Indian Miniatures of the Mughal Court
Author | : Amina Okada |
Publisher | : ABRAMS |
Total Pages | : 248 |
Release | : 1992 |
Genre | : Art |
ISBN | : |
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Author | : Amina Okada |
Publisher | : ABRAMS |
Total Pages | : 248 |
Release | : 1992 |
Genre | : Art |
ISBN | : |
Author | : J. M. Rogers |
Publisher | : Interlink Books |
Total Pages | : 0 |
Release | : 2006-01-01 |
Genre | : Art |
ISBN | : 9781566566582 |
The Mughal school of miniature painting flourished in northern India in the sixteenth and seventeenth centuries, chiefly under the patronage of the emperors Akbar, Jahangir and Shah Jahan. Rooted in a diversity of cultural, religious and artistic traditions, it became one of the richest and most productive schools in the whole history of Islamic art. In this beautifully illustrated book the author surveys the development of Mughal painting, from its early beginnings to the masterpieces created by the court studios for the books and albums of their demanding imperial patrons. He describes the historical setting in which the Mughal artists worked and the materials and techniques they used to create their brilliant effects. The paintings reproduced here cover the whole range of Mughal miniature art, from manuscript illustrations of biographical, historical or mythological works to courtly portrait albums, with both human and animal subject.
Author | : J. M. Rogers |
Publisher | : |
Total Pages | : 136 |
Release | : 2006 |
Genre | : Art |
ISBN | : |
Rogers presents a classic, beautifully illustrated concise introduction to the history and development of miniature painting in Mughal India during the 16th and 17th centuries.
Author | : Suhag Shirodkar |
Publisher | : |
Total Pages | : 56 |
Release | : 2007 |
Genre | : Miniature painting, Mogul |
ISBN | : 9788172237028 |
Author | : Kavita Singh |
Publisher | : Getty Publications |
Total Pages | : 120 |
Release | : 2017-03-07 |
Genre | : Art |
ISBN | : 1606065181 |
Accounts of paintings produced during the Mughal dynasty (1526–1857) tend to trace a linear, “evolutionary” path and assert that, as European Renaissance prints reached and influenced Mughal artists, these artists abandoned a Persianate style in favor of a European one. Kavita Singh counters these accounts by demonstrating that Mughal painting did not follow a single arc of stylistic evolution. Instead, during the reigns of the emperors Akbar and Jahangir, Mughal painting underwent repeated cycles of adoption, rejection, and revival of both Persian and European styles. Singh’s subtle and original analysis suggests that the adoption and rejection of these styles was motivated as much by aesthetic interest as by court politics. She contends that Mughal painters were purposely selective in their use of European elements. Stylistic influences from Europe informed some aspects of the paintings, including the depiction of clothing and faces, but the symbolism, allusive practices, and overall composition remained inspired by Persian poetic and painterly conventions. Closely examining magnificent paintings from the period, Singh unravels this entangled history of politics and style and proposes new ways to understand the significance of naturalism and stylization in Mughal art.
Author | : Stuart Cary Welch |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 320 |
Release | : 1987 |
Genre | : Calligraphy, Islamic |
ISBN | : 0870994999 |
Fifty leaves that form the sumptuous Kevorkian Album, one of the world's greatest assemblages of Mughal art. -- Metropolitan Museum of Art website.
Author | : Anjan Chakraverty |
Publisher | : Roli Books Private Limited |
Total Pages | : 156 |
Release | : 2005 |
Genre | : Art |
ISBN | : 9788174363343 |
This book journeys through the development and decline of the schools of Indian miniature painting. The represented masterpieces bear testimony to the genius of the painters. Of special interest is the context, portrayed through contemporary literature and chronicles that throw light on the lives of these master artists.
Author | : Stephanie Schrader |
Publisher | : Getty Publications |
Total Pages | : 162 |
Release | : 2018-03-20 |
Genre | : Art |
ISBN | : 1606065521 |
This sumptuously illustrated volume examines the impact of Indian art and culture on Rembrandt (1606–1669) in the late 1650s. By pairing Rembrandt’s twenty-two extant drawings of Shah Jahan, Jahangir, Dara Shikoh, and other Mughal courtiers with Mughal paintings of similar compositions, the book critiques the prevailing notion that Rembrandt “brought life” to the static Mughal art. Written by scholars of both Dutch and Indian art, the essays in this volume instead demonstrate how Rembrandt’s contact with Mughal painting inspired him to draw in an entirely new, refined style on Asian paper—an approach that was shaped by the Dutch trade in Asia and prompted by the curiosity of a foreign culture. Seen in this light, Rembrandt’s engagement with India enriches our understanding of collecting in seventeenth-century Amsterdam, the Dutch global economy, and Rembrandt’s artistic self-fashioning. A close examination of the Mughal imperial workshop provides new insights into how Indian paintings came to Europe as well as how Dutch prints were incorporated into Mughal compositions.
Author | : Ashok Kumar Srivastava |
Publisher | : |
Total Pages | : 272 |
Release | : 2000 |
Genre | : Art |
ISBN | : |
Illustrations: Numerous B/w & Colour Illustrations Description: The present work is based on an extensive and critical study of the original Mughal paintings supported by contemporary historical literature and provides fresh perspective for the interpretation and analysis of the painter's art under the Mughals. After a brief discussion on painting in Islam the author goes on to expound the nature and role of pre-Mughal indigenous traditions in the making of Mughal style. Thereafter, the study turns towards the origin and development of Mughal painting from Humayun to Aurangzeb. Finally, the various influences--Persian, Chinese and European--have been examined. The author concludes that Mughal painting reflecte a non-mechanical fusion of the different cultures of Asia and Europe. It had never been a colonial expression of Persian painting. Despite the presence of a number of elements borrowed from foreign sources, it remained truly Indian from the very beginning. This richly illustrated volume carries finest treasures of Mughal court paintings.
Author | : Zaheda Khanam |
Publisher | : |
Total Pages | : 0 |
Release | : 2009 |
Genre | : Animals in art |
ISBN | : 9788124604854 |
The depiction of flora and fauna has been an intrinsic part of Indian painting traditions. The Mughals in their turn, in their fascinating paintings, used the bird and animal imagery to lend a special quality to their art of painting. This book, with over 70 illustrations, is a survey of the birds and animals used in Mughal paintings, especially during the reigns of Emperors Akbar and Jahangir. With historical details, it shows that the depiction of various kinds of birds and animals played a significant role in conformity with the context or the demands of the narratives. The artists painted both wild and domestic animals with equal competence. Outlining the differences in the paintings under the Mughal rulers themselves with regard to depiction of fauna, it notes that while Akbar was interested in historical, mythological or anecdotal events, Jahangir introduced album paintings and evinced interest in individual portrait studies of fauna. In all, it showcases the meticulous depiction of fauna in Mughal art and its persevering beauty. It mentions the names of a host of artists who executed the paintings and the many illustrated manuscripts mythological, historical and on popular fables that saw lavish use of paintings with faunal imagery. The book will interest historians especially those studying art history of the medieval period.