Mount Analogue

In this novel/allegory the narrator/author sets sail in the yacht Impossible to search for Mount Analogue, the geographically located, albeit hidden, peak that reaches inexorably toward heaven. Daumal's symbolic mountain represents a way to truth that "cannot not exist," and his classic allegory of man's search for himself embraces the certainty that one can know and conquer one's own reality. In this novel/allegory the narrator/author sets sail in the yacht Impossible to search for Mount Analogue, the geographically located, albeit hidden, peak that reaches inexorably toward heaven. Daumal's symbolic mountain represents a way to truth that "cannot not exist," and his classic allegory of man's search for himself embraces the certainty that one can know and conquer one's own reality.

Mount Analogue combines the author's poetic gifts and philosophical accomplishments in a manner that is both entertaining to read and profound to contemplate. The novel is a representation of the author's own spiritual quest, transposed into fictional form, and was published posthumously in 1952... Among other things, this is an allegory for the journey of life, as well as a marvellous tale in which the narrator/author, one of an intrepid company of eight, sets sail in the yacht Impossible to search for Mount Analogue, the solid, geographically located, albeit hidden, peak that reaches inexorably towards heaven - as Mount Olympus reaching to the home of the Greek gods, or Mount Sinai to the presence of Yahweh. Daumal, often described as one of the most gifted literary figures in twentieth century France, died before the novel was completed, providing an uncanny one-way quality to the journey that the reader cannot help but share.

The cult classic allegory of a man’s search for enlightenment and self-knowledge by the French poet and literary critic. In Mount Analogue, Rene Daumal introduces readers to an anonymous protagonist much like himself: a young author who travels in the literary circles of mid-20th century Paris. When the author is reminded of an article he once wrote about the symbolism of mountains in ancient mythologies, his speculation about “the ultimate symbolic mountain” sets him on a journey to discover it. The narrator/author sets sail in the yacht Impossible to search for Mount Analogue, the geographically located, albeit hidden, peak that reaches inexorably toward heaven. Daumal’s symbolic mountain represents a way to truth that “cannot not exist,” and his classic allegory of man’s search for himself embraces the certainty that one can know and conquer one’s own reality.

The French poet and author of Mount Analogue shares a satirical allegory of the absurdities of intellectual society. As in Rene Daumal’s cult classic Mount Analogue, A Night of Serious Drinking concerns an autobiographical protagonist on a mind-expanding journey. But rather than seeking enlightenment, the anonymous narrator recounts an evening getting drunk with a group of friends. As the party becomes intoxicated and exuberant, the narrator’s wandering lead him from seeming paradises to the depths of pure hell. The characters our hero encounters go by absurd titles, such as Anthographers, Fabricators of useless objects, Scienters, Nibblists, and Clarificators. Yet the inhabitants of these strange realms are only too familiar: scientists dissecting an animal in their laboratory, a wise man surrounded by his devotees, politicians angling for influence, and poets expounding their rhetoric. Their hilarious antics and intellectual games reveal incisive social commentary that combines poetic imagination and philosophical depth.

Pataphysics: the science of imaginary solutions, of laws governing exceptions and of the laws describing the universe supplementary to this one. Alfred Jarry's posthumous novel, Exploits and Opinions of Dr. Faustroll, Pataphysician, first appeared in 1911, and over the next 100 years, his pataphysical supersession of metaphysics would influence everyone from Marcel Duchamp and Boris Vian to Umberto Eco and Jean Baudrillard. In 1948 in Paris, a group of writers and thinkers would found the College of 'Pataphysics, still going strong today. The iconoclastic René Daumal was the first to elaborate upon Jarry's unique and humorous philosophy. Though Daumal is better known for his unfinished novel Mount Analogue and his refusal to be adopted by the Surrealist movement, this newly translated volume of writings offers a glimpse of often overlooked Daumal: Daumal the pataphysician. Pataphysical Essays collects Daumal's overtly pataphysical writings from 1929 to 1941, from his landmark exposition on pataphysics and laughter to his late essay, "The Pataphysics of Ghosts." Daumal's "Treatise on Patagrams" offers the reader everything from a recipe for the disintegration of a photographer to instructions on how to drill a fount of knowledge in a public urinal. This volume also includes Daumal's column for the Nouvelle Revue Française, "Pataphysics This Month." Reading like a deranged encyclopedia, "Pataphysics This Month" describes a new mythology for the field of science, and amply demonstrates that the twentieth century had been a distinctly pataphysical era.

