Mourning Jewelry

Details decorative art created to memorialize and commemorate death from the 1600s through World War I. Outstanding examples of mourning jewelry, portrait miniatures, pottery and glassware, paintings and sculpture, posthumous photographs, hair-work memorials, and more. Includes background information on mourning practices, current values, glossary, and bibliography. An excellent resource for Victoriana, Georgian and Victorian memorial arts, and antique jewelry.

A fascinating text explains the many popular nineteenth century traditions associated with death and mourning. Over 300 color photographs display jewelry, photography, clothing, customs, and symbolism. Over 70 pages of a Victorian hair jewelry catalog are included.

In Death Lamented: The Tradition of Anglo-American Mourning Jewelry illustrates and explains prime examples of rings, bracelets, brooches, and other pieces of mourning jewelry from the seventeenth, eighteenth, and nineteenth centuries. Like the exhibition at the Massachusetts Historical Society, this volume showcases the materials in the Society’s collection and that of Sarah Nehama, a jeweler and private collector who co-curated the event at the MHS. These elegant and evocative objects are presented in context, including written explanations of the history, use, and meaning of the jewelry, as well as related pieces of material culture, such as broadsides, photographs, portraits, and trade cards. The jewelry included illustrates some of the most exemplary types, from early gold bands with death’s head iconography to jeweled brooches and intricately woven hairwork pieces of the Civil War era. Distributed for the Massachusetts Historical Society

Mourning is the new black... The tradition of Victorian mourning jewelry began with Queen Victoria after the death of her husband, Prince Albert. Without photography, mementos of personal remembrance were used to honor the dead so that their loved ones could commemorate their memory and keep their spirits close. Ashes were placed within rings, and necklaces were made out of hair, and the concept of death photography, small portraitures of the deceased, were often encased behind glass. Mourning jewelry became a fashion statement as much as a way to cope with grief, and as their pain evolved over the years, so did their jewelry. But what about the sadness and the memories that they kept close to them at all times? The death-day visions and the reoccurring nightmares? Wytovich explores the horror that breeds inside of the lockets, the quiet terror that hides in the center of the rings. Her collection shows that mourning isn't a temporary state of being, but rather a permanent sickness, an encompassing disease. Her women are alive and dead, lovers and ghosts. They live in worlds that we cannot see, but that we can feel at midnight, that we can explore at three a.m. Wytovich shows us that there are hearts to shadows and pulses beneath the grave. To her, Mourning Jewelry isn't something that you wear around your neck. It's not fashion or a trend. It's something that you carry inside of you, something that no matter how much it screams, that you can just can't seem to let out.

Macabre tales of death and mourning in Victorian America.

Examining the compelling and often poignant connection between women and the material culture of death, this collection focuses on the objects women make, the images they keep, the practices they use or are responsible for, and the places they inhabit and construct through ritual and custom. Women?s material practices, ranging from wearing mourning jewelry to dressing the dead, stitching memorial samplers to constructing skull boxes, collecting funeral programs to collecting and studying diseased hearts, making and collecting taxidermies, and making sculptures honoring the death, are explored in this collection as well as women?s affective responses and sentimental labor that mark their expected and unexpected participation in the social practices surrounding death and the dead. The largely invisible work involved in commemorating and constructing narratives and memorials about the dead-from family members and friends to national figures-calls attention to the role women as memory keepers for families, local communities, and the nation. Women have tended to work collaboratively, making, collecting, and sharing objects that conveyed sentiments about the deceased, whether human or animal, as well as the identity of mourners. Death is about loss, and many of the mourning practices that women have traditionally and are currently engaged in are about dealing with private grief and public loss as well as working to mitigate the more general anxiety that death engenders about the impermanence of life.

From modest beginnings in Paris to predominance in the world of high fashion, the rise of the house of Cartier is comprehensively chronicled in this lavish volume. In the 1980s Cartier granted Hans Nadelhoffer exclusive access to its archives in order to write the definitive history. Long out of print, Nadelhoffer's exhaustive research has been revived with lush new photography and design sketches of the world's most distinctive and finely crafted jewelry. Through charming and compelling anecdotes, these famed gemsand the elite clientele who don themare brought to life. This fully illustrated account is the essential complement to any jewelry lover's collection, and will satisfy the longings of all those who covet this legendary brand.

In conjunction with a ten-year exhibit at the Chicago Historical Society, beginning January 1990.

This book documents hundreds of customs and traditions practiced in countries outside of the United States, showcasing the diversity of birth, coming-of-age, and death celebrations worldwide. From the beginning of our lives to the end, all of humanity celebrates life's milestones through traditions and unique customs. In the United States, we have specific events like baby showers, rites of passage such as Bat and Bar Mitzvahs and "sweet 16" birthday parties, and sober end-of-life traditions like obituaries and funeral services that honor those who have died. But what kinds of customs and traditions are practiced in other countries? How do people in other cultures welcome babies, prepare to enter into adulthood, and commemorate the end of the lives of loved ones? This three-volume encyclopedia covers more than 300 birth, life, and death customs, with the books' content organized chronologically by life stage. Volume 1 focuses on birth and childhood customs, Volume 2 documents adolescent and early-adulthood customs, and Volume 3 looks at aging and death customs. The entries in the first volume examine pre-birth traditions, such as baby showers and other gift-giving events, and post-birth customs, such as naming ceremonies, child-rearing practices, and traditions performed to ward off evil or promote good health. The second volume contains information about rites of passage as children become adults, including indigenous initiations, marriage customs, and religious ceremonies. The final volume concludes with coverage on customs associated with aging and death, such as retirement celebrations, elaborate funeral processions, and the creation of fantasy coffins. The set features beautiful color inserts that illustrate examples of celebrations and ceremonies and includes an appendix of excerpts from primary documents that include legislation on government-accepted names, wedding vows, and maternity/paternity leave regulations.