate students and as methodological support for professional WIS developers. For the WIS research community it provides methods for WIS modelling on all levels of abstraction including theoretical foundations and inference mechanisms as well as a sophisticated end-to-end methodology for systematic WIS engineering from requirements elicitation over conceptual modelling to aspects of implementation, layout and playout. For students and professional developers the book can be used as a whole for educational courses on WIS design and development, as well as for more specific courses on conceptual modelling of WIS, WIS foundations and reasoning, co-design and WIS engineering or WIS layout and playout development.