Jodorowsky’s memoirs of his experiences with Master Takata and the group of wisewomen--magiciennes--who influenced his spiritual growth • Reveals Jodorowsky turning the same unsparing spiritual vision seen in El Topo to his own spiritual quest • Shows how the author’s spiritual insight and progress was catalyzed repeatedly by wisewoman shamans and healers In 1970, John Lennon introduced to the world Alejandro Jodorowsky and the movie, El Topo, that he wrote, starred in, and directed. The movie and its author instantly became a counterculture icon. The New York Times said the film “demands to be seen,” and Newsweek called it “An Extraordinary Movie!” But that was only the beginning of the story and the controversy of El Topo, and the journey of its brilliant creator. His spiritual quest began with the Japanese master Ejo Takata, the man who introduced him to the practice of meditation, Zen Buddhism, and the wisdom of the koans. Yet in this autobiographical account of his spiritual journey, Jodorowsky reveals that it was a small group of wisewomen, far removed from the world of Buddhism, who initiated him and taught him how to put the wisdom he had learned from his master into practice. At the direction of Takata, Jodorowsky became a student of the surrealist painter Leonora Carrington, thus beginning a journey in which vital spiritual lessons were transmitted to him by various women who were masters of their particular crafts. These women included Doña Magdalena, who taught him “initiatic” or spiritual massage; the powerful Mexican actress known as La Tigresa (the “tigress”); and Reyna D’Assia, daughter of the famed spiritual teacher G. I. Gurdjieff. Other important wisewomen on Jodorowsky’s spiritual path include María Sabina, the priestess of the sacred mushrooms; the healer Pachita; and the Chilean singer Violeta Parra. The teachings of these women enabled him to discard the emotional armor that was hindering his advancement on the path of spiritual awareness and enlightenment.

Demonstrates how Rene Daumal, author of Mount Analogue, (a study of Hindu philosophy and poetics) and the teaching of G. I. Gurdjieff combined with Daumal's early surrealist tendencies in determining the quality of his writing.

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Thom Jones made his literary debut in The New Yorker in 1991. Within six months his stories appeared in Harper's, Esquire, Mirabella, Story, Buzz, and in The New Yorker twice more. "The Pugilist at Rest" - the title story from this stunning collection - took first place in Prize Stories 1993: The O. Henry Awards and was selected for inclusion in Best American Short Stories 1992. He is a writer of astonishing talent. Jones's stories - whether set in the combat zones of Vietnam or the brittle social and intellectual milieu of an elite New England college, whether recounting the poignant last battles of an alcoholic ex-fighter or the hallucinatory visions of an American wandering lost in Bombay in the aftermath of an epileptic fugue - are fueled by an almost brutal vision of the human condition, in a world without mercy or redemption. Physically battered, soul-sick, and morally exhausted, Jones's characters are yet unable to concede defeat: his stories are infused with the improbable grace of the spirit that ought to collapse, but cannot. For in these extraordinary pieces of fiction, it is not goodness that finally redeems us, but the heart's illogical resilience, and the ennobling tenacity with which we cling to each other and to our lives. The publication of The Pugilist at Rest is a major literary event, heralding the arrival of an electrifying new voice in American fiction, and a writer of magnificent depth and range. With these eleven stories, Thom Jones takes his place among the ranks of this country's most important authors.

